Help me save my colors in printing . . .
LiveAwake
Registered Users Posts: 263 Major grins
Hello all,
I'm designing a brochure/rack card that I am going to have printed through www.overnightprints.com. It is going to include some pictures of mine, and they require that the file is sent to them in the CMYK color space "GRACoL2006_Coated1v2" (which I'm assuming is the same as "Coated GRACoL 2006 (ISO 12647-2:2004)" since that's the closest thing that photoshop had in my color options).
When I convert the pictures to this color space, most of the colors translate ok - what I would call "good enough" for a rack card. However, my pinks and purples just get completely destroyed! Pictures with these colors are transformed into muddy disgusting blobs (fine, that's an exaggeration, but I have feelings about my colors!).
Is there any way to recover these colors in that color space? Is it even capable of producing something close??
I don't know if this will show up right, but here's an example:
PLEASE HELP ME!!!
Thanks in advance.
I'm designing a brochure/rack card that I am going to have printed through www.overnightprints.com. It is going to include some pictures of mine, and they require that the file is sent to them in the CMYK color space "GRACoL2006_Coated1v2" (which I'm assuming is the same as "Coated GRACoL 2006 (ISO 12647-2:2004)" since that's the closest thing that photoshop had in my color options).
When I convert the pictures to this color space, most of the colors translate ok - what I would call "good enough" for a rack card. However, my pinks and purples just get completely destroyed! Pictures with these colors are transformed into muddy disgusting blobs (fine, that's an exaggeration, but I have feelings about my colors!).
Is there any way to recover these colors in that color space? Is it even capable of producing something close??
I don't know if this will show up right, but here's an example:
PLEASE HELP ME!!!
Thanks in advance.
0
Comments
As this macro shot of the flower is out of focus, with the focal point being on the bee and stamen of the flower - I would concentrate on making the bee look good.
If the flower was more important or in focus, then one could try to add more detail (if the detail was there to begin with), however it will never be as saturated as the original in standard CMYK press inks. Keep in mind that others will not see the original RGB so they can't compare, and also keep in mind that in printed material people are used to seeing something that falls short of reality, so that will cut
you some slack.
Sincerely,
Stephen Marsh
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On the original, load a soft proof with the CMYK profile so you see the ugly image. Now you have a before and after. The original is still in RGB. At this point, you can try adjusting the ugly, original closer to the “before“ temp image (Vibrance or saturation, some curves etc, ALL on adjustment layers). You’ll never get back to that original, but you can often improve it a bit. Since you are still in RGB, and because you have all these adjustments on layers (which I’d put into a Layer Set with the name of the CMYK profile there to remind you of what the tweaks are for), you can at least attempt to get a better rendering. But its CMYK, the devils color space <g>, its gamut is tiny and in your situation, you are at the mercy of the CMYK profile provided.
Author "Color Management for Photographers"
http://www.digitaldog.net/
If the print colors are that important, go to a custom printer and show them what you are trying to achieve. A custom printer may be able to custom mix some inks and provide an additional color to overprint the CMYK and get much closer to a specific hue, tone and shade. It will cost more, probably a lot more, but it will get you better color. (Essentially it is an additional "spot color".)
You might also try to find a print house that still uses the "Hexachrome" process. Hexachrome is a six ink process that claimed more accurate Pantone color reproduction. The image file would have to be redone in a compatible older software as Hexachrome is no longer supported.
Finally, you might consider using a photographic print process for the image, and conventional offset, or other mechanical, printing for any text (although it's easier to just use the photographic process throughout).
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Sam
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If the flower was in focus, then I would go for it. As things stand, it can't hurt but the gains will likely be minimal - however one can always do better, even if it is just minimal.
All "standard" press CMYK printers are going to have the same/similar limitations compared to the original RGB image.
Stephen Marsh
http://binaryfx.customer.netspace.net.au/ (coming soon!)
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
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