LR3 Snapshots
Dan7312
Registered Users Posts: 1,330 Major grins
Is there a way in LR3 to make snapshots of multiple images at onces? If I select multiple images and make a snapshot only one snapshot is made, that is just for the primary selection.
TIA
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Author "Color Management for Photographers"
http://www.digitaldog.net/
http://www.danalphotos.com
http://www.pluralsight.com
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But you can apply edits over a snapshot. The VC’s would be locked in the same way. The rendering from the original, as a VC would be a snapshot, you could, like the original with a snapshot, make edits over the VC.
Author "Color Management for Photographers"
http://www.digitaldog.net/
I was thinking of snapshot in terms of a version control system used in software development, where the snapshot is fixed and can't be changed. Both snapshot and virtual copy work like a making a branch in a version control system.
As far as I can tell the only difference between a snapshot and a virtual copy is how they are shown in the UI. Are there any other differences?
http://www.danalphotos.com
http://www.pluralsight.com
http://twitter.com/d114
I consider a VC as just a metadata set of instructions that branch away from the original. I want two different crops, or a color and B&W version of the same image etc. You have one raw, but you could have 20 iterations or interruptions of that image rendering by using VC’s with none of the overhead of having 20 actual documents.
Author "Color Management for Photographers"
http://www.digitaldog.net/
Functionally there are differences.
With a snapshot all of your states will travel in a single file (single instance in the catalog, really), but you can only have one of those states active at any time.
With a virtual copy you fork the changes so they will now be independent from the original file, but you get to have multiple states present in the catalog in parallel, so you can view side by side or output them as separate files at once, etc. With a VC you can also experiment and go wild without stuffing the History sequence in the original with lots of extraneous steps, and when you arrive at the settings you like you can copy and paste them back into the original if you want.
VS and Snapshots treat the xmp sidecar file differently. You have to config LR to save settings in an xmp sidecar file, by default it doesn't do that. That's how I setup LR3.
A VC copies the develop settings so you can branch off and try things without affecting the original, but the develop settings of the VC are only stored in the catalog.
A Snapshot also copies the develop setting and you can go back to and edit those setting by selecting then from the snapshot menu. However all snapshot settings are stored in the xmp file as well as the catalog.
So if you loose your catalog and can't recover it from backup, (shame on you for not backing up :nono ):D then you will lose all your VC's but as long as you still have the xmp files you will be able to recover all of your snapshots.
The setting for each snapshop are stored in a resource tag (looks like
<rdf:li rdf:parseType="Resource">) where the name for the resource is the name you give the snapshot. So if an image has 3 snapshots you will see three resource tags in the xmp file.
When you make changes to a VC, the changes you make are put directly into the catalog as you make them, you'll see them appear in history for that VC.
You cannot directly make changes to a Snapshop. When you select a snapshot that updates the settings for the original or VC you are working with. If you make a change to the develop settings they do not go into the snapshot. However you can always "update with current settings" a snapshot if you want to change it.
You cannot directly compare on screen two different shapshots because you can only see a single snapshot of a particular photo. However you can always create a VS's of a Snapshots when you need to compare them on screen.
So snapshot do give me one thing I want, the ability to "lock down" develop setting for an image so that they don't change if I happen to do further edits to an image.
Snapshots only capture develop settings, not metadata though.
http://www.danalphotos.com
http://www.pluralsight.com
http://twitter.com/d114
Which is kind of an issue with me (proprietary stuff) so when I have to upgrade catalogs or want to really “burn” the VC into something real, I export as DNG and in the export dialog, pick the store with catalog check box. Now its a real raw file with those settings all built in. Its of course no longer a VC but storage space is cheap. I will usually only do this when I’m sure I’ve found the VC iteration I want to store as a true raw data file or if I have to do some migration (a prefect example was during beta of 3.0 when you could not do a catalog upgrade, making the older VCs impossible to take along for the ride).
Author "Color Management for Photographers"
http://www.digitaldog.net/
I took and raw image and created two virtual copies of it.
I made some abitrary changes to the raw and vc's so I could visually tell the differences.
I made snap shot of the raw and the two VC's
I deleted both VC's and removed the raw from the catalog, but not the disk.
I imported the raw (the xmp was beside it because I have write xmp turned on).
The image was imported with snapshots.
I creatred a VC of each of the snapshot and, in effect recovered the VC's
http://www.danalphotos.com
http://www.pluralsight.com
http://twitter.com/d114
There is a way now:
http://thephotogeek.com/lightroom/snapshotter/
http://www.danalphotos.com
http://www.pluralsight.com
http://twitter.com/d114
Author "Color Management for Photographers"
http://www.digitaldog.net/
Try this. Go to the VC or image and click on the Snapshot you want to use to compare to the current rendering and Alt/Option click to select “Copy Snapshot settings as Before”. Now type the Y key or \ key. You should see the “before” as the snapshot you selected in the last step and the “after” being the current rendering. Can do the same thing with History too. Alt/Option click becomes “Create History settings as Before”. Instead of the “Before” using the Y key being what was initially the rendering upon import, its now the “before” of the history you just selected.
Author "Color Management for Photographers"
http://www.digitaldog.net/