Novatron 220 Plus strobes question
TheCheesehead
Registered Users Posts: 249 Major grins
Hi,
I have been asked to shoot portraits for the fire department that I work for. One of the guys I work with brought in an old (25years) Novatron 220 plus strobe kit with 3 lights, and 2 umbrellas. I was hoping someone here is familiar with them, I have never used strobes. I'm shooting tethered into LR3. Could anyone tell me the positioning for these lights? One has no switch,so I'm assuming it's full power. One has a switch with a -1 on it, and the other is a -2 switch. One of them is for the background, because one of the light stands is only 2 ft tall. I know, this rambling almost sounds like an algebra equation..sorry!
Thanks!!
I have been asked to shoot portraits for the fire department that I work for. One of the guys I work with brought in an old (25years) Novatron 220 plus strobe kit with 3 lights, and 2 umbrellas. I was hoping someone here is familiar with them, I have never used strobes. I'm shooting tethered into LR3. Could anyone tell me the positioning for these lights? One has no switch,so I'm assuming it's full power. One has a switch with a -1 on it, and the other is a -2 switch. One of them is for the background, because one of the light stands is only 2 ft tall. I know, this rambling almost sounds like an algebra equation..sorry!
Thanks!!
0
Comments
customerservice@omegasatter.com
http://www.novatron.com/static/2
Yes, I think that the switches with the -1/-2 settings are toggles and either full power or the indicated stop reduction (basically an EV reduction).
Without seeing images of the heads it's hard to say exactly how to recommend using them. I suggest that I would try using the head with the -2 as the background light and then set up the other heads with umbrellas.
Find a reflector and another stand, you can improvise if you wish, and try the following 3-light plus reflector setup:
http://www.prophotolife.com/video-episode-14-the-classic-three-light-portrait/
Note the direction that the model faces relative to the light/reflector position. If you invert the location of the lights you would also change the positioning of the subject.
In this setup the key light and reflector-fill are in front and the hair-rim light and background light are behind. The background light typically doesn't need to be very powerful so try the -2 setting there. The hair-rim light can be a number of different ratios depending on the desired effect but start with the -1. That leaves the full power head for the key light. If the umbrellas are convertible, either reflector or shoot-through depending on whether the flash head is in front of the umbrella or behind, start with shoot-through.
This should get you an extremely competent looking portrait with the lights you have.
Test the setup well in advance of the shoot. Feel free to experiment and deviate from this basic setup but only on test subjects.
Moderator of the Cameras and Accessories forums
Good Luck on your shoot
Yes...do not connect by a sync cable...unless you buy a Wein Safe Sync (approx $50.00) the ebay triggers will serve you better in the long run .....you are very lucky as all digital cams I have heard of have a sync trigger of 6v or less and my 25yr old WL5000 put out a voltage spike of at times over 100v...so do my SunPak Flash units......so far you are very lucky....I would spend $20-50 any day rather than take a chance to kill a camera....
Good Luck
http://www.amazon.com/CowboyStudio-16-channel-Wireless-trigger-monolight/dp/B002OL4EE6/ref=sr_1_10?s=electronics&ie=UTF8&qid=1292593277&sr=1-10
I believe that the receiver on these units has a female PC connector that would connect to the existing sync cord from the Novatron pack. I use a very similar (visually identical) set with my studio monolights.
Moderator of the Cameras and Accessories forums
That is a good price,
Good Luck.