Old Cemetery
WernerG
Registered Users Posts: 534 Major grins
There is a tiny cemetery in our town that has been closed for new business for well over a hundred years. It is maintained enough to keep the trees from encroaching on the grave sites and there are even a few lilies that come up near the entrance path despite the deep shade. It is tucked into the woods far enough that you could drive by it a hundred times and not notice it. As with many older cemeteries, many headstones are for babies and young children, like this one.
Thanks for looking,
Thanks for looking,
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Thank you for the comments. And thank you for explaining your flower set up. You have turned flower photography into a unique art form. I am going to have to take flower photography a bit more seriously now. Just jamming the camera into a bunch of flowers doesn't cut it anymore.
http://wernerg.smugmug.com/
I'm diggin' the processing
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Hi Angelo, I'm in Vermont and I'm using our "stick season" up here to experiment with B&W variations. There are a lot of things going on at once, probably too many. I have been trying to recreate a digital version of what I used to do with home printing in the film days; print on hard paper but dodge and burn like crazy to get some overall contrast back while maintaining detail. I used 3 exposures and tonemapped in Photomatix but as usual I didn't like what it does to the colors. But when I de-saturated the tonemapped HDR I saw a familiar looking hard paper B&W with enhanced detail. I then post-processed with a tone curve to redistribute for more natural overall balance but retaining as much of the detail as possible. I also colored the B&W with a home-brewed brown that I like better then sepia. Sepia looks too red in the shadows for me. Several of the "Stick Season" B&W shots that I posted here recently were processed this way. The exaggerated detail caused by the tone mapping seems to work well in B&W images of forests with bare trees and yet it avoids the "HDR look", I think.
This shot was taken near the end of foliage season but it didn't look right in color. I used the tonemapped B&W process but with this image the bright light bleeding in behind the trees didn't look right in that very sharp detail so I used an Orton process (as close as I can get to Orton in Capture NX2) to soften everything except the headstone. Since it had lettering on it I thought it should still look crisp.
I realized after looking at the small image that I posted that I should have dodged the upper part of the headstone more. It doesn't look that dark at full screen size. I think the other "Stick Season" B&Ws that I have posted recently show the process better. Adding the Orton process at the end of this one negates quite a bit of the process.
Thanks again,
http://wernerg.smugmug.com/