LR output sharpening
paddler4
Registered Users Posts: 976 Major grins
I have read a some about output vs. capture sharpening, for example, this thread:
http://www.dgrin.com/showthread.php?t=159297
and don't want to re-create a general discussion. However, I have two specific questions I have not seen answered. Anyone have advice on these points?
1. I understand that sharpening that looks good on the screen is often inadequate for an inkjet. I used to handle this by oversharpening a bit before printing. Is output sharpening any different from that?
2. If you have sharpened enough that the image looks good on your screen, why would you want additional output sharpening for viewing on the screen (one of the LR settings)?
Thanks
http://www.dgrin.com/showthread.php?t=159297
and don't want to re-create a general discussion. However, I have two specific questions I have not seen answered. Anyone have advice on these points?
1. I understand that sharpening that looks good on the screen is often inadequate for an inkjet. I used to handle this by oversharpening a bit before printing. Is output sharpening any different from that?
2. If you have sharpened enough that the image looks good on your screen, why would you want additional output sharpening for viewing on the screen (one of the LR settings)?
Thanks
0
Comments
2. It might be redundant if you are sharpening the picture on screen at its final Web size. But that rarely happens unless you are making little web-sized copies of everything first. Typically you are sharpening the full size (10-20 megapixel) original, and the settings in that case are very wrong if will later be shrinking it during export down to a web size like 600x400px. By choosing Screen the program can apply reasonable sharpening to the version after you have the Export dialog resize it on the fly.
2. You capture sharpen in Develop on screen to make a visually attractive preview. The output sharpening is now compounded (add on top of) this capture sharpening. The basis for three stages of sharpening and the two stages available in LR are based on the work by Bruce Fraser, first described in this article: http://www.creativepro.com/story/feature/20357.html
Author "Color Management for Photographers"
http://www.digitaldog.net/
You can always make a test print of a small portion of your image at the size you plan to print your file at, and see what the test print looks like. That is how we used to do it in the darkroom, and it still works. Questions about sharpening, or color casts, can be answered with just a few quick test prints, and then you will know the answer for yourself.
Moderator of the Technique Forum and Finishing School on Dgrin