The Importance of IS when shooting Hockey (2.8L 70-200)
TheCheesehead
Registered Users Posts: 249 Major grins
Hi,
My next lens purchase after the 24-70 (just ordered on B & H for $1250 shipped) will be the 2.8L 70-200. I currently have the F4L 70-200, and it struggles shooting hockey...ISO maxed @ 1600 depending on the rink gets me 1/320th, sometimes 1/400. Pro rinks I can drop the ISO down to 800.
Sooooo...me wants the 2.8L version, and I'm wondering how important IS is. Does it really matter over 1/400...which I think is about the slowest I can get by with (unless shooting mites).
Thanks!
My next lens purchase after the 24-70 (just ordered on B & H for $1250 shipped) will be the 2.8L 70-200. I currently have the F4L 70-200, and it struggles shooting hockey...ISO maxed @ 1600 depending on the rink gets me 1/320th, sometimes 1/400. Pro rinks I can drop the ISO down to 800.
Sooooo...me wants the 2.8L version, and I'm wondering how important IS is. Does it really matter over 1/400...which I think is about the slowest I can get by with (unless shooting mites).
Thanks!
0
Comments
IS is just a "virtual tripod", a way of making the camera seem more stable than it really is, to make longer exposures come out better when shooting hand-held.
If you might use this lens hand-held for things other than high-speed sports action, then IS might come in handy.
Also, keep in mind there's a new II version of the 70-200mm f/2.8L IS coming out (in April? I don't recall exactly). It's a few hundred dollars more, and it's hard to say how much better it is until some in-depth reviews are published and people get it into their hands and report their own experiences, but if it's within your budget you might want to wait to find out. In fact, the street price of the original 70-200mm f/2.8L IS may drop a bit in the coming months because of this new lens (if it hasn't already -- I haven't been watching).
Got bored with digital and went back to film.
Yes, my F4 does not have IS. Sometimes I shoot with a monopod, and sometimes I don't, I guess it depends on the rink. My body is the Rebel XSI, and I am going to upgrade to the 50D or 7d probably in the next year, and I think the ISO quality is better in those cameras as well.
If you use mostly One Shot AF then you really should keep tapping the AF button halfway to keep the IS engaged.
Most of the time I suggest leaving IS off if you are in One Shot mode and the action is unpredictable.
The behavior may also change with the camera model and lens combination, so it's best to test all combinations and use the one which seems to yield the best keeper rate.
Some pertinent links:
http://digitaljournalist.org/issue1002/tech-tips.html
http://digitaljournalist.org/issue0506/tech-tips.html (Read the links in this article too.)
http://digitaljournalist.org/issue0901/tech-tips.html
Moderator of the Cameras and Accessories forums
Thanks for the tips!