#43 - It comes in pairs...
Candid Arts
Registered Users Posts: 1,685 Major grins
Are either of these two worthy?
I didn't take them for the challenge, but after going through the site, realized they fit. So here they are. I think #2 has a bit more emotion and more of a story to tell, however there are just components of #1 that I really like.
What does everyone think?
#1 - Embroussaillé (Overgrown):
#2 - Oublier (Forgotten):
Thank you.
I didn't take them for the challenge, but after going through the site, realized they fit. So here they are. I think #2 has a bit more emotion and more of a story to tell, however there are just components of #1 that I really like.
What does everyone think?
#1 - Embroussaillé (Overgrown):
#2 - Oublier (Forgotten):
Thank you.
Candid Arts Photography | Portland Oregon | Fine Art
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
0
Comments
It is close, but I like the first better for the challenge as the compositional elements of fore, mid, and background and the lines leading to the dramatic view on the right speak to me. Also, the windows and "door" are stronger in the 1st. BUT either would be an excellent entry.
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"Landscape photography is the supreme test of the photographer - and often the supreme disappointment." Ansel Adams
Great location and shots Candid Arts!
I agree with meandirene on all of the above, however, I would go further and say that the HDR effect is too strong and that it could be blended at lower opacity over a regular version of the image (say 50% opacity) - to my eye the image is looking more like a CG painting than a photo.
Stephen Marsh
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
Thank you to everyone who put in their input. I did put in this version of #1, as it's past 8am, can't do much about it.
However, Binary...Since this is only my second time doing HDR, I have no idea what your talking about or how to implement it. I've got another thread with the four best shots from the day (two more than shown here). There is my discussion on the C&C of the shots from the day. It can be found here.
Thank you everyone very much. I really appreciate the input.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Congratulations on making the finals Candid!!!
OK, to answer the above...when you make a HDR, you have a number of bracketed exposures, which you merge into a HDR file and then "tone map" them. The tone mapping stage is where things can sometimes look artificial, depending on the settings etc.
At an earlier point, one can use their HDR software or a separate program such as Photoshop CS3 or later, Enfuse or other software to merge/blend/fuse the bracketed files into an extended range image without the extreme "tone mapping" (one still has extended range). There are other tone mapping methods which are not extreme, it all depends on the software being used.
This way you have a base image that looks like a traditional photo however it has extended range from the exposure blending/fusing. Then when you produce your tone-mapped HDR file, you have a separate extreme photo. It is then a simple matter to layer the extreme tone mapped image at a reduced layer opacity over the regular base image, toning down the HDR effect while still taking some advantage of the HDR process.
Clear as mud?
Regards,
Stephen Marsh
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
Here is my explanation: I was intrigued by the fact that windows and doors are there to protect the inside of our buildings against the outside elements. To shelter us against mother nature. However, by the abandonment of this building, lack of care and upkeep, those once protecting windows and doors now aren't serving their purpose. So these once windows and doors are now acting as just another obstacle for earth to grow over. The big opening is in fact quite the door, there is an old tractor inside that used that door once to store itself. And now here we are.
So there you go. Doors and Windows.
Binary: I think I might possible think I thought I know what you mean. So I merge the images in Photomatix and do the tone mapping. Save and re-export back into LR. From there I put a properly exposed version of the HDR in PS3, and lay the HDR over that photo making the opacity less so you can see the properly exposed image below it, yet still retain the HDR image overtop? Is that it? At all? Even close?
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod