Hit or Miss?
seastack
Registered Users Posts: 716 Major grins
I was revisiting an essay of a car wash I shot 18 months ago and did an edit from the ground up again. I ran across this and ... hit or miss? ... I'm afraid I am more in love with what I was trying to do than what I accomplished but would appreciate thoughts ... it's that damn dead space that's killing me.
p.s. the title of this post should read "Hit or Miss?" ... not sure how I did that!, wish I could change it.
p.s. the title of this post should read "Hit or Miss?" ... not sure how I did that!, wish I could change it.
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14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Basically this is what michswiss says... it's a great potential connector piece, this photo. I like it a lot. The tones are great and the little segments of people are compelling. There's a faint whiff of Friedlander going on here. Nicely shot. It's a keeper, but it needs other images around it... preferably ones that can be viewed in the same 'eyeful', which is where diptychs and triptychs are very cool.
Nice shot sir. :-)
http://nikonic1.smugmug.com/
Not really. Users can change post titles but not thread titles. I edited the title.
I appreciate the feedback, appears this is an almost. Such potential, bummer. )
I am really, really torn - part of me wants to say you hit it clean out of the park; this is a really compelling, challenging, ambiguous image. I love it.
But part of me is saying, if only...But I'm not sure what the if only is. Actually, if I did not know this was from a series on a car wash I don't think I'd feel the hesitancy - I'd just say 'I love it.' Knowing the car wash part, I want some element that says 'car wash' to me. So take back what you said, and I'll say it's a real winner.
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed