Alien Bees Flash Units...
Candid Arts
Registered Users Posts: 1,685 Major grins
So I am just a learning portraiture photographer, trying to get better. I've heard a lot about the Alien Bees flash units and how they are great for beginners, but not a "high quality" flash unit. Looking at the price tag, I can see that. However I'm wondering why? What is bad about them that makes them so cheap? What breaks when it breaks? Does it break fast? Is it replaceable, if so...for cheap? Is the light quality poor?
Thanks for anyone's help. My girlfriend and I are looking at getting a set of the B800's pretty soon.
-Bryce
Thanks for anyone's help. My girlfriend and I are looking at getting a set of the B800's pretty soon.
-Bryce
Candid Arts Photography | Portland Oregon | Fine Art
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
0
Comments
Wes
www.clix-photo.com
www.clix-photo.com
I have a pair of AB800 lights. I love them. Light weight, simple construction and reliable. Recycle time is fast and the light output is consistent.
I use them to shoot portraits, pets, maternity and small groups. I have never seen a reason to switch to anything else.
Here's the kicker. What if something breaks you asked? One of my AB800 lights had a problem within a couple of days of purchase. I called AB and received a replacement shipped the next day - overnight. No charge I just sent the defective one back in the same box with the RMA # provided.
That to me is great service. For a very good, reasonably priced product.
ps. It's been 5+ years now without further problems.
John
As a lot of Dgrinners KNOW I really tout PRAISES for the Paul C Buff family of companies.......White Lightnings and Alein Bees.....I have never owned an Alien yet but will in the future.........my praise comes from the fact that I have been using WL lights for neigh on 25yrs.....they never gave me a problem until they were around 10yrs old...yep heading in to teenage hood....just like kids that is where a problem might arise.....but my problem steemed from the use of masking take to hold gels on the light.......pulling masking tape off the roll can cause a lot of static electricity build up....well so can pulling it off the metal light frame/reflector.......I did not know I killed the light.....got ready to use it the next day and it would not charge or fire......so I placed a call to Nashville and asked for Paul......yeah I told the receptionist I would not speak with anyone but the owner as I was very upset.....I fully expected a voice telling me he was to busy and I could speak with a tech......all of a sudden a voice declares I am Paul Buff what can I do for you.......I studdered and stammered a bit and told him that the light had worlked great for a wedding the day before but would not do anything to day and it was out of warranty.....he asked when the warranty had run out and I told him exactly 5 yrs ago.....he laughed and said is that all just 5 yrs ago....send it back and we will take a look and call you with a price.....I did and he sent a letter back in less than a week with the flash that it must have been some type of static discharge from something inside and it was deemed a manufacturing defect and was fixed free of charge.........but noit to use making tape to hold gels on ever again and there was a bag of 10 plastic self adhesive clips labeled gel holders.......
I have sent other flashes back for re-building and was charged a whole whopping $75 for a complete re-build........
The customer service has been fantastic for me and I know where the product is built and repaired.........
I also have a greater respect for the AB as a PRO lighting Unit than I did in the Past......as I really like watching the Olympics especially the Winter ones and as posted in a Thread entitled "An Observation.........." I told of watching the Nightly recaps of the athletes photos by Getty Imaging......and every Night I saw a different shot of a photog getting ready to photograph an athlete and in that shot was always a single AB on a stand with an umbrella.......I have seen different colors of the Light......the first time I just blew it off saying to my self....why did that photog take that shot......then I looked closer and said dang that is an AB on the left side.......why a shooter for Getty Images uses AB's...........If they went to Vancouver they must be tough and reliable....not to mention light weight as none of us want to pay any extra for extra weight if we don't have toowink
WOW!!!!! To both of your stories, more so yours Scott. That is extremely impressive! I believe you both have sealed the deal for me in purchasing these lights. Customer Service like that will win me over a sub par product many times, and this phonemonal Customer Service even is backing a Great product! Wow...Now I am REALLY excited to order these. I'm kinda excited for something to go wrong too so I can deal with such great customer service. There is something about a company that works with it's customers to make them happy that I just really admire, especially in these days.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Awesome. I have played with them a little bit. I assisted a local photographer on a head shot shoot for a guy running for US Congress. She had two fo the AB400's. They are very easy to use and they worked great. This is actually what sparked the interest.
Question though, These do work with Pocket Wizards right? I've got the PlusII's...
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Oh, and with Alien Bee strobes, you aren't limited to just one color for the case - they come in
My Photos
Thoughts on photographing a wedding, How to post a picture, AF Microadjustments?, Light Scoop
Equipment List - Check my profile
The light output is excellent. I am really happy with just the 400's as I am always running them at 1/8 power or less.
These days though I just use speedlights. They are faster to setup and more portable for my needs, even in studio.
