A "sign" of the times
Nikonic1
Registered Users Posts: 684 Major grins
A shot of a homeless man preparing his panhandling sign. Please let me know if you think this could stand alone without the title. Also C&C on the picture itself.
Thanks!!
Thanks!!
Matt :thumb
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In this case, I think the title detracts. Even with the title, it doesn't much look like a sign. I prefer to imagine that he's writing a letter. I like the shot, though. The tilt works well, I think.
The image itself is nice. The composition is strong and the conversion is not bad at all. Oddly, the slight tilt actually adds a bit to the image as well in my opinion. Nicely done.
Thanks again for the comments and Merry Christmas. thumb
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Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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As for a title. I'm the type that doesn't like titles. Its gives the person looking at a photo the suggestion of what to think, how to feel, etc. about it before they even take a closer look. Sometimes I think it might even distract them from taking a look because of the title. Just my opinion tho
I wouldn't know this man was homeless, but do now since you told us. While we assume he is writing, addressing a letter -- do we know that? Doesn't matter, but the photo implies he's doing something that might be associated with the mailbox and letter writting. Think I'd come up with a title that is off the subject of letter writing or "sign" even tho I know what your title was suggesting
Outdated or Memories of the Past -- that would be my pick for a title
Neat photo -- and the tilt works good with this photo.
www.Dogdotsphotography.com
Thanks for the comments dogdots thumb
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It really depends on the situation for me. In a candid situation (like this one was) I try to setup as inconspicuously as possible and take the photo. Posing moments like these are really difficult if not impossible IMO and really affects the authenticity of the shot.
In others however, I don't hesitate to ask a certain someone for a photo if I'm getting the sense they might be disturbed or if it won't affect a candid moment.
Here is an example of someone I actually asked for a photo. He kindly obliged after I deposited $0.35 :D:D I wanted to make it quick and lost the bottom of his sign but don't think it detracts too much...
So, to sum it up, I think it really depends on the situation/person in question. Knowing when to apply each tactic only comes with experience and being around people and different situations. Street photography has proven really satisfying for me as it's a window into this world we live in. It's also an incredible way to remember the places you've been and the people you remember when you think of those places.
:ivar
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Wonderful image - utterly meaningless title. Why does it need a title? "Man and mailbox?" - why? Is the viewer blind? I guess if you're preparing an exhibition and want the "vision impaired" to be able to see it you should prepare a braille title reading - "Man in hoodie and jacket leaning against street mail deposit box writing on something on the top of the box - perhaps he's homeless and unemployed, or perhaps he's a billionaire hedgefund manager in his old clothes who ran down to the mailbox to drop something in it - you decide."
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
If you want to capture reality, don't ask the person, don't approach the person, don't engage - just shoot. If you want to make a portrait of someone, and want to engage with them, that's fine - but as soon as they are aware of you, the dynamic is irrevocably altered.
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
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Thank you
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agreeagree
Well, BD said what I meant in about 3,000 less characters rofl
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