Help with Custom White Balance and Correct Exposure
Below, you all will find a few samples of some of my hockey photos. The last two photos are of another area photographer that I know. His shots are always tack sharp, colorful, and the faces can be seen. That is how I wish mine would turn out. Sometimes I can post edit, and my photos come out acceptable, but I know they can be as good as the bottom two photos. The other photographer shoots with the same camera that I do, a Canon 50D. I use, depending on what I'm shooting, a 70-200mm 2.8/ 85mm 1.8/ and a 100mm 2.0 lenses. I have tried several different settings, but still cannot get all my shots to come out looking like the last two photos in this post. This guy's photos just about all turn out like this, and with the amount he uploads to his site, they are straight from his camera this way. If there are sports photographers out there, who shoot with the Canon 50D, you can't imagine how happy I would be if you can help me out with this problem. I sell a good deal of photos, and my customers are always happy with my product, but I know it can be alot better than it is. What I would like to have for my hockey photos: Clear, tack sharp photos, Faces that can be seen, Bright bursting colors.
Thanks in advance for any help or direction anybody can give me.
Shark
MY PHOTO
MY PHOTO
MY PHOTO
MY PHOTO
http://pbs131.smugmug.com/photos/728405718_dbV7B-M.jpg
NOT MY PHOTO
http://pbs131.smugmug.com/photos/728405736_R2nnZ-M.jpg
NOT MY PHOTO
Thanks in advance for any help or direction anybody can give me.
Shark
MY PHOTO
MY PHOTO
MY PHOTO
MY PHOTO
http://pbs131.smugmug.com/photos/728405718_dbV7B-M.jpg
NOT MY PHOTO
http://pbs131.smugmug.com/photos/728405736_R2nnZ-M.jpg
NOT MY PHOTO
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Comments
Check out Andy's Snow Dog. The EXIF on that first image shows + 1 1/3 EC.
Just FYI - ya' shouldn't post other people's shots w/o permission either. Just give a link.
GreyLeaf PhotoGraphy
:D:D
http://nikonic1.smugmug.com/
The settings. My photos do not come out good. They are dark, drab, dark faces, not tack sharp. His come out much brighter, much clearer, more colorful. I know it must be that I have my camera on the wrong settings, but I haven't been able to come up with the correct combination of settings to get the kind of photos I know my camera is capable of capturing.
Ansel Adams
www.pbs131.smugmug.com
Try setting a custom white balance with an Exposdisc or a Spectrasnap filter, like he suggested.
Shoot in Av with at least +1 stop of Exposure Compensation like he suggested.
If you are shooting jpgs, and many sportshooters do, set a custom white balance for your camera in the arena lighting before the game starts!
You may want to increase the in camera sharpening and saturation slightly also.
Moderator of the Technique Forum and Finishing School on Dgrin
GreyLeaf PhotoGraphy
Ansel Adams
www.pbs131.smugmug.com
The technique varies a bit for different cameras, but basically you shoot an incamera jpg of a non-specular white or gray target, or through a filter like an Exposdisc . You then tell the camera to use that jpg as source file for a custom white balance in your menus in your camera. You may need to read the manual for your specific camera, but once you have done it, it is very easy to repeat. Less than thirty seconds from firing the shutter to having your new custom white balance. If you change your light source, you will have to start over again.
Moderator of the Technique Forum and Finishing School on Dgrin
If you are shooting RAW, then learn to work the white balance in your software.
Increasing the exposure will help, but make sure you can still capture the action. The AUD is lighted miserably. Is the Clinton team still known as the Comets?
M
Thanks, I guess I'll just have to dig a little deeper and read the manual, which I hate doing. I learn more when I'm shown.
Actually, the Aud is lit up nicely compared to the Arena. The Clinton Arena is like a cave. Dimly lit, dark walls, all make for an unpleasant venue for photographers.
The Comets used to be the professional team out of Clinton. They are no longer. I shoot the high school varsity hockey team. They are called the Warriors.
Where are you from?
