I really like this shot. The composition works really well with the signage and figure acting as punctuation marks to the strong parallel lines which take your eye from side to side.
Nice work.
Syncopation
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
I commented on this yesterday but must have goofed somehow cause my comment sure isn't showing now.
Richard, I really like this photo - as is. For me, the contemplative man makes it.
Still, even with the man in it, it is what I think of as an architectural photo - one that is about more about the space, lines, angles, etc. than about the solitary man lost in a sterile environment. If you were to crop it, that could change. In that sense, I agree with Jen. But it goes without saying that, in the end, it's your picture and your choice.
Can't wait to see Atoche Part II!
Virginia
_______________________________________________ "A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
Thanks for the feedback, everyone. I took several different shots of this scene and this was the one I liked best. Cropping as Jenn suggested does simplify the image, but I think that showing that the entrance to the platform (that's what it is) is empty adds to the feeling of aloneness. At least, that's what I was going for, .
I think if the person had a different color shirt the image would not be quite as strong.
Thanks, Jim. I agree--the colors worked well together in this one. I did a B&W of this framed a little differently. It was an OK image, but I thought this worked better.
The graphic elements really make this, along with the lone man. I like the repetition of horizontal lines above and below and agree that showing the empty entrance adds to the solitude of this man. The soft colours add to the meditative feeling for me. Great shot Richard.
The use of a camera is similar to that of a knife. You can use it to peel potatoes, or carve a flute. ~ E. Kahlmeyer
... I'm still peeling potatoes.
Like the feel of this one. It does feel a slight bit disorienting -- likely the camera is angled forward on the left or right side. If so, not sure if that adds or subtracts from it.
I've looked at this image several times before offering up comment. I've avoided reading other responses so to give a clean review devoid of other influences
I really like this shot. I initially imagined it in BW but actually love the colors - even in their subtlety they are strong markers for the image. I love the negative space but honestly think there is so much that it diminishes the main subject - the seated man. I would zoom in but not so much that he and the bench consume more than 50% of the composition.
The more I think about it, the more I realize I was really lucky with this shot. In one sense it's just a guy sitting on a bench in a subway station, but it would take a long time to get all the conditions to come together again--empty platform, the guy sitting in the right position on the bench, complementary colors, no ads or graffiti in the frame. Tighter crops do work, but IMO they aren't an improvement.
Have to say Richard, works like this make me wonder a thing or 3.
I have seen stills in fast frame and they all seem to count but one on
its own makes me wonder of total impact in itself. Likes its not enough.
That said I know things on the many come into play but still why should
this one count for impact. I am starting to feel like I don't get it for art or
anything else. Seriously bugging me. I will even trust to say that out loud.
At least this once. If I can't fix it in then I guess I will simply not be able
to work it in. That is a serious photographic fix for me. Feel clueless. But
looking to see.
Have to say Richard, works like this make me wonder a thing or 3.
I have seen stills in fast frame and they all seem to count but one on
its own makes me wonder of total impact in itself. Likes its not enough.
That said I know things on the many come into play but still why should
this one count for impact. I am starting to feel like I don't get it for art or
anything else. Seriously bugging me. I will even trust to say that out loud.
At least this once. If I can't fix it in then I guess I will simply not be able
to work it in. That is a serious photographic fix for me. Feel clueless. But
looking to see.
Michael,
If it doesn't grab you, then it doesn't. Tastes vary: it's really as simple as that. Don't worry about it--there's no quiz at the end of the class.
The more I think about it, the more I realize I was really lucky with this shot. In one sense it's just a guy sitting on a bench in a subway station, but it would take a long time to get all the conditions to come together again--empty platform, the guy sitting in the right position on the bench, complementary colors, no ads or graffiti in the frame. Tighter crops do work, but IMO they aren't an improvement.
I don't think I was really recommending a tighter crop, rather a slight crop to emphasise some of the stronger thematic elements. An alternative view would be to have shot with more of the portal on the right, but it might have placed the man closer to centre which also wouldn't have helped. But for some reason it doesn't play in the image for me, thus the comment that it's an almost. Still nice though.
Comments
Nice work.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
Richard, I really like this photo - as is. For me, the contemplative man makes it.
Still, even with the man in it, it is what I think of as an architectural photo - one that is about more about the space, lines, angles, etc. than about the solitary man lost in a sterile environment. If you were to crop it, that could change. In that sense, I agree with Jen. But it goes without saying that, in the end, it's your picture and your choice.
Can't wait to see Atoche Part II!
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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VERY nice Richard - The composition, the mood, the color. Really nice. I would not crop it, because in doing so you will lose some of those elements.
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
Thanks, BD. I only like cropping other people's shots.
I think this photo would have a different flavor in B&W. I like the complementary red/green and blue contrasts here, Richard.
I think if the person had a different color shirt the image would not be quite as strong.
Moderator of the Technique Forum and Finishing School on Dgrin
... I'm still peeling potatoes.
patti hinton photography
Nice job!
I've looked at this image several times before offering up comment. I've avoided reading other responses so to give a clean review devoid of other influences
I really like this shot. I initially imagined it in BW but actually love the colors - even in their subtlety they are strong markers for the image. I love the negative space but honestly think there is so much that it diminishes the main subject - the seated man. I would zoom in but not so much that he and the bench consume more than 50% of the composition.
But great catch none-the-less
Moderator of: Location, Location, Location , Mind Your Own Business & Other Cool Shots
The more I think about it, the more I realize I was really lucky with this shot. In one sense it's just a guy sitting on a bench in a subway station, but it would take a long time to get all the conditions to come together again--empty platform, the guy sitting in the right position on the bench, complementary colors, no ads or graffiti in the frame. Tighter crops do work, but IMO they aren't an improvement.
I have seen stills in fast frame and they all seem to count but one on
its own makes me wonder of total impact in itself. Likes its not enough.
That said I know things on the many come into play but still why should
this one count for impact. I am starting to feel like I don't get it for art or
anything else. Seriously bugging me. I will even trust to say that out loud.
At least this once. If I can't fix it in then I guess I will simply not be able
to work it in. That is a serious photographic fix for me. Feel clueless. But
looking to see.
Michael,
If it doesn't grab you, then it doesn't. Tastes vary: it's really as simple as that. Don't worry about it--there's no quiz at the end of the class.
I don't think I was really recommending a tighter crop, rather a slight crop to emphasise some of the stronger thematic elements. An alternative view would be to have shot with more of the portal on the right, but it might have placed the man closer to centre which also wouldn't have helped. But for some reason it doesn't play in the image for me, thus the comment that it's an almost. Still nice though.