Promo shots... for me (C&C)
This one is hard to put out there, if only because I'm so NOT a model (SP's are one thing, but to do something like this really makes me self-conscious!). That said, I'd rather have feedback on it before using it than after I've already sent it out and see it on posters! So, C&C definitely sought - please don't be afraid to bring it on. :thumb I'm not sure I can face a reshoot - the hair and makeup took for freaking ever to do - but I do have other ones in the can to consider if this one's a flop, and can absolutely adjust processing and treatment, so ...
I shot this to promote a voice recital I'm doing with my husband, a program based loosely around the life of, and works inspired by Edgar Allan Poe. First performance will be on Halloween - kind of what prompted the idea for the programming! - but we're hoping to take this one further afield (and if anybody out there has associations with producing bodies, presenters, or promoters, including educational institutions, by all means get in touch with me via PM if you want to know more!)
In any case, this is specifically intended to go with this program, so I decided I'd do something a little bit Rossetti-ish and a little bit gothic-inspired-ish thus the superpale and highly-smoothed skin, but I didn't want it to crossover into actually vampirical. But it IS meant to be stylised/extreme, not naturalistic.
In any case ~gulp~
1. Cropped. I like this the best, but I think it's more "period" uncropped, hence why I worked on those too. Yeah, I needed more hair light. But I kind of like the fade to black in this instance, given the dark/gothic/night feel I wanted.
1a
2. Texture 1 (aiming for Rossetti-ish look - not sure I've got the hang of textures yet, but fwiw)
3. Texture 2 (I don't like the way it's feathered where I've brushed it away - tips for doing this better?)
I shot this to promote a voice recital I'm doing with my husband, a program based loosely around the life of, and works inspired by Edgar Allan Poe. First performance will be on Halloween - kind of what prompted the idea for the programming! - but we're hoping to take this one further afield (and if anybody out there has associations with producing bodies, presenters, or promoters, including educational institutions, by all means get in touch with me via PM if you want to know more!)
In any case, this is specifically intended to go with this program, so I decided I'd do something a little bit Rossetti-ish and a little bit gothic-inspired-ish thus the superpale and highly-smoothed skin, but I didn't want it to crossover into actually vampirical. But it IS meant to be stylised/extreme, not naturalistic.
In any case ~gulp~
1. Cropped. I like this the best, but I think it's more "period" uncropped, hence why I worked on those too. Yeah, I needed more hair light. But I kind of like the fade to black in this instance, given the dark/gothic/night feel I wanted.
1a
2. Texture 1 (aiming for Rossetti-ish look - not sure I've got the hang of textures yet, but fwiw)
3. Texture 2 (I don't like the way it's feathered where I've brushed it away - tips for doing this better?)
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14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
You have a very nice presence in front of the camera.
I like #2.
Thanks both!
I knew somebody in here would pick up in the hand position :giggle I had to clone out the remote (one of the reasons I prefer the crop)
The expression I was aiming for was that slightly vacuous fixed smirk Rossetti's models often had - I'm not sure I like it, but it was what I was trying for...
ahhh..if you were going for a smirk then you have achieved it..but I don't think it works outside of that narrow context.
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Kelly
My Photostream
http://www.flickr.com/photos/freezethemomentphotography/
http://www.kfsphotography.smugmug.com
Anyway, here's another alternative. Not sure about an indirect gaze, which is a little demure for my kind of in-your-face performance style, but the pose is more stylistic and interesting and the hand position is for sure better (2-second delay remote setting, how I love thee. When I remember to use thee. :giggle). I think I might might have overcooked the diffuse glow on this one too, but that can be reprocessed if necessary. Experimented with leaving the texture on the whole thing as another possibility, too - I'm definitely experimenting now I have these in the can
Bottom line is that the shot needs to both reflect the program, and interest people to come along and listen, if only to find out more. Kind of like a CD or book cover.... All thoughts welcome!
