Hi Rainbow--
This shot is not working so much for me .
I don't know why exactly.
Thanks for the comment. I have puzzled over this one... It seems to have all the elements I tried to capture BUT... I cannot even figure out a better angle to have shot this.
Thanks for the comment. I have puzzled over this one... It seems to have all the elements I tried to capture BUT... I cannot even figure out a better angle to have shot this.
I don't think there are any important technical problems. Instead, I think it might be a conceptual one. The juxtaposition of traditional costumes with modern technology is just all too familiar. There are also clues in the background that we are looking at scene shot in the industrialized world, not in provincial China. But here's the kicker: even if it had been shot in provincial China, modern cell-phone technology would not have been entirely out of place. The world is changing rapidly, so what may have worked a few years ago no longer has the same impact.
I don't think there are any important technical problems. Instead, I think it might be a conceptual one. The juxtaposition of traditional costumes with modern technology is just all too familiar. There are also clues in the background that we are looking at scene shot in the industrialized world, not in provincial China. But here's the kicker: even if it had been shot in provincial China, modern cell-phone technology would not have been entirely out of place. The world is changing rapidly, so what may have worked a few years ago no longer has the same impact.
I think maybe you assessed this perfectly. I had more of a logical reaction to the juxtaposition versus any emotional reaction, thinking that it should have an impact even though it did not really have that impact for me in person.
I think maybe you assessed this perfectly. I had more of a logical reaction to the juxtaposition versus any emotional reaction, thinking that it should have an impact even though it did not really have that impact for me in person.
I don't think there are any important technical problems. Instead, I think it might be a conceptual one. The juxtaposition of traditional costumes with modern technology is just all too familiar. There are also clues in the background that we are looking at scene shot in the industrialized world, not in provincial China. But here's the kicker: even if it had been shot in provincial China, modern cell-phone technology would not have been entirely out of place. The world is changing rapidly, so what may have worked a few years ago no longer has the same impact.
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Well, gal, anyway...
This shot is not working so much for me .
I don't know why exactly.
_________
Thanks for the comment. I have puzzled over this one... It seems to have all the elements I tried to capture BUT... I cannot even figure out a better angle to have shot this.
I think it might work better with more of the context in the shot. It seems like a crop out of a larger photo to me.
... I'm still peeling potatoes.
patti hinton photography
I don't think there are any important technical problems. Instead, I think it might be a conceptual one. The juxtaposition of traditional costumes with modern technology is just all too familiar. There are also clues in the background that we are looking at scene shot in the industrialized world, not in provincial China. But here's the kicker: even if it had been shot in provincial China, modern cell-phone technology would not have been entirely out of place. The world is changing rapidly, so what may have worked a few years ago no longer has the same impact.
I think maybe you assessed this perfectly. I had more of a logical reaction to the juxtaposition versus any emotional reaction, thinking that it should have an impact even though it did not really have that impact for me in person.
Thanks for the insight.
And here I was thinking it was about the cymbals.
You are also correct! I thought about "Clash of the Symbols" as a title...
Bingo!!
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed