DSS#49 Having Trouble
ckaspar
Registered Users Posts: 154 Major grins
So I am having real trouble with this challenge and I think it is because I do not have a "macro mind" nor a macro lens. So far this is the best I can come up with. Please let me know what you think.
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Looks like you got really close to something with hair/fur?
peace, g
I dont have a macro lens either, I got some M42 stuff of e-bleh a while ago, you can pick up a lens, extension tubes and an adaptor for your Dslr for $30-40 including postage.
Alternatively if you happen to have a 50mm lens and a typical kit-type zoom lens, you can mount the zoom on the camera, and either handhold or tape the 50mm lens the wrong way round on the end of the zoom ( ie the front element of the zoom faces the front element of the 50mm lens and tape stops light leaking in the joint, and your subject is in front of the rear end of the 50mm lens ). Using that method you can get really large magnifications.
Tim
"In every job that must be done, there is an element of fun..." Mary Poppins
I don't have any other source of lighting so I just repositioned everything I could to try to introduce more contrast with the lighting I had. I hope this one is better as it is the one I posted for the challenge.
Thoughts?
P.S. It is not a shoe.
Gear: Canon 7D
Canon 24-105 f/4 L
Canon 28mm f/1.8
Tamron 17-50 f/2.8
ckaspar, I would like to see more contrast, which can be done in post.
I used the Photoshop shadow/highlight command to open things up a little bit in RGB. You may wish to stop at this point...
Next, I converted to custom CMYK using heavy GCR, which puts most of the detail in the K channel with supporting tints in the CMY. I then used straight line curves to lighten the CMY shadow points (so as not to plug up detail the next move), then used a big contrast enhancing "S" curve in the K channel. Finally I returned the file to RGB. CMYK has a nice way of isolating dark neutral detail in the K channel, which can be helpful when enhancing critical black details.
This may be too light and contrasty (posterized shadows on the left), if so, it is easy to blend the result at lower opacity over the original to your taste (or dodge/burn etc)!
Regards,
Stephen Marsh
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"Landscape photography is the supreme test of the photographer - and often the supreme disappointment." Ansel Adams
btw, for lighting you can use a table lamp, or a flashlight or just about any mobile steady light source creatively. If it is too bright, use something translucent to filter and diffuse the light. (Try different white balance settings on your camera if you aren't sure what "color" the light is or shoot RAW and adjust the wb in post.) Or use white paper as a reflector to get a bit more out of the natural light you have.
As Eugene Smith said: Available light is any d*** light you have.
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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For my shots, some folks liked the original shot, some liked the re-shot pic and others liked it after the contrast was adjusted in post processing. It is very intriguing for me as someone new to this site and photography. I have never been very creative in the past and these challenges are really challenging me to try to be creative. I am going to have to learn that I will not please everyone because everyone has a different eye for what they want to see. I am just going to have to keep posting pics on here for input from the rest of you to try to shape my eye into something that can see what you all like and don't like in general and work from there..
Thanks again for the comments. Keep 'em coming.
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