T&I photos, dare I ask for C&C...
Rocketman766
Registered Users Posts: 332 Major grins
Ok, here is my first T&I photos from this year. This is something I want to do more of, but have tons to learn before I can even think of being comfortable with it. When taking these photos, I did not move the lights, meter for each individual or anything of the sort, I basically had an hour to shoot 25 kids and then the whole team. I shot with 3 lights, main light left of the camera through a soft box, second light to the right of the camera (45 deg angle) and a 3rd at the edge of the backdrop shooting towards the back of the subject, somewhat of a hair light? Keeping that in mind, how bad did I do? In each shot, I increased the black levels a tad, bumped the WB up a bit (shot at 5600K but when I loaded them into LR3, it said 5450K?) and left the sharpening at the default level. Looking back, the brightness was also upped some. All shots were cropped to the size ordered. Here goes.... I guess the only way to learn is to listen to those who know.....
1.
2.
1.
2.
0
Comments
The colors are nice as well as the exposures.
I do know that shooting with a black background is not the easiest thing to do as I've had my share of trail and error since I have not a flash meter yet.
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
I'm sure the will be fine in print but just curious....
Does it really make any difference for general printing purposes?
Maybe it does for poster sized prints?
I could be saving tones of hard drive space by compressing right?
Sorry for off topic but getting back to the portraits, what made you decide on a black background?
Edit:
I also didn't realize that the Mark III was 21 plus Megapixels, wow, those must be huge files!!!
The files from the MKIII are only 10 Megapixels... its a 1D MKIII, not a 1Ds.... the Raws from this are only about 9.5 to 10 MB in size.
Another idea to ground them might be to have them trail a pennant or streamers on the floor.
Neil
http://www.behance.net/brosepix
Had not thought of that
For spot on ground I'd try a snooted strobe high up which hits at an angle to create an elliptical pool of light. Position the girl in relation to that, but light her separately. Soften the shadows on the girl, camera in closer and let the girl use a prop such as a pennant or streamers to lengthen the footprint and add to the grounding as mentioned above. Incident metre on the girl and on the spot and adjust balance. Adjust distance of background, or gobo lights, if light spill/reflection is a problem. Use greycard for custom white balance.
Others might have other techniques.
Neil
http://www.behance.net/brosepix