Yosemite - Relatively weak attempt to emulate Ansel Adams
PhotoLasVegas
Registered Users Posts: 264 Major grins
Ok so we went on a family trip to Yosemite... and my goal was to not take any shots that Adams had taken... to try to find things that few if any other people have taken pictures of (I mean, do we REALLY need a new photo of Bridal Veil?) but still have them be reminiscent of Adams. Maybe someone would think just for a moment, "that looks a little like an Ansel Adams shot" then think "that he took when he was 12"
I think I did a decent job, but I'm not a landscape photog so my lack of experience shows thru... I tried to process the B/W to be very high contrast and a bit grainy to emulate Adams.
Sorry for the logo/watermarks...
#1 is actually at Bridal Veil, just a new look
#2 looking off the walking path - sometimes I LOVE this shot, other times I wonder what the heck I was thinking when I shot it.
#3 probably done before, not as unique as I'd like, but it reflects one of the styles I use in my wedding photography, and REALLY shows the SIZE of these trees!
#4 this one I was more just screwing around trying to get a nice sunbeam/flare shot.
I think I did a decent job, but I'm not a landscape photog so my lack of experience shows thru... I tried to process the B/W to be very high contrast and a bit grainy to emulate Adams.
Sorry for the logo/watermarks...
#1 is actually at Bridal Veil, just a new look
#2 looking off the walking path - sometimes I LOVE this shot, other times I wonder what the heck I was thinking when I shot it.
#3 probably done before, not as unique as I'd like, but it reflects one of the styles I use in my wedding photography, and REALLY shows the SIZE of these trees!
#4 this one I was more just screwing around trying to get a nice sunbeam/flare shot.
Las Vegas Wedding, Family, and Special Event Photographers.
Canon 7d
2 Canon 40d
70-200 f2.8L IS, 50mm f1.4, 50mm f1.8, 28mm f1.8, Tamron 17-55 f2.8, ProOptic 8mm Fisheye
And a bunch of other stuff
Canon 7d
2 Canon 40d
70-200 f2.8L IS, 50mm f1.4, 50mm f1.8, 28mm f1.8, Tamron 17-55 f2.8, ProOptic 8mm Fisheye
And a bunch of other stuff
0
Comments
Canon 7d
2 Canon 40d
70-200 f2.8L IS, 50mm f1.4, 50mm f1.8, 28mm f1.8, Tamron 17-55 f2.8, ProOptic 8mm Fisheye
And a bunch of other stuff
Canon 7d
2 Canon 40d
70-200 f2.8L IS, 50mm f1.4, 50mm f1.8, 28mm f1.8, Tamron 17-55 f2.8, ProOptic 8mm Fisheye
And a bunch of other stuff
I think the first is alright, kinda interesting. In the second one, I can't really tell what the point is. It looks just like a random forest scene that was made B&W. The third has an interesting perspective, but the perspective is all that's interesting about it; I'm not sure how to make it more interesting (did I use that word already?). In the 4th, the contrast of a flare from the sun vs. the dark tree trunk may be interesting if it were way off-center (maybe using rule of thirds) and not just a random section of the middle of a tree.
May not be the response you're looking for, but at least it's a response, right?
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Body: Canon 350D, Canon 7D
Lenses: Canon 35mm f/1.4L, Canon 24-70mm f/2.8L, Canon 70-200mm f/2.8L IS, Canon 18-55mm f/3.5-4.5, Quantaray 70-300mm f/4.5-5.6, Quantaray 600-1000mm f/9.6-16
Flashes: Canon 430EX, Canon 580EX II
As to the conversions, these are way to contrasty and lose the subtlety of Yosemite. It seems as if you have crushed the blacks and whites with very little in between. Generally speaking, black and white photography lives in the grey.