Playing with new Photek Softlighter
While I have a couple of umbrellas, I'm a big fan of softbox light. However, they're a bit cumbersome with a speedlight, and also in my small space, so I decided to give a 46" Softlighter a try in advance of some headshot shoots I have booked for next month.
Model wasn't feeling 100% cooperative, but I did get to fool around with it for a little while. I definitely prefer the light fall-off this offers over an ordinary umbrella and I'm really liking the soft-box-like results.
A touch of dusky daylight coming through the windows camera left, but not much - it was starting to get dark by the time I got to shooting, so essentially the flash was the main light source. No reflectors of any kind.
Yes, I was doing my shallow DOF portrait thing. I probably should have stopped down a wee bit more, much though I love the meltaway effect.
The light created makes for verrrryyyy nice bw conversions, I think. And while this may not be the most flattering portrait of Littl'un I've ever shot, there's something about the moody-broody look that's very "her" just at the moment, so I actually rather like it as a character study.
Oh, and I have to confess i used the ste2 to trigger - I'm still trying to work out the 7d's flash commander which, while it can do more (not least of which 3x groups and also let the popup flash contribute to fill if I want it), I haven't figured out how to work with it reliably yet! I was going to sell the ste2, but I think I'll keep it for a little while longer until the 7d's flash and I are speaking the same language fluently :rofl (it's awesome to have the built-in commander, I hasten to add, I'm just not up to speed with its complexities yet and need to practice before I can make it do what I want while working at speed. All in good time.... )
Model wasn't feeling 100% cooperative, but I did get to fool around with it for a little while. I definitely prefer the light fall-off this offers over an ordinary umbrella and I'm really liking the soft-box-like results.
A touch of dusky daylight coming through the windows camera left, but not much - it was starting to get dark by the time I got to shooting, so essentially the flash was the main light source. No reflectors of any kind.
Yes, I was doing my shallow DOF portrait thing. I probably should have stopped down a wee bit more, much though I love the meltaway effect.
The light created makes for verrrryyyy nice bw conversions, I think. And while this may not be the most flattering portrait of Littl'un I've ever shot, there's something about the moody-broody look that's very "her" just at the moment, so I actually rather like it as a character study.
Oh, and I have to confess i used the ste2 to trigger - I'm still trying to work out the 7d's flash commander which, while it can do more (not least of which 3x groups and also let the popup flash contribute to fill if I want it), I haven't figured out how to work with it reliably yet! I was going to sell the ste2, but I think I'll keep it for a little while longer until the 7d's flash and I are speaking the same language fluently :rofl (it's awesome to have the built-in commander, I hasten to add, I'm just not up to speed with its complexities yet and need to practice before I can make it do what I want while working at speed. All in good time.... )
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The first one feels off to me. Not 100% sure why.
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Good grief - I've become a technique geek! I'm not sure if it's terrifying, depressing, or totally elating
But finding these things out is, of course, why I'm practicing *before* using it for a "real" shoot
Secondly, I love the light. I don't know a whole lot about studio, so I'll leave it at that. Very nice!
And I like the pose / light in the first one better.
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Glad you like that bw, Q - I do too. It's not "pretty" but it's very strong and really reflects who she is just at the moment (heaven help me!).
It's so funny how everybody thinks she looks like me - we think she's an almost perfect cross between hubby's mum (who had the round face and auburn-ish hair) and my dad; the humungous eyes are all her own (mine are big and dark, but not like THAT), and she still doesn't realise how lucky she is. She really knows how to work them, too!!
Heather, while these were more a "studio" look because there was no ambient, I'm just about to go play again in broad daylight and see if I can use it to fill/mimic the daylight look I like so much. I can't drag *everybody* out to the college atrium (where I did the actor shots), but those photos are the ones that generated a lot of interest so I need to come up with a suitable alternative here at home. Since I can't take down any more walls and I don't have a garage to use ... I'm trying to figure out what I can come up with!
Ok, back to the living room... we'll see how I get on!
Kelly
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This is also (for me) a much more flattering angle to shoot her out.
Comments and constructive criticism always welcome.
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I think overally I still prefer softbox square catchlights - they look more like windows - but something I realised when reviewing the shots where I combined daylight (large windows), Photek+flash and a reflector is that what I like best of all is when there are complex, multiple catchlights; by using all three modifiers strategically placed I get much more interesting "alive" eyes.
What I'm liking about the Softlighter is that it is performing equally well as a single light (as in the shots above) as when it's being used for fill; I'm looking forward to experimenting with it further in the next few days in different combos
Oh, btw, those shots above had the gold disk in the umbrella - I need to try it without, and with the silver one too.
This reminds me of what I grew up with. It depended on which side of the family someone knew better which one they thought I resembled the most. Those that knew my Dad's said best saw him in me and those that knew my Mom's side best saw that side of the family in me.
Jane B.