The San Miguel Market in Madrid used to be a great place for food shopping. It was renovated recently and turned into something like one big tapas bar.
#2 is definately my favorite Richard. I like the conversion and the grainy feel as well as the lines and shapes you captured here. I like her body language with arms behind her back and her expression is a little hard to read. It's a little far away so it's hard to see her face in detail, but the shot works for me.
Many thanks. I considered a crop in #2, but what caught my attention in the first place was how alone she seemed in an otherwise busy place, so I left the space.
I like the second with the solitude feeling in what should be a busy place. Gives the sense that she is waiting for the place to open so she can get her first drink of the day...
Q: Is the black diagonal line on her neck a processing artifact? Also, in another thread you mentioned combining a b/w layer with the color. What effect does that have?
Q: Is the black diagonal line on her neck a processing artifact?
Yes. It's the shadow of the cords in her neck, but it was exaggerated by the sharpening. Between the original noise, the conversion and the added grain, detail in her face was pretty much obliterated, so I used HIRALOAM sharpening to at least have some contour there.
Also, in another thread you mentioned combining a b/w layer with the color. What effect does that have?
The goal is to work with color and brightness separately. I used to work in LAB mode for that reason, but I discovered that I can get better control if I set the contrast I want on a separate B&W layer, then blend the B&W in luminosity, multiply or one of the overlay modes. By putting a channel mask on the B&W layer and varying the mask density and layer opacity, you can fine tune the highlights and shadows separately. As for the color part, ACR does everything I need with rare exceptions.
#1 is my favorite. The colors slap me in the face without the shot looking too post-processed. The little boy is great. Seems to be waiting somewhat impatiently for his Mom to finish the conversation so they can get moving. Like the composition. But I hate that the bartender is looking at the camera.
#2 is great as well. Love all the extra space, really puts the theme of isolation in the spotlight. Her face seems strange when you look at it closely though... kinda unfortunate.
#1 is my favorite. The colors slap me in the face without the shot looking too post-processed. The little boy is great. Seems to be waiting somewhat impatiently for his Mom to finish the conversation so they can get moving. Like the composition. But I hate that the bartender is looking at the camera.
#2 is great as well. Love all the extra space, really puts the theme of isolation in the spotlight. Her face seems strange when you look at it closely though... kinda unfortunate.
First of all, welcome to Dgrin .
I understand what you mean about the bartender. I've become a little more tolerant about direct looks as it also means the person is looking at the viewer of the pic, which can be a good thing sometimes. I didn't much care for it here, but I didn't think it utterly ruined the shot. .
Regarding the face in #2, you are correct--the face is a mess, even more of a mess than may be apparent in a small Web size. Nevertheless, I liked the overall feeling of the shot, so I didn't toss it.
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#2 is the winner for me. I would consider a crop (just because I want to see more of the woman), but suspect that it works best overall as is.
#1 made me smile.
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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#1--I like the color and warmth.
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Q: Is the black diagonal line on her neck a processing artifact? Also, in another thread you mentioned combining a b/w layer with the color. What effect does that have?
#2 is great as well. Love all the extra space, really puts the theme of isolation in the spotlight. Her face seems strange when you look at it closely though... kinda unfortunate.
First of all, welcome to Dgrin
I understand what you mean about the bartender. I've become a little more tolerant about direct looks as it also means the person is looking at the viewer of the pic, which can be a good thing sometimes. I didn't much care for it here, but I didn't think it utterly ruined the shot.
Regarding the face in #2, you are correct--the face is a mess, even more of a mess than may be apparent in a small Web size. Nevertheless, I liked the overall feeling of the shot, so I didn't toss it.
I appreciate the feedback