4
PS Kelly, it's not a gown, but a kimono-style jacket/duster (I usually wear it over black pants/tank for dressy occasions when I don't want to wear a gown). I put it on backwards and draped appropriately to get the neckline I wanted (don't ask to see the outtakes where it didn't work out!!). It just had the right kind of Pre-Raphaelite pattern and the velvet draped just right, so it was handy to grab and play around with (and proof that as long as the back doesn't show, you can get away with almost anything in a photo if you fiddle around with it enough ... )
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
- use the texture only as a background
- make it look old, like is been sitting in a frame for 60 years
www.warris.nl/blog
Nice work overall !!
Bruce
You're beautiful. It's not going to take much to make the image just what you need.
Not much of a texture person, but should you either ease a bit or totally remove the texture across your face (and perhaps hair)?
Who is wise? He who learns from everyone.
My SmugMug Site
Kelly
My Photostream
http://www.flickr.com/photos/freezethemomentphotography/
http://www.kfsphotography.smugmug.com
This time I processed it as I did the second one, going even a bit further with diffuse glow... but trying to keep some nose definition, and pumping up the lips a bit more (it's a very bizarre experience to change one's own face so much that it becomes NOT one's own face... and thus easier to work on in a detached way! Really weird. But I digress....). I also found a better hand to replace the original - if you know I was holding the remote you can still imagine it how it was before cloning, but I think it is a more natural position that I can get away with for non-photographers Something about this version makes me look wider than I am (and I need NO help in that department, thankyewverrymuch ) - I think I cloned some shadowing out of some folds and it changed the proportion; well re-look at that...
However... thoughts - does this work better for the direct look shot? (And THANKS again for all the responses - it is SO helpful )
5.
6. (still working on texture opacity and how/where to brush off, blending modes etc. Not sure about it yet, but playing....)
Kelly
My Photostream
http://www.flickr.com/photos/freezethemomentphotography/
http://www.kfsphotography.smugmug.com
Ok, I'm going to change my vote on the processing.......having seen 5 & 6 side by each now, I vote for 5 on processing.
I really love the eye contact you have going in #5, that makes it!
Bruce
I just came back to the two of them again, its a toss up, I like the creamy texture of 6 as well.
1.) Your make-up: I am sure it works on stage (strong so people sitting far away will see your facial expressions), but it does not photograph well. It's way too strong / harsh, and not flattering to your skin. I KNOW you are a pretty lady, but this does not do your justice
2.) Smirk: Oh noooo, I don't really see it :cry I think it could be a bit smirkier? To me it looks like you're biting on YOUR bottom right lip as the bottom left looks for some reason "fuller". Not liking the facial expression.
3.) Skin texture. To me it looks like you touched up your whole upper chest / neck area, but you left out your smiley wrinkles (around the mouth). It somehow looks a bit out of balance Believe me I am your girl when it comes to making everybody's skin look silky smooth (and yes, I totally admit I overdo it at times ), but I just don't think it works here.
4.) Body position. Oh no! I'll be really rude now and tell you it looks sloppy :cry, Do you hate me yet? It might be the dress, but it's def also the way you're sitting, your hands (btw they look way too short because of the way your dress falls), your shoulder, ... the images just aren't strong to me. What are you trying to "sell". Is this supposed to be a strong / powerful / sweet / smart woman? I don't understand it.
5.) and a btw! : Kuddos to you for doing a self portrait, it's not an easy task (it really isn't and you did way better that I would have done ). But if you need some promotional photos, why not contact a fun, young, local photographer? I bet there are many photographers out there that would LOVE to shoot you, and 2 creative minds + 2 sets of eyes can sometimes be much stronger than one. Just a thought.
