Print Quality
FACzen
Registered Users Posts: 4 Beginner grinner
OK, I'm about to test BayPhoto's output service. I posted a few new pictures for testing, then I downloaded the icc profile for their printer and ran a soft proof onscreen in CS5.
YUCK.
No blacks. All washed out. I couldn't even figure out how to correct it within reason. And I wonder if I should. Could it be that I should be seeing this onscreen but the prints will come out?
Here's a test image: It's a pretty extreme night shot. Would you attempt to correct it further?
http://faczen.smugmug.com/Professional/Gallery-Series/15119779_qdoDq#1130358176_P6c6X-A-LB
Glenn
YUCK.
No blacks. All washed out. I couldn't even figure out how to correct it within reason. And I wonder if I should. Could it be that I should be seeing this onscreen but the prints will come out?
Here's a test image: It's a pretty extreme night shot. Would you attempt to correct it further?
http://faczen.smugmug.com/Professional/Gallery-Series/15119779_qdoDq#1130358176_P6c6X-A-LB
Glenn
0
Comments
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
Your blacks in the sky, are black, they do read 1,1,1 or 3,3,3.
But your highlights, even your specular highlights of the lightbulbs themselves, are merely grey.
Specular highlights should read should read north of 250,250,250 as should the stars in your sky. Yours do not read so on my monitor screen. I think you need more pop in your highlights, a steeper curve in the upper highlights, so that the stars are truly white or even specular, unless it wasa foggy night that you are wanting to capture.
Some of these choices come dawn to artistic intent, of course, but lights and stars should not usually read as light greys, but as white or specular highlights, I tend to think. I do see the color in your stars, but they still look flat to me. Most images are best rendered taking advantage of the full black to white range of the paper 0,0,0 to 255,255,255
Your thoughts about my suggestions?
Moderator of the Technique Forum and Finishing School on Dgrin
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Thanks again!
Glenn
-Norman
Since they probably demand you send them the data in sRGB and not using the output profile, its a moot point. Its another lame workflow where labs want you to think they are implementing color management when they are not. If someone provides an ICC profile, they should let you use it fully; control rendering intent, Black Point Compensation and conversion using (ideally) the ACE CMM. We have no idea if they even use that profile for conversion (unlikely) or if the profile represents the actual output device (unlikely).
Author "Color Management for Photographers"
http://www.digitaldog.net/