Cemetery somewhere in California
PhotoLasVegas
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Family trip, driving the backroads at NIGHT... I mean DARK. Came across a cemetery and decided to try out some tripod long exposure shots....
One I think came out pretty cool, and the story behind how I got the shot is pretty funny... will tell it later after I get some comments
Honest, harsh, picky critique is enjoyed as much as positive comments are!
One I think came out pretty cool, and the story behind how I got the shot is pretty funny... will tell it later after I get some comments
Honest, harsh, picky critique is enjoyed as much as positive comments are!
Las Vegas Wedding, Family, and Special Event Photographers.
Canon 7d
2 Canon 40d
70-200 f2.8L IS, 50mm f1.4, 50mm f1.8, 28mm f1.8, Tamron 17-55 f2.8, ProOptic 8mm Fisheye
And a bunch of other stuff
Canon 7d
2 Canon 40d
70-200 f2.8L IS, 50mm f1.4, 50mm f1.8, 28mm f1.8, Tamron 17-55 f2.8, ProOptic 8mm Fisheye
And a bunch of other stuff
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Comments
So what's the story?
Photos that don't suck / 365 / Film & Lomography
I didn't do much with this photo in post... upped the contrast a bit and did a little bit of saturation, and I think I popped the "blacks" level a little.
The story behind the shot is that first of all, we were driving along a river (on the other side of the road) and it was out in the middle of nowhere. There wasn't a light other than moonlight anywhere.
I tried the shot a few times as cars drove by, there was a very slight curve so the lights would move across the cemetery... but cars only came by like every 5 minutes so that proved fruitless.
Our car was parked about 100 yards away, so I had the wife on a cell phone, she started with the headlights pointing to her right (closer to the camera in the shot), then with the front wheels turned to the left, drove forward a few feet to move the lights across (away from camera).
We had to do this about 15 times at least, to get the exposure correct (not just the headlights, but move the car fast enough so the sky would be exposed to my liking... and then finally how long to let the exposure hold while the car was stopped in one spot (you can see how it's brighter towards the back.
I used "bulb" on the camera, with a remote shutter release and used a fairly high f-stop number for more DOF and clarity with the longer exposure.
I dunno, to me it looks a little like we drug out a bunch of spotlights and had a really long session with off-camera lights, etc... but I thought it was pretty cool how we improvised.
I got a few more decent ones, including the moon thru a branch that had an abrupt "U" shaped curve that the moon "fit" into (ie. the branch would have cut thru the middle of the moon without the curve). Will have to post that someday.
Canon 7d
2 Canon 40d
70-200 f2.8L IS, 50mm f1.4, 50mm f1.8, 28mm f1.8, Tamron 17-55 f2.8, ProOptic 8mm Fisheye
And a bunch of other stuff
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Photos that don't suck / 365 / Film & Lomography