Lens cover recommendation needed
GMonet71
Registered Users Posts: 16 Big grins
I am brand new to photography so please bear with me if my terminology is off. I am in need of a recommendation for a lens cover - a strong one. I am primarily taking photos of paintball. It is not a matter of if but when my lens will get shot. Can you guys help with what type of lens or camera protection you are familiar with?
As an aside. Paintballs travel at about 300 feet per second. What camera settings would you recommend to capture the little guys (paintballs) in flight better? Most times my photos will be taken around mid day. I am currently using a D20 w/ a 70-200 2.8 IS lens for all my shots.
Example for those not familiar with paintball.
As an aside. Paintballs travel at about 300 feet per second. What camera settings would you recommend to capture the little guys (paintballs) in flight better? Most times my photos will be taken around mid day. I am currently using a D20 w/ a 70-200 2.8 IS lens for all my shots.
Example for those not familiar with paintball.
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Comments
300 fps => 3600 inches/second
So on 1/1000th the paintball would travel 3.6 inches
on 1/10000th the paintball would travel .36 inches
Given this it doesn't seem like a 'frozen' painball is possible at the speeds you state. (Which when I googled them seem accurate [280 fps] do a google search for trajectory calculation paintball, also impressive compared to some firearms [9mm 1200 fps])
Now a way of cheating on this, is to be directly in front (OUCH) or behind the barrel so that the movement seemingly is less of a percentage of the whole picture.
Your question regarding what cover is safe, no cover will be able to take a direct impact, I would seriously consider and underwaterhousing, and even then the G load of impact would be in adviceable for a typical camera. Now knowing that, I also know there are ample paintball pictures around, and these people simply take the risk.
FWIW,
XO,
Mark Twain
Some times I get lucky and when that happens I show the results here: http://www.xo-studios.com
with a lens port--unfortunately, I don't know of one off hand. Like XO says,
a direct hit might break something :cry
In my opionion, you want a shutter speed as high as possible but not so high
that it freezes the ball. A little streaking is a good thing. So up the ISO and
open the aperture until you're shooting as fast as possible.
Good luck and let's see more of your results!
Ian
As for protection I guess you are right on that too. Just going to have to take my chances. I will take a nice photo of a lens shot when it happens.
Thanks for your help :
Lets go with sunny 16, on a sunny day, at f/16 speed is 1/ISO
Your D70 can go up to 1600 ISO so f/16 => 1/1600
The list of full F stops
f/1.0 1.4 2.0 2.8 4.0 5.6 8 11 16 22 32
2.8 and 16 are 5 stops apart, wich would lead to a theoretical 1/51,200 shutter speed which my D70 cannot do
Drop ISO 3 stops to 400
f/16 speed is 1/400
using a stop less than full open to get better DOF (more chances to get a fast moving object in releative focus.)
f/5.6 at ISO 400 in sunny day 1/3200 (which the D70 can do)
Looking back at the previous calculation at 1/3200 the paintball will move about 1" at full barrel velocity, less than that after leaving the barrel.
Google sunny 16, great stuff out there.
FWIW,
XO,
Mark Twain
Some times I get lucky and when that happens I show the results here: http://www.xo-studios.com
It should not be too hard to make (I am assuming you are shooting down low)
Thanks
Fred
http://www.facebook.com/Riverbendphotos
I tried you suggestions at ISO 400 and practiced on my water sprinkler. I was able to "freeze" the water and maintain a depth of field - the amount of yard in focus. I placed the camera in Tv mode to let the camera decide the aperture. I then bumped the shutter speed as fast as I could but tried to keep the f to between 4 to 5 - to keep a good depth of field. I experimented with ISO 800 and was able to push the envelope some more but at 1600 the image had too much noise. Can't wait till tomorrow for more practice but on players.
Thanks ponting me in a good direction
US Air
I would get good protection behind a barrier. However, unlike soccer where the focus is mainly on the ball and the surrounding players paintball is different. Since all the players are shooting and moving, the action is all over the field so you have to be very mobile sideline.
While noise is always a by product, there are two things to consider:
1) If you get this kick-ass shot, nobody will worry about noise
2) There are programs like Nois Ninja or Neat Image (which I use) that do a very good job at removing noise.
XO,
Mark Twain
Some times I get lucky and when that happens I show the results here: http://www.xo-studios.com
Again, I am very appreciative for all your help