Track day -- JPG or RAW?
I have a paying track day gig this Saturday at a local race track that I've shot at quite a bit recently. Up-front money to shoot the day and fork over the JPG's. And I still have the potential for additional sales through collages, special effects, prints-on-metal, photo books, etc. Its also a great networking opportunity, both for the photography and for my day-job profession.
Normally I shoot RAW, even for a track day event. My Aperture workflow makes RAW pretty simple and painless. But what I've noticed from the last four track days I've done I almost never adjust the exposure or the white balance after a shot. About all I do is small bump the contrast, the saturation, and add some sharpening. And that is making me consider shooting JPG this weekend with the corresponding small bumps to the in-camera settings. I plan on taking an insane number of photographs this weekend, far more than I can capture on my existing assortment of cards. And while I have an Epson P-2000 photo viewer its only mildly helpful. Slow to dump cards, and eats through its proprietary battery. (it will soon go on sale, email me if you just have to have it, even after my glowing review)
Nervous to abandon the safety of raw, especially for a paying gig, but I think its the right thing to do.
Will be using a Canon 40D, 70-200/2.8L, 24-70/2.8L, 10-22, 580-EX.
Thoughts?
Normally I shoot RAW, even for a track day event. My Aperture workflow makes RAW pretty simple and painless. But what I've noticed from the last four track days I've done I almost never adjust the exposure or the white balance after a shot. About all I do is small bump the contrast, the saturation, and add some sharpening. And that is making me consider shooting JPG this weekend with the corresponding small bumps to the in-camera settings. I plan on taking an insane number of photographs this weekend, far more than I can capture on my existing assortment of cards. And while I have an Epson P-2000 photo viewer its only mildly helpful. Slow to dump cards, and eats through its proprietary battery. (it will soon go on sale, email me if you just have to have it, even after my glowing review)
Nervous to abandon the safety of raw, especially for a paying gig, but I think its the right thing to do.
Will be using a Canon 40D, 70-200/2.8L, 24-70/2.8L, 10-22, 580-EX.
Thoughts?
Bill Jurasz - Mercury Photography - Cedar Park, TX
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
0
Comments
You're probably on the right track, but a paying gig is not the best time to try anything for the first time. If possible, try to shoot something similar for a few hours in JPG first, just to make sure you haven't missed any gotchas.
But as mentioned - for the paying gig - stick with what you know! Borrow some cards maybe? I am not sure with the Canons, but with Nikon its fairly quick to change between RAW and JPEG. If you can do it, try half the day or sessions on each. Just make sure you have the needed pictures with the method you know you will get the results!
I may PM you aout the viewer. I was really close to looking for one as my laptop freaks out and shuts off when i am downloading a 16gb card! But...now not so sure!!!
Nikon D3 & D3s
2xSB-900 Speedlights
Tokina 12-24 f4, Nikon 50 f1.8, 28-70 f2.8,70-200 f2.8 VR, 1.7x TC , 200-400 f4 vrII
...more to come!
Long time ago I shot track stuff JPG only. Switched to RAW when I started shooting night motocross, which required relatively heavy post processing to make a stellar image. I've stayed with RAW even for the day stuff mostly "because". I might buy another 8G card (won't be enough, but will help) and bring the Epson and continue to shoot RAW. What really made me re-think this has been my recent experience with the nearly identical post-processing after the race...
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
Best of both worlds.
Sam
Yes, but it sounds like Bill has a storage issue for the number of pics he anticipates.
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
Shoot raw; more flexibility. You'll be shooting into and out of the sun in the same series as they pass.
Each shooting site has different requirements (settings) & if you're like me I run to the action without changing settings. I have a better chance of saving a great capture
You'll be shooting continuous so you'll heave more than you keep. I delete in the cam if the series didn't turn out the way I wanted
Consider getting the latest greatest cardreader they are worth it. It took an 1 1/2 hr to download a 4g, with the card reader 20 minutes. I got one that takes CFs and SD's. (I have a D90)
my .02
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
Jeeze that's exactly what I figured out.
I thought 8fps was the greatest until I realized how much more I was heaving. Now I wait until almost the last second and then rip.