... Boy .... now I even told you to go and see an other photographer .. you know I mean well. But why do all this work (I bet it took you a TON of tried to come up with something nice) & kill yourself like this rather than enjoy a couple minutes in front of somebody else's lens? Try it, we all know you are a great photographer and I am sure you'd do just as great as a model
ANYWAY! Those are just my thoughts, take them or don't (don't hate me tough, I promise I'm a nice girl + usually really like your work )
(uhmmm ..... we should have a peace-smiley :giggle)
Actually, the makeup was fairly light and geared for photo not stage (skin-tone-evening foundation, slightly emphasised but neutral eye, and just enough lip colour to define the lips so I could work on them afterwards - I had a feeling I'd be tweaking that!) - what took the time was keeping it *even*, and not overdoing it! Most of the emphasis is done in post ... including the strong lip colour. I had on a neutral for this part of the series. Point being.... it's highly adjustable if it doesn't work
This is my main reservation at this point, too, Smirk or whatever you want to call it, it achieves what I set out to do, but I'm not sure I actually *like* it! This is what happens when you try to copy painted art ... That notwithstanding, it was the eyes-into-camera one I liked best from the series.
Is this on all of them, or just the first set? I addressed the smile lines in the later reworks, although perhaps need to go even further? I took the skin retouching WAY beyond anything naturalistic (to say the least ), but was trying for that white, smooth "painted" skin look (again, emulating the style of Rossetti, Hunt et al. Even art-nouveau stuff like Mucha)
Yes, I noticed the foreshortened hand too. I know what you mean about sloppy - although to me it looked "drapey" rather than actually unkempt - but I liked the diagonal pose, which is typical of the art of the period I had in my head ... which is also what dictated the choice of garment. I don't mind the folds (I cleaned up a few of them), but if it looks odd, then that's food for thought. ETA: relooking at this I totally see what you mean about BOTH arms being foreshortened. DUH! Why didn't I notice that before??!?!?? :bash
That's a very good question, actually, and probably one I haven't answered clearly enough for myself (marketing 101, anybody?! Oy.). I do know I want something to visually reflect the music (a lot of 19th Century dreamy, evocative French, plus some good ghost stories) plus people's concept of Edgar Allan Poe (ie 19th century Gothic, neo-Medieval, supernatural, sinister, dreamy). The Pre-raphaelites dropped into my head the other day, and I went and shot it while the idea was fresh in my mind and I had a couple of hours to work on it.
Frankly? Not only the obvious challenge of no budget, but .... I also like to keep creative control over it because I DO have a strong idea of what I want the finished product to look like (this is only maybe 60% of the way to what I had in my head, btw, but it was a start). That's bad, I know - I swear I'm not really a control freak!! - and if this project goes further afield and I have money to hire somebody whose work I LOVE and who would understand what I want to help me put together a really high end promo package, then I would do exactly that. But at this point... it falls to me.
Totally not necessary - comments taken 10000% in the spirit they were meant, and I appreciate them!! Not sure I can take action on all of them, but I've tucked everything away to think about and use... if not this time, then the next. It's great stuff!!
Where've I been??
Hey, For a "Poesque" program I think #3 nails it. Nice lips. The other poses, the lips looked a bit "geisha-ish." Just lose the Maori tats. That's a very late 19th century look, and I like it.
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
I agree on the first few shots about the lips--something not right.
My favorite of the bunch is #4. I like the processing and your look on this one. Then #5.
I think you nailed the look you were going for, but you do have some helpful tips there if you want to perfect the look and do a reshoot, afterall it's going to be plastered in many places.
_________
Again, my sincerest thanks to ALL of you for the input. I've got so many more ideas now and will continue to play with this. I may wind up using what I've got, but if not... I have a ton of ideas for making it better if there's a "next time"!!
You guys all rock my world, as usual
So, you know, there's this chick photographer who lives not TOO far from you who does all sorts of crazy shoots and, you know, would totally collaborate on just a shoot because she hasn't shot anything in months.
Just sayin'.
I'm laughing out loud here, simply because YOU were the person I was thinking would be perfect for this particular concept-shoot if I ever had a budget!!!
Yeah, where the hell have you been?
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
Uhm ... welllll, there you go! Oh boy would I LOVE to see what you guys would come up with!!
I've been here, just more in lurker mode since life went a bit crazy for me around March. Things are finally settling down. Sorry for the prolonged silence!
We'll see if a collaboration project doesn't break that trend.
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.