Pop-up flash question
GadgetRick
Registered Users Posts: 787 Major grins
Ok, I may be totally off-base on this, if so, please feel free to show me the door...
Anyway, was wondering if you could use the pop-up flash as fill if you were using an off-camera setup. I know I know, certainly not optimal but wondering if it's even possible. I think I'd rather just shoot on-camera unless someone thinks you'd gain anything doing it this way.
Thanks.
Anyway, was wondering if you could use the pop-up flash as fill if you were using an off-camera setup. I know I know, certainly not optimal but wondering if it's even possible. I think I'd rather just shoot on-camera unless someone thinks you'd gain anything doing it this way.
Thanks.
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That can definetly work if you are using the pop-up as the commander for the off camera flash. I would only use very little power on the pop-up..just to bring up some shadows.
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It is also a good light to use for shooting subjects inside a car. The door frame of a car can get in the way of even an external flash on the hot-shoe and throw a nasty shadow. The built-in flash can give you some catch light without the shadow problem. Again, you don't want full power from the flash.
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That's part of why I'm not sure I'd ever do it--red eye--but it's good to know you can do it if needed.
Oh, someone asked what I'm shooting, a 50D, 580EX II and I use an AB transmitter/receiver combo.
Thanks for the clarifications guys.
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There is a lot of software to deal with red-eye, but the shadows from a car's door frame are much more difficult to handle in post.
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Very good point.
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I use my popup for fill in bright sun occasionally and it usually doesn't give me red eye. Nikon D300. But it is an easy fix anyway. I haven't tried a diffuser on the popup, but it might be worth a try.
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In bright light, human subjects typically have small pupils. The small pupils tend to reduce red-eye from a flash close to the lens axis. Couple that with a negative FEC and there shouldn't be a problem at all.
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This image was made on a D300 and 17-55, with the pop-up flash commanding an SB800 positioned directly behind the model, about 10 feet behind her with about ~5-10 feet between the camera and the model. The pop-up flash had a bit of trouble reaching the remote, but this shot fired perfectly. I used my hand to "flag" the pop-up a little bit so that most of the light fell on her face, and not so much on the rest of her body and the foreground. In a previous shot, the grass in the foreground was distractingly bright.
This image, taken at 17mm on the 17-55, had a bit of infamous pop-up shadow from the lens and the wide angle, but fortunately it was in the right place at the right time, so to speak.
Unfortunately in both of these pictures I can't say for sure what the pop-up flash or the remote flash were set to, but most of the time I'm setting my pop-up flash in TTL with -1 or -2 dialed in, and the remote is triggered manually because often times it is *in* the photo, and if it were in TTL it would never give me the amount of light I'm hoping for.
Good luck shooting! Getting really creative with just a pop-up flash and one or two relatively affordable wireless remotes is something I LOVE to do, and I've been using Nikon's pop-up commander system ever since it came out on the D70 in 2004. These photos were taken at casaul photo shoots, just goofing around with friends in our spare time. :-)
=Matt=
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But seriously, very nice work there sir. Thanks for sharing. I may have to actually give this a shot (pun intended).
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