Would like some critique please...
Mr. Quiet
Registered Users Posts: 1,047 Major grins
Took this with my faithful 90mm macro...
If you work at something hard enough, you WILL achieve your goal. "Me"
D200
NIKKOR 50mm f/1.4 D
Tamron SP AF90mm f/2.8 Di 1:1
Welcome to my NEW website!
Mr. Christoferson
D200
NIKKOR 50mm f/1.4 D
Tamron SP AF90mm f/2.8 Di 1:1
Welcome to my NEW website!
Mr. Christoferson
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Comments
I like the picture, I can see what you were trying to achieve, and I like minimalism of which this is a fairly good example.
I kinda think the space on the right is TOO large though. I'm not sure, it kinda doesn't feel right to me somehow - something tells me there needs to be something here, even if it's a slightly different colour or something to break up the space just a little. Not sure. Perhaps it needs less 'space' in this instance.
I appreciate that macro photography never usually has a great DOF, at least without focus stacking, but your photo seems to be suffering from a lack of focus point. What I mean is my eye isn't drawn to anywhere that is in focus, though I'm sure it's there. Maybe it's my eyes, maybe it's just the size of the photo on screen. Can't tell.
Overall, I like it, it's pleasant to look at, it's not one I'd put on my wall.
Hope that helps.
Nikon D200, SB-600, 105mm Micro VR, 50mm 1.8, 18-70mm
Too much empty space on the right side.Great colors though.
D200
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Tamron SP AF90mm f/2.8 Di 1:1
Welcome to my NEW website!
Mr. Christoferson
Do prefer #2 - #1 is interesting but keep expecting to see something written on the RHS (ie looks like an advert layout).
Brian V.
http://www.flickr.com/photos/lordv/
http://www.lordv.smugmug.com/
Nikon D200, SB-600, 105mm Micro VR, 50mm 1.8, 18-70mm
What does RHS mean?
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NIKKOR 50mm f/1.4 D
Tamron SP AF90mm f/2.8 Di 1:1
Welcome to my NEW website!
Mr. Christoferson
Right-Hand-Side
Thank you
D200
NIKKOR 50mm f/1.4 D
Tamron SP AF90mm f/2.8 Di 1:1
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Mr. Christoferson
cant work out why you cropped like #1
nice light .
phil
moderator - Holy Macro
Goldenorfe’s Flickr Gallery
Goldenorfe photography on Smugmug
Phils Photographic Adventures Blog
D200
NIKKOR 50mm f/1.4 D
Tamron SP AF90mm f/2.8 Di 1:1
Welcome to my NEW website!
Mr. Christoferson
If you have a program with content-aware scaling, you could try to "crop up" to a pano aspect ratio. Then you'd have a lot of negative space on both sides, but since you'd still have the whole flower and branch, they could compete for eye-time better.
http://blog.michaelhampson.com
Looks like you had plenty of light, and while the top half of v2 has plenty of dynamic range (nice textured 3D sculpted look), the bottom half is flat and lacking detail, which is not only a DOF thing, but also an exposure thing.
What aperture were you using? If you did have plenty of light you could have set a minus Ev value to underexpose slightly, so get more saturation and detail in the flower. Bring it up a little later in post. Also you could have used a smaller aperture to get most of the central area of the flower in good focus, so helping it to hold together better for the eye. You would then have needed a slower shutter, and thus a tripod, mirror lockup, remote release. But this was a stationary subject, so a slower shutter could have been used. Also, did you consult a DOF chart for the focal length of your lens, or use DOF preview, to know beforehand what would be in and out of focus?
One more comment I would make is to diversify your lighting source. Instead of just one light source you could use a reflector as well, or a(nother) flash. Controlling light is a fundamental of all photography. In this kind of shot, the more light and light sources you have (of differing strengths) the more opportunities you have to give the subject impact and character.
Maybe sometimes to produce something with elegant Zen-like intimacy and minimalism requires a very complex process, a kind of distillation of simplicity from complexity.
Neil
http://www.behance.net/brosepix
D200
NIKKOR 50mm f/1.4 D
Tamron SP AF90mm f/2.8 Di 1:1
Welcome to my NEW website!
Mr. Christoferson