New Macro Lens - First Shots
redleash
Registered Users Posts: 3,840 Major grins
I was fortunate to receive a new macro lens for my birthday last week! It's the Nikkor 85mm f/3.5 micro. Not the perfect macro glass, but it will serve my purposes I think. (It also gives me a nice length prime for some of my outdoor work.) I can get extenders, so I'd appreciate suggestions on what to get.
It will take some effort to learn to focus this properly, so I know these are lacking in that area. I was more interested in composition and just finding out how close I could get to subjects.
Any comments/suggestions will be welcomed.
Lauren
1. B&W conversion - rain drops on grass
2. Cola pouring from a can - I shot with one hand and poured with the other
3. Bluebonnet and friend
I used auto ISO on 1, and 3, which created lots of noise. I read Brian's tips about setting ISO 200 and that worked better for the cola shot.
Thanks for looking!
Lauren
It will take some effort to learn to focus this properly, so I know these are lacking in that area. I was more interested in composition and just finding out how close I could get to subjects.
Any comments/suggestions will be welcomed.
Lauren
1. B&W conversion - rain drops on grass
2. Cola pouring from a can - I shot with one hand and poured with the other
3. Bluebonnet and friend
I used auto ISO on 1, and 3, which created lots of noise. I read Brian's tips about setting ISO 200 and that worked better for the cola shot.
Thanks for looking!
Lauren
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Lauren Blackwell
www.redleashphoto.com
Gary, Texas
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Thanks for commenting.
Lauren Blackwell
www.redleashphoto.com
Brian V.
http://www.flickr.com/photos/lordv/
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tripod or bag of barley for camera steadiness - ziplock back of barley gets me on the ground and is maneuverable for those millimeters that count.
manual focus - well, ok, so I use a manual (legacy) lens, even if I didn't I'd put it in manual anyway (which I've done for close work with an AF lens)
Live view magnification - if your camera has the ability to zoom in live view use it. certain elements need critical focus and this is the only way to get it.
reflector or fill flash - I'm still experimenting here since my ring flash is an old one and doesn't communicate with my camera - it is trial and error and building an understanding of how my flash works, but it's becoming essential.
mirror lock-up or shutter delay - lets the vibrations settle out before firing the shutter. sometimes I use a cable release as well to avoid actually touching the camera and making it move
notice - really notice elements in the frame and move or remove items that will distract attention from the thing I'm photographing. Since we see in 3 dimensions and the camera only in 2, things we see separation in are only separated in that dimension the camera doesn't convey. check carefully and adjust accordingly.
anyway...that's all I can think of right now. am going in the woods today to hunt wildflowers, so will be trying to remember and apply all the macro specific stuff I can.
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just shoot loads, learn to hold camera still by bracing arms/elbows on anything stable.
phil
moderator - Holy Macro
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Can ya'll suggest some good lighting techniques, starting with what to buy? I have nothing but the in-camera flash on my D80.
Lauren Blackwell
www.redleashphoto.com
When you think you have a grasp on the new rules you can toss in the extras...
I'm working on focus stacking right now.
Since you mentioned focus stacking . . . how does it work? Can someone point me to a good reference, or give me a quick-and-dirty on how it works?
Lauren Blackwell
www.redleashphoto.com
http://www.imagesbyceci.com
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Picadilly, NB, Canada
Thanks, Ceci! Big party on Sat night if you wanna come to Texas!
Lauren Blackwell
www.redleashphoto.com