Flash gelling - CTO vs. CTS
First off, happy Thanksgiving to all the Americans on here!
I just read a book on external flash techniques, and the author mentioned that he preferred CTS (Straw) rather than CTO (Orange). I've also read that CTS is preferred for Canon users, as it is less "red" than CTO. Is there any merit to this? If so, how much better is it really? Also, does anyone know where to get a flash modifier kit (in Canada, preferrably) that has CTS filters? I found a nice one at Henry's (Holn I think), but it had CTO. I know you can order the CTO sheets in bulk, but I'd rather buy a pre-made kit.
Any and all advice (and experience) is welcome!
EC
I just read a book on external flash techniques, and the author mentioned that he preferred CTS (Straw) rather than CTO (Orange). I've also read that CTS is preferred for Canon users, as it is less "red" than CTO. Is there any merit to this? If so, how much better is it really? Also, does anyone know where to get a flash modifier kit (in Canada, preferrably) that has CTS filters? I found a nice one at Henry's (Holn I think), but it had CTO. I know you can order the CTO sheets in bulk, but I'd rather buy a pre-made kit.
Any and all advice (and experience) is welcome!
EC
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Comments
You can get swatchbooks of gels free from any theatrical lighting company - check your phonebook, and call and ask if they have the Rosco or Lee swatch books. I laminated a dozen or so of the most useable colours ( CTO, CTS, CTB) in plastic sheets and used velcro dots to attach them to my flash, but sticky tape works too
Honl and Lastolite both make sets of gels and holders I believe; I know that a few people really like the Phoxle "sticky" gels, too (Heatherfeather and Jeffreaux2 have both mentioned those for ease of use and storage).
ETA: Here's a thread with the swatch gels - I posted some samples in post #16 http://www.dgrin.com/showthread.php?t=117510&highlight=velcro
It was Neil's book that I just finished reading which gave me the idea to look for CTS gels. Does anyone know of any kits (like Holn) that have CTS in them?
Thanks,
EC
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It depends on why you are gelling your flash... For indoor photography, more often than not, flashes are gelled to help adjust the color of the light from the flash to match (roughly) whatever indoor lighting is present to avoid painful post-processing trying to deal with the different temperature lighting.
Doesn't matter what kind of camera you are shooting with in these circumstances. The gel is to match the lights (CTO for tungsten).
When used for special effects, it's a different story.
Jay
Thanks,
EC
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