Two different PP approaches. Comments appreciated.
Syncopation
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
I really like #1! the second though is overly abstracted in it's over exposure. I don't think that one works so well.
The stripes and silhouettes of the first are excellent. : thumb
Don
Don Ricklin - Gear: Canon EOS 5D Mark III, was Pentax K7
'I was older then, I'm younger than that now' ....
My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust , FaceBook.
I love the exposure in #1. It really gives you a sense of timelessness, as if this picture could have been taken in any given year. I also like #2 a lot, because I'm a big fan of experimentation with exposure levels and what they can allow you to do with a photograph. A photo doesn't always need to show all the details to be striking, in my opinion. Nice job!
I write at: Bumblejax - Wall Art from Digital Photos www.bumblejax.com
These are usually not my cup of tea, but they work well in these two shots. I have a preference for #1 because the people figure more prominently, but both are excellent!
Thanks for the comments. I was experimenting with shooting into the sun (yes it does shine occasionally in Engand ).
Here's a pano crop of #2. It does take away the overwhelming effect of all the white space. I'm not sure the image is any stronger for that though
Syncopation
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
I prefer #1 simply because the image doesn't seem to fall off from land to sea with no delineation as #2 does. I really like the perspective of #2 though.
Must just be me, but I really like the original #2. I think the lost feeling make a strong emotional statement, especially with the little stick things that seem to be wandering out to sea..
Comments
The stripes and silhouettes of the first are excellent. : thumb
Don
'I was older then, I'm younger than that now' ....
My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust , FaceBook .
OK, I like the sepia more in #2 than in #1. But the composition isn't quite working for me. Maybe crop from the top to a pano ratio?
www.SaraPiazza.com - Edgartown News - Trad Diary - Facebook
I work at: www.tinyroomproductionsonline.com
Here's a pano crop of #2. It does take away the overwhelming effect of all the white space. I'm not sure the image is any stronger for that though
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
That's a little more extreme than I was thinking. Before it seemed lost, but now it's a little cramped.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
Third crop of #2 worked out quite well, though.
Both would make very nice fine art prints.
Love the title!!
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
Email
Like this crop, but it feels like it's falling to the right. maybe 1-2 degree counter-clockwise rotation?
I like #1 a lot.
#2 version 3 is also very good. The over exposure reminded me of photos by Giacomelli and his over-exposed priests dancing.
I like them both
www.mind-driftphoto.com
www.borrowedlightphotography.com