WTB: Flash bounce
fredjclaus
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I'm looking to buy a Gary Fong, or Lumiquest flash bounce. Doing some weddings and need a way for the flash to be pointed up but still bounce down.
Fred J Claus
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Commercial Photographer
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due to it weight and inflexibility I have stuck with Lumiquest Softboxes....but their bounce kits look great......or there are the DIY bouncedrs that Ziggy uses
Just need to search for them on here........
Good Luck
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You can create your own light modifiers (DIY). A couple that I can recommend are:
http://www.fototime.com/inv/908195739C4C0D3
http://abetterbouncecard.com/
Joe Demb also makes an interesting device for sale (reasonable):
http://www.dembflashproducts.com/flipit/
I own a FlipIt product and it works well and is very well made.
A site showing various modifiers in use:
http://www.the-meissners.org/2006-small-albums/2006-flashmod/index.html
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I'm leaning toward the Pocket bouncer but I also like the first DIY link you gave me. Sort of a home made pocket bouncer. I'll have to try that this weekend.
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I've had some time to take a look at the "better Bounce Card" and the DIY one. I'm visiting my local walmart and picking up some foamie so I can make my own. I have a question for you and Art though.
when I shoot with the camera in portrait mode, I have the problem illistrated in this photograph. If I tilt and swivel the flash so it's still on the hotshoe but puting up at the ceiling still, then having the bouncer attached. Will that set up help to reduce the shadow effect I'm getting on the right side of each of these men?
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this is where a camera rotator flash bracket comes in real handy or a monopod like the Giottos P-pod that has 3 screw in legs
and you just mount the flash on it and shoot wirelessly if you system will do that...............
Remember that a bounce card of any variety "requires" using either a ceiling or wall as a reflector for the primary source of illumination. The bounce card itself is only used as a fill light to reduce the facial shadows.
The scoop type reflector is rather the opposite and can act as a primary source of illumination and the ceiling will still bounce some light back when available. The scoop works well on a bracket when there is no ceiling available or with a very high ceiling. I often use it outdoors. A bracket is potentially even more important to use with the scoop as it allows the light to come at a higher and more natural angle.
When used at fairly close distances the light from a scoop is still nice even without a bracket.
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Commercial Photographer
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http://www.Fredjclaus.com/originals
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Oh FM= flea market.......NOT fred miranda.... :-]]
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I was at my local camera store today and saw this bracket up close. It was about $40.00 more at my store than on B&H. What do you think of it?
http://www.bhphotovideo.com/c/product/549954-REG/Stroboframe_310_625EX_Pro_Digital_Folding_Flip_Flash.html
I'm also looking at this one too.
http://www.amazon.com/Opteka-Rotating-Bracket-Digital-External/dp/B00337QLNM/ref=sr_1_34?ie=UTF8&s=electronics&qid=1281403682&sr=8-34
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I wouold be more inclined to get the opteka bracket as the stroboframe........as much as I like and have
used stroboframes........I only like camera rotator brackets......I want my flash to stay 100% centered over my lens axis........also I want the flash to be horizontal at all times.......
The only flash rotator I would ever consider is the Newton Folding Bracket but I would also recommed buying directly from Mr Newton.....the price is the same but BH does not always have them in stock when the website says they are in stock..............
Do you have a camera with a battery grip or vertical grip? I don't believe that either linked model will accomodate a gripped camera.
Do you want the flash bracket to mount to the left or to the right? I think that the first link mounts to the left, which I don't like.
The bracket which I have and which I use and which I like is the Stroboframe Pro-T, which mounts to the right and ahead of the camera, out of the way of both hands.
http://www.bhphotovideo.com/c/product/675556-REG/Stroboframe_310_800EX.html
http://www.adorama.com/SB310800EX.html
It will fit gripped cameras and has good adjustability for different camera/flash combinations. It does not rotate the camera, so it does not meet Art's criteria. I do like the handling and I have no plans to change brackets. I rather like the ability to "sweep" the flash to different orientations as needed.
Here are some images (of mine) of how it mounts and how I use it:
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And here's an example with the exact same flash on camera with no diffuser turned and bounced off a white tent. I would say the amount of ambient light was fairly similar to the above shots.