That's great. Technically it's overexposed, probably because the statue is black or nearly so, and your camera decided to make it gray (classic AE error), but it still works pretty well because you don't want the statue to turn into mud. The only thing that really looks off is the tall building on the left, and it's not important to the shot. If this is a B&W conversion from a digital color shot, you might try pulling the blue channel down a bit to make the sky light gray instead of white.
That's great. Technically it's overexposed, probably because the statue is black or nearly so, and your camera decided to make it gray (classic AE error), but it still works pretty well because you don't want the statue to turn into mud. The only thing that really looks off is the tall building on the left, and it's not important to the shot. If this is a B&W conversion from a digital color shot, you might try pulling the blue channel down a bit to make the sky light gray instead of white.
Thanks for the insight on the metering. I actually revisited the original:
I surprised myself because this was one of the very few occasions where I shot in manual mode and not AV. The exposure was probably quite good (just a touch bright here in SOOC) -- the conversion to b/w left the shoulder a touch blown-looking. Sky was mostly white clouds with just a hint of blue at the top, but I never thought of tweaking the blue channel by itself specific to the sky as I usually am focused on skin tones. Thanks for the instructive feedback!
BTW, I did want to point out one effect of shooting ultrawide (17mm in this case). You do not get good background blur/bokeh because of the DOF, but you do get a diminution of the background when you get close to the subject. That can be seen here with the next statue being the same size and quite close, but appearing much smaller due to the relative distance when stepping close with the wide lens. For street/PJ, this may be preferable to the blur/bokeh of a longer lens shot wide open.
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"Dance like no one is watching. Sing like no one is listening. Love like you've never been hurt and live like it's heaven on Earth." — Mark Twain
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Got bored with digital and went back to film.
This is in Vancouver, BC, at the southwestern edge of Stanley Park.
Thanks, all!
Thanks for the insight on the metering. I actually revisited the original:
I surprised myself because this was one of the very few occasions where I shot in manual mode and not AV. The exposure was probably quite good (just a touch bright here in SOOC) -- the conversion to b/w left the shoulder a touch blown-looking. Sky was mostly white clouds with just a hint of blue at the top, but I never thought of tweaking the blue channel by itself specific to the sky as I usually am focused on skin tones. Thanks for the instructive feedback!