posing advice for unusual client
I have to shoot a young gal again that is a bit tough to figure out the most flattering angles , and she wants some "hot valentines" shots, although she just wants to look beautiful, not sexy.
She is a very tall slim girl, mid 20s, and her facial bone structure is the challenge, her lower jaw, chin , and smile , are very large. Her jaw is really very wide as well. Her smile is way too big and her gums show. In fact her entire head is big.
Just to experiment I tried to run one shot from our last shoot through a program I have that helps line up bone structure, Portrait Professional, it could not identify the points I selected because they are so far out of the normal range.
The only shot from our last session that I really liked ( her mom loved it) was taken a bit from above and she had her head down snuggling her puppy.
I know this time I will suggest she relax her smile, a lot. I am also shooting her with her 2 tiny dogs this time. They are black and white and she will wear red.
She is very sweet but she says the last photos I took did not bring any boys knocking down her door....:scratch
What advice can you give me to make her look her best? She has beautiful skin, but she is lacking in self esteem, she spent over 2 hours on her make up and still was worried.
She is a very tall slim girl, mid 20s, and her facial bone structure is the challenge, her lower jaw, chin , and smile , are very large. Her jaw is really very wide as well. Her smile is way too big and her gums show. In fact her entire head is big.
Just to experiment I tried to run one shot from our last shoot through a program I have that helps line up bone structure, Portrait Professional, it could not identify the points I selected because they are so far out of the normal range.
The only shot from our last session that I really liked ( her mom loved it) was taken a bit from above and she had her head down snuggling her puppy.
I know this time I will suggest she relax her smile, a lot. I am also shooting her with her 2 tiny dogs this time. They are black and white and she will wear red.
She is very sweet but she says the last photos I took did not bring any boys knocking down her door....:scratch
What advice can you give me to make her look her best? She has beautiful skin, but she is lacking in self esteem, she spent over 2 hours on her make up and still was worried.
Trudy
www.CottageInk.smugmug.com
NIKON D700
www.CottageInk.smugmug.com
NIKON D700
0
Comments
If her face is not her strong suit, then work to flatter that which is her strong suit. If it's her little finger, the focus (literally) on her little finger and let the rest fall OOF. The key, I would think, would be to find out from her what it is she thinks are her most flattering features and work from there.
My Photos
Thoughts on photographing a wedding, How to post a picture, AF Microadjustments?, Light Scoop
Equipment List - Check my profile
Los Angeles dance photographer
Website: http://www.allenparseghian.com
OK YOU are BAD!!
www.CottageInk.smugmug.com
NIKON D700
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
I would not recommend using the small dogs. As most dogs are bigger, your brain will 'correct' this feeling by thinking everything else is in the same proportions (hence enlarging the face). Maybe something that is larger than normal (like a big flower) could work the other way around.
Good luck!
www.warris.nl/blog
www.CottageInk.smugmug.com
NIKON D700
If smiles don't work, try something else.
Teach her how to do a Thousand Yard Stare and shoot her from an off-angle.
Let her concentrate on something else out of frame, like reading a book or sending a text or typing on a laptop or watching a slideshow of your pics; people tend to relax their features when they're concentrating.
Tell stupid jokes and make her laugh instead of smiling. Laughing features, IMHO, are far nicer and more natural-looking than a forced or posed smile.
Great ideas !!! Thank you!
www.CottageInk.smugmug.com
NIKON D700
Some great advises on here, so far.. I heart this forum.
My Site
My Facebook
Surprised no one else has mentioned this, but for her sake, I hope she doesn't google your name and come up with this description of herself in this thread.
That said, photographer to photographer, I hope your shoot went well and that you were able to get some good stuff.
Pentax K1000 | M28mm F2.8 | M50mm F2 | Takumar Bayonet 135mm F2.5
www.southshoresnapshots.smugmug.com
I thought about it too but didn't want to post it
Los Angeles dance photographer
Website: http://www.allenparseghian.com
And after seeing the proofs, she told me " you rocked it this time, unlike last time!!"
The advice I got helped me do a better job this time.
I'll be posting more photos from the session later.
www.CottageInk.smugmug.com
NIKON D700
Usually a person with a problem face has one problem. Your neighbor seems to have several. Perhaps you could with the sitting in a chair with the puppies in her lap. Shooting from a slightly elevated angle might reduce emphasis on her jaw. She doesn't need to have a broad smile. I feel my mouth soften into a grin whenever I look at my dogs.
Portrait professional is a program which simplifies retouching of portraits. It works very well and is extremely easy to use. You can see from the facial portrait on the home page that this program will slightly alter even the shape of the face to enhance it.
http://www.portraitprofessional.com/
Finally, here are some tips designed to work around facial issues. You might need a combination of more than one.
