New Mustang 5.0
Skadoosh
Registered Users Posts: 4 Beginner grinner
hey everyone, i'm new to the site. i recently shot a guy's car and wanted to get some input. lighting was all natural. photos were shot in raw with a canon 40d and l series wide angle f/4.
IMG_6819-37_20-38_21-39_tonemapped by Beyond Rational, on Flickr
IMG_6789-7_90-8_91-9_tonemapped by Beyond Rational, on Flickr
IMG_6783-1_4-2_5-3_tonemapped by Beyond Rational, on Flickr
IMG_6792-10_3-11_4-12_tonemapped by Beyond Rational, on Flickr
IMG_6813-31_4-32_5-33_tonemapped by Beyond Rational, on Flickr
IMG_6828-46_29-47_30-48_tonemapped by Beyond Rational, on Flickr
IMG_6831-49_2-50_3-51_tonemapped by Beyond Rational, on Flickr
IMG_6841-59_2-60_3-61_tonemapped by Beyond Rational, on Flickr
IMG_6819-37_20-38_21-39_tonemapped by Beyond Rational, on Flickr
IMG_6789-7_90-8_91-9_tonemapped by Beyond Rational, on Flickr
IMG_6783-1_4-2_5-3_tonemapped by Beyond Rational, on Flickr
IMG_6792-10_3-11_4-12_tonemapped by Beyond Rational, on Flickr
IMG_6813-31_4-32_5-33_tonemapped by Beyond Rational, on Flickr
IMG_6828-46_29-47_30-48_tonemapped by Beyond Rational, on Flickr
IMG_6831-49_2-50_3-51_tonemapped by Beyond Rational, on Flickr
IMG_6841-59_2-60_3-61_tonemapped by Beyond Rational, on Flickr
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Comments
As others noted, avoid distracting backgrounds ( such as trees growing out of the roof ). Never forget that the car is the star. Don't include elements that will compete with the car for attention. Many shooters will elect to place the car in a somewhat industrial setting....aside an old warehouse, etc. ....so that the car is properly isolated from distractions.
That's not a hard and fast rule but the implication is there: keep things simple and let the car carry the load.
I, personally, rarely shoot cars without using a circular polarizer. If you don't have one, get one. Learn how it can help you,
Good luck,
Tom
Yea exactly what I was going to say, lots of reflections going on in some of the shots that take away from the car. You got some nice shots here though.
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