Nice shot. Personally I'd crop in from the left to a vertical running from the hairline/middle of the forearm as I find the bulk of the shoulder and arm a bit overpowering. This would change the orientation to portrait which focuses the attention more on the subject matter/second guy as well as enhancing the depth of the shot.
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The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
Thanks Ben. The crate didn't bother me--till you mentioned it . I don't think I want to crop it as it would put the guy with the beard too close to the edge. Mabye burn it a little, or even a lot.
Or crop below the close guy's chin and have a bunch of hands grabbing the money along with the bearded guy...
I like the intensity you captured with him. He looks like a serious collector and is likely inspecting closely the grading of the coin to see if the value is there. Or not .
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Nice shot. Personally I'd crop in from the left to a vertical running from the hairline/middle of the forearm as I find the bulk of the shoulder and arm a bit overpowering. This would change the orientation to portrait which focuses the attention more on the subject matter/second guy as well as enhancing the depth of the shot.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
I would of cropped out the white milk crate, which drags my eye anyway
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I like the intensity you captured with him. He looks like a serious collector and is likely inspecting closely the grading of the coin to see if the value is there. Or not .