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Two Subway Photographs

mikepennmikepenn Registered Users Posts: 214 Major grins
edited June 15, 2010 in Street and Documentary
I really like my Leica D-Lux4.

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    bdcolenbdcolen Registered Users Posts: 3,804 Major grins
    edited June 13, 2010
    mikepenn wrote: »
    I really like my Leica D-Lux4.

    Really like the first one, Mike, because of the old lady. Second one doesn't work for me.
    bd@bdcolenphoto.com
    "He not busy being born is busy dying." Bob Dylan

    "The more ambiguous the photograph is, the better it is..." Leonard Freed
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    sheltonshelton Registered Users Posts: 60 Big grins
    edited June 14, 2010
    Like the second one Mike...it's quite striking, unusual, the active hands make you wonder what the omitted face is doing. Like the tone, too and love the grain.
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    mikepennmikepenn Registered Users Posts: 214 Major grins
    edited June 14, 2010
    shelton wrote: »
    Like the second one Mike...it's quite striking, unusual, the active hands make you wonder what the omitted face is doing. Like the tone, too and love the grain.


    Thanks. The funny thing is he had no expression on his face but was ringing that newspaper like it was someones neck.
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    InsuredDisasterInsuredDisaster Registered Users Posts: 1,132 Major grins
    edited June 15, 2010
    I like the second one. First one is ok, but its been done before. Second one is unusual and I like it! Interesting subject!
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    mikepennmikepenn Registered Users Posts: 214 Major grins
    edited June 15, 2010
    I like the second one. First one is ok, but its been done before. Second one is unusual and I like it! Interesting subject!

    What brought my attention to take the first photo was that the woman kept imitating the man.
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    theNOIZtheNOIZ Registered Users Posts: 272 Major grins
    edited June 15, 2010
    Mike,

    I really like the first image. I like how the two poles frame the shot. My eye goes towards the lines and motion of the train. And b/w serves this photo nicely for some drama and storytelling. Thanks for sharing!
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