Taken 05/17/10
lizzard_nyc
Registered Users Posts: 4,056 Major grins
I'm trying to get the hang of cropping to help tell a story better.
Does it lose something in the crop?
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uncropped--
Does it lose something in the crop?
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uncropped--
Liz A.
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Comments
So...Suppose you cropped up the right side of the image, beginning at the bottom, running the line just to the left of goofy-hat-woman's hand, and then cropped across the top an equal amount, maintaining the original proportions?
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
B.D.--Glad you mentioned the aspect ratio issue. I have wondered before if I needed to adhere to it, or if random cropping was acceptable. I do both. So I will try and stick to the aspect ratio or go with a square crop.
I think I followed your directions--here is the re crop, with original proportions.
What I was trying to convey--which I don't think I succeeded in was that this shot was taken right at the intersection where Little Italy meets Chinatown and the Asian man and the Italian guy were having words. I liked the hand gestures and attitude of the Italian kid and the solemn look of the Asian gentleman.
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There you go! clap
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
Regarding crops, I use standard ratios but TBH, I can't think of a compelling reason why. I print very seldom and it really doesn't matter at all for Web display. Still, some proportions might be more harmonious than others, I think, and the standard ratios have withstood the test of time.
Wow, talk about a wishy-washy comment.
Richard's correct in the closer crop focusing on the protagonists. I like the wider view because it becomes just another "normal" happening in the city. Either is good depending on your own preferences.