Blemishes or Scars <o:p></o:p>
- Shadow problem areas<o:p></o:p>
- reposition <o:p></o:p>
Chin , Double<o:p></o:p>- Raise the main light<o:p></o:p>
- Tilt chin upward<o:p></o:p>
- Use a high camera position<o:p></o:p>
- Stretch neck<o:p></o:p>
- Lean head toward camera<o:p></o:p>
Ears , Large<o:p></o:p>- 3/4 pose <o:p></o:p>
- Only show one ear <o:p></o:p>
- Shadow second ear <o:p></o:p>
EYES, BlinkING <o:p></o:p>- Time shot after subject blinks <o:p></o:p>
eyes, Deep set <o:p></o:p>- Light into eyes <o:p></o:p>
- Lower Main Light<o:p></o:p>
- Lower light ratio<o:p></o:p>
Eyes, Deep Set<o:p></o:p>- Lower main light<o:p></o:p>
- Use lower light ratios.<o:p></o:p>
eyes, Different sized <o:p></o:p>- Largest eye close to camera, other in shadow <o:p></o:p>
- Largest eye away creates evening effect <o:p></o:p>
EYES, Eye Glass Wearers <o:p></o:p>- Shoot with empty frames <o:p></o:p>
- Position glasses away from lights <o:p></o:p>
- Bring lights in from very high, or bounce off ceiling <o:p></o:p>
- Use small light source<o:p></o:p>
Eyes, Protruding<o:p></o:p>- Have subject look downward<o:p></o:p>
FACE, bAD COMPLEXION – FEMALE<o:p></o:p>- Proper make up can cover some problems<o:p></o:p>
- Diffuse image<o:p></o:p>
face, Broad, Round or fat<o:p></o:p>- Raise the camera position<o:p></o:p>
- Use short lighting<o:p></o:p>
- Turn the face at a 3/4 position<o:p></o:p>
Face, Narrow<o:p></o:p>- Lower the main light<o:p></o:p>
- Use broad lighting.<o:p></o:p>
FACE, THIN<o:p></o:p>- Pose model facing the camera <o:p></o:p>
Face, Wrinkled<o:p></o:p>- Use diffused frontal lighting<o:p></o:p>
- Lower the main light<o:p></o:p>
- Use a 3/4 pose. <o:p></o:p>
FacE, Defects<o:p></o:p>- Scars/birthmarks keep hidden on the shadowed side of face<o:p></o:p>
- reposition<o:p></o:p>
forehead, Prominent<o:p></o:p>- Tilt chin upward<o:p></o:p>
- Lower camera position.<o:p></o:p>
HAIR, Baldness<o:p></o:p>- Lower camera position<o:p></o:p>
- Blend the top of the head with the background.<o:p></o:p>
Hair, DARK<o:p></o:p>- Check to make sure that background doesn't merge with hair<o:p></o:p>
- Restyle if necessary.<o:p></o:p>
Heavyset Figure-<o:p></o:p>- Use short lighting, use low key lighting,<o:p></o:p>
- Dark clothing<o:p></o:p>
- Blend body with background tone.<o:p></o:p>
jaw, Square <o:p></o:p>- 3/4 pose, higher camera angle <o:p></o:p>
Narrow Chin<o:p></o:p>- Tilt chin upward.<o:p></o:p>
NOSE, ANGULAR<o:p></o:p>- Minimize feature by turning the face directly toward the lens. <o:p></o:p>
Nose, BIG <o:p></o:p>- Raise chin slightly <o:p></o:p>
- Pose nose straight into lens <o:p></o:p>
NOSE, LONG<o:p></o:p>- Tilt chin upward, position face directly toward lens<o:p></o:p>
- lower the main light<o:p></o:p>
- lower camera position. <o:p></o:p>
nose, SMALL <o:p></o:p>- Pose nose at an angle to camera <o:p></o:p>
</TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE>
<o:p> </o:p>
www.CottageInk.smugmug.com
NIKON D700
Here is the only photo I saved from the first shoot over a year ago. She was late to this shoot as well and I was running out of light, must have used on camera flash, ugh, very harsh lighting. My skills were pretty low at that point.
and these are from the session a few days ago, much improved in my eyes AND IN HERS! Many thanks to all who offered suggestions as to showing my client at her best.
BTW she told me " YOU ROCKED IT THIS TIME, NOT LIKE BEFORE" :ivar
1. My FAVORITE of them all
2
3. She LOVES this one..
4
www.CottageInk.smugmug.com
NIKON D700
Yes your second shoot is a bit of an improvement. Especially light wise.
The biggest thing I see is her smile. Like you said, it is huge. So try to get her to just do a cute smirk. Not the full on show the teeth smile. Not that I am at all an expert on the subject of posing people. I just hear that one a lot on Top Model when I am forced to watch it by my wife.:D
You are right #1 is the best. She is smiling a lot smaller in that one.