Ansel Adams
www.pbs131.smugmug.com
For hockey photos (and all photos in general), it's all about getting the correct exposure in camera for that specific frame. For ice hockey, the white balance is one of the keys.
I hate to ask -- have you read the manual? Page. 72. When in doubt, read.
In general, take a white balance reference frame (WB tool is best, read the linkies in my post and in this thread, use the ice in a pinch) using the exposure settings that you will be using, go in the camera menu, tell the camera to use that frame for CWB, and then set the WB on the camera to custom.
There are few caveats -- the lights might cycle, you need wait until the lights have gone to full temp, the light changes depending on where you are standing, and you're shooting through.
People in this thread and other threads have given you good advice. good luck.
Since these are in the same gallery as yours, I've changed those to links.
I never read it from front to back. I just don't absorb anything that way. I wish I did. I'm better off being shown how something is done, rather than reading how to do it. When I first tried to do a custom white balance, it confused me, but I guess I'll have to try it again.
Thanks.
Ansel Adams
www.pbs131.smugmug.com
Last year I was leading a team of photographers covering a huge week-long event with miserably mixed lighting. Jpeg-only was the requirement which meant that everyone had to develop a custom white-balance profile for each venue.
I ended up having to give a impromptu hands on training on how to do this. The challenge was that there were at least three camera brands represented. While the technique was very similar, the buttons, terminology, and sequences were different enough to cause minor chaos. It was pretty funny actually and we got the job done without anyone looking too yellow.
All I can say is practice practice practice. Osmosis happens.
BTW, I grew up in the Valley way back in the last century when they were making typewriters and pantaloons.
M
Just from some suggestions from aktse and looking at the photos, I was able to take this image
to fairly quickly.
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Ian
Thanks Ian, I will check that out.
Ansel Adams
www.pbs131.smugmug.com
Ansel Adams
www.pbs131.smugmug.com
I saw a discussion on this in a gymnastics thread under sports when I was lurking over there one day... I'll see if I can find it.
Who is wise? He who learns from everyone.
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http://www.dgrin.com/showthread.php?t=151212
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These are still significantly under-exposed - that is some of the reason the faces are dark, also they are in shadow.
How do I know these are under exposed? The white backboard barely reads 190,190,190. Even the brighter parts of the helmets barely get close to 220,220,220. These are gray tones, not white ones.
The images are still under exposed by at least 1/2 to 2/3 of a full fstop.
if you want faces in the shadows exposed correctly, you will have to consider blowing some of the white out of gamut. The shadow tones will be at least 2 stops darker than the lit areas.
The color balance is looking better, but color is affected by under exposure, so that is the first task. This under exposure could be improved in Photoshop or ACR of course.
The manual for my Canon camera says to use a white, but non-specular, surface for a custom white balance. Grey cards were originally designed for using reflected light meters, not for color temperature meters.
Truth is I rather like the Lastolite grey non specular reflector I purchased from BalanceSmarter.com for custom white balance and for correct exposure settings as well
Moderator of the Technique Forum and Finishing School on Dgrin
Also for the angle you are shooting at, it is going to be difficult to get as crisp of a face in general for hockey from what I have seen. I am not an expert on this portion, but I would say that getting lower to the ice, not closer, lower. It will have a little more depth than just having the white of the ice behind the skater.
Aktse's post has really good information and having looked at many of her photos, and followed her advice, it has made a big difference.
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Mark -
Why are you posting my images on this site without permission? Holy smokes!
Look, if you've got a question about something just ask. Some of your post is inaccurate. I shoot more bodies on any given day than a 40 or 50D. In fact the 50D was riddled with problems IMHO.
Thanks for the indirect compliments. I work very hard at what I do, but would appreciate the courtesy of knowing that your posting, then linking my work. Come on! I've know you for a while and would give you the same respect.
I believe your action permits an observation. You seem to place a ton of emphasis on equipment. As a wise professional once told me, quality images are a blend of 80% photographer, 10% gear. Despite the advent of the digital age, I believe that holds true today.
If you ever wanna sit down and drink a Heineken or two and shoot the breeze like we used to, I'm game.