Headshots
fullofpaint
Registered Users Posts: 103 Major grins
C&C ALWAYS welcome!
Some headshots form our theater's most recent show. Shots are a little boring composition wise IMO but I had strict guidelines in terms of what the director wanted to put in.
Shot with a 40D with a 70-200 F/2.8 L
Shot in a makeshift studio, just a big black drape hung in the lobby of our theater.
Lit with just my 580EX II on camera bounced off the ceiling
Naturally lit from giant window behind the camera plus my 580EX II on camera
Same lighting as above
Lit from a single Desisti (sp?) as a fill light, key light my 580EX II on camera
Same light as above
Some headshots form our theater's most recent show. Shots are a little boring composition wise IMO but I had strict guidelines in terms of what the director wanted to put in.
Shot with a 40D with a 70-200 F/2.8 L
Shot in a makeshift studio, just a big black drape hung in the lobby of our theater.
Lit with just my 580EX II on camera bounced off the ceiling
Naturally lit from giant window behind the camera plus my 580EX II on camera
Same lighting as above
Lit from a single Desisti (sp?) as a fill light, key light my 580EX II on camera
Same light as above
Canon 5DMk2, Canon 40D
16-35 2.8L, 70-200 2.8L, 24-105 4.0L
www.timkerigan.com
16-35 2.8L, 70-200 2.8L, 24-105 4.0L
www.timkerigan.com
0
Comments
I would play with the crops on the others - lose as much of the background as possible (especially where it grows out of the back of the head ), and make those eyes the main attraction! I swear that the crop/tilt function in LR is the best -makes it possible to play with the crops endlessly wysiwyg utnil you find what looks good.
You've got good-lookin' subjects - show 'em off! Lighthanded skin retouching and a bit of dodging/burning eyes would be good too.
Oh, also - remember that headshots are typically 8x10 - you'll need to change the ratio when you crop....
Canon EOS Rebel XSi
18-55mm EF-S lens
The first one is by far my favorite, Tania and I spent a long time before we came up with one she liked haha.
I was kicking myself for days about those stupid shadows in the background on those two though, totally didn't notice when I was shooting, hopefully we'll reshoot theirs if they're in our next show.
Out of curiosity which do you think looks better, the brightly lit backgrounds or the more traditional ones?
16-35 2.8L, 70-200 2.8L, 24-105 4.0L
www.timkerigan.com
The brightly lit backgrounds have vertical lines that jump out of their heads...not good.
I'm not a big fan of the wrinkled sheet look in number two. One and three are my favorites as far as back ground goes.
In the future, please number your photos for comment purposes.
Your number one shot is great...and the last one is also very nice, excepting the black line right behind her head, as previously mentioned.
Thanks for sharing.
Educate yourself like you'll live forever and live like you'll die tomorrow.
Ed
There's a gal in NY who's popular right now - her style is pushed probably the closest to "fashion styling" that I've seen for actors, but it's definitely a look that's out there right now to a lesser or greater degree
http://www.hoebermannstudio.com/headshots/headshots.html
And before you do headshots, it's always worth a glance through the Reproductions galleries www.reproductions.com (enter a zip to get to either the LA or NYC directory) - the links to the 'tog galleries are great for ideas, and just seeing what's currently out there so's to give clients what they need. If your shots were for lobby cards rather than to give to the actors to use as promo/submission shots that may mean you shoot to the directors' taste, but even so - it always helps to know what's out there!
And I know a lot of people in their comments expressed that they liked the first one. I don't like the angle of the shot. It looks like the photographer was higher up than the model, shot down, and from the side. To me it just isn't the most flattering angle.
Although great work. Headshots are really challenging.