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Paul Buff's latest update is here:
http://www.paulcbuff.com/pcb2009/einstein.html
Unfortunately, it appears that their chief engineer recently sufferred a grand mal seizure. Let's hope he gets well soon, for his sake.
http://www.facebook.com/cdgImagery (concert photography)
http://www.cdgimagery.com (concert photography)
http://chrisdg.smugmug.com (everything else)
"Don't worry when you are not recognized, but strive to be worthy of recognition."
-- Abraham Lincoln
I think anyone would be hard pressed to look at a properly lit photo and determine the brand of flash that was used. I think Buff has achieved a business model that allows him to deliver quality engineered goods direct to the consumer at affordable prices....favoring market share over profit-margin-per-unit.
http://www.facebook.com/cdgImagery (concert photography)
http://www.cdgimagery.com (concert photography)
http://chrisdg.smugmug.com (everything else)
I bought my Alien Bee on the web and called the company to make sure the order went through. The operator on the phone was so helpful and actually made sure that the light was going to be delivered on the same day (I ordered at 12pm est) and shortly afterward, I got the email notification of shipment.
They seem to be a very customer service orientated firm and one that really cares about making the client happy. I have rarely felt such ownership of the client experience. I look forward to ordering more AB800's and some modifiers as well.
"Don't worry when you are not recognized, but strive to be worthy of recognition."
-- Abraham Lincoln
Do you use a contract for portrait shoots? I have a built in model release in all of my contracts and I always have for the last 25+ yrs..........it has never been a problem..........
For Maternity, no built in agreement, as most mothers are concerned about anyone on the internet seeing pics they are not happy with. I usually try to let the mothers review and then release when they are happy. I don't think I'll have a problem getting release, however today was the mother's due date (shot on last Sat) and haven't had a chance to discuss as I'm sure she's busy with other things.
Question Art, for Maternity shoots, no woman has ever asked about releasing prior to signing the contract? For normal portraits it's one thing, but maternity is a little different.
"Don't worry when you are not recognized, but strive to be worthy of recognition."
-- Abraham Lincoln
http://www.facebook.com/profile.php?id=100003085685580
The biggest reason they go so high on Ebay is because the supply is limited and AlienBees have a hard time supplying international orders. Look for an auction that is US only and it should bid a little bit lower. In the end I believe it IS worth just buying new when dealing with AB lighting... the customer service alone barb
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Cheers, Don
Product Photography
My Acreage Bird Photographs
Thanks to everyone for their comments on these products.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
I thought they come with the sync cords... mine did. And why 3 sync cords?
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Well, I think they come with 3.5mm to PC sync. Since I'm using PWII's, I need 3.5mm - 3.5mm. So I had to order those. As for why I ordered three, since you mentioned it, I don't know why I ordered three. I could have gotten away with two as I only have two PW's.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
I know they've got built in optical slaves, but I've got 2 (well three if you count the triggering one on camera) PWII's, so I might as well use them. Plus if one of them is around a corner or something and can't pick up via the optical slave, then I'll be lucky to have it. I actually had this happen on a shoot I was on today with a photographer (I was the assistant) where we needed to switch the wireless trigger from one light to another, because it wasn't triggering via the optical slave.
I don't know if PWII's are doing ttl now. So far I've been using my 580EXII and 420EX and have just been shooting on manual (well with the 580 at least, as the 420 is just turn on and shoot, no real adjustment).
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Sorry. I thought you ordered 3 sync cords to try to plug all three to a camera. If you are using radios, I would put each light on a radio and not use optical slaves. Optical slaves aren't reliable even in the same room, and if you are in an environment where someone else is using a camera you will miss shots because your lights will fire at the wrong time.
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Yeah, well I've got two PWII's, so I might as well be using them...
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Canon equipment
My website
equine.pet.people
They come with a standard grounded US Plug. They also come with a cord to attach from the camera to the light for control, but have the slave trigger built into the unit for the optical slave.
"Don't worry when you are not recognized, but strive to be worthy of recognition."
-- Abraham Lincoln
To elaborate I believe that the AB monolights have a "simple" optical slave meaning that they trigger on the first flash pulse.
If you have a modern digital camera and if the flash on the camera, either the built-in flash or a dedicated external flash, emits a "preflash" (most do), then you either need to defeat the preflash or use a manual or "auto" flash that works without a preflash. Alternately you may attach an external "digital" optical slave or use a radio transmitter/slave to fire the AB.
I recommend a simple radio slave system as it also works nicely outdoors, where most optical slaves struggle.
Moderator of the Cameras and Accessories forums
This is all very much correctthumb
Steph.....Why did you decide on an AB400 over an 800........reason I am asking is that it won't take you long to be wishing you had more power......something to always remeber.....you can adjust for less power, but that flash cannot be made to output MORE power..........so if you can swing the 800 I would recommend that.
The AB's are a fantastic light from what I have heard, I do know first hand what type of customer service you can expect as I have used Paul Buff lights for a very very very long time.............