Sports Shooting

rhc86rhc86 Registered Users Posts: 5 Beginner grinner
edited January 16, 2011 in Sports
Happy New Year!

I am trying to get some information on the right lens to shoot my son's soccer games. Primarily they are at night under stadium lights.

I currently have a Canon EOS Rebel XT. My current lens is 80-200mm f/4.5-5.6. I was thinking about getting a :

Canon EF 70-300 f/5-5.6 IS or a
Canon EF 70-200 f/4.

I wondered if anyone can provide some wisdom and expertise on what might work the best.

Thanks

Comments

  • ziggy53ziggy53 Super Moderators Posts: 24,132 moderator
    edited January 1, 2011
    Night-time and indoor action sports are among the hardest things to consistently photograph.

    For my son's American football games I wound up using a Canon EF 70-200mm, f2.8L USM on a Canon 1D MKII body for my best results. Any of the Canon 1D series bodies will yield the best AF results when used with a sports lens.

    You really do need both a lens with a constant aperture of f2.8 or better, which also has Ring-USM AF motor technology, and a camera with a very fast AF section in order to gain control.

    Understand that I too tried to use a Canon XT/350D when I started. It wasn't until I got both the faster lens and faster body that night sports photography became feasible. The 1D series bodies are at least twice as sensitive in AF sensors and the AF, compared to the XT/350D, is around 3 times faster overall. The f2.8 lens is important because the center AF point is activated to be more precise with lenses of aperture f2.8 or larger.
    ziggy53
    Moderator of the Cameras and Accessories forums
  • budman101budman101 Registered Users Posts: 158 Major grins
    edited January 1, 2011
    You definitely need fast glass, also the bokeh you get with a 2.8 lens is a bonus for isolating subject from background. If the Canon 70-200/2.8 has you in sticker shock check out the Sigma version. There's two models of Sigma for Canon out there. The non OS goes for about $750 while the newer OS 70-200 goes for $1600.
    www.joemallis.com
    "Most time its not the gear that makes the shot"
  • rhc86rhc86 Registered Users Posts: 5 Beginner grinner
    edited January 1, 2011
    Thank you for the insights and advice. What if Im not really financially to make the leap to 2.8....what is the next best alternative...the 4?
  • JSPhotographyJSPhotography Registered Users Posts: 552 Major grins
    edited January 1, 2011
    Sorry rhc, IMHO you are just going to waste a few bucks purchasing either of the lens you mention. There is just no cheap way to shoot sports in bad light. Save up and watch for a used Sigma 70-200 2.8. You don't need IS, you are going to want fast enough shutters that it will not matter. Then save up some more and upgrade your camera body. That is what I have done.
  • budman101budman101 Registered Users Posts: 158 Major grins
    edited January 1, 2011
    rhc86 wrote: »
    Thank you for the insights and advice. What if Im not really financially to make the leap to 2.8....what is the next best alternative...the 4?

    IMO anything other than a 2.8 is going to be a disappointment. Most of us have been there. We purchased a lens that was good but not good enough for our needs. Later we sold it at a loss to get what we really needed for a satisfying photographic experience. In the end it costs more. Think of it as a long term investment. Once you have a 70-200/2.8 you have got about 85% of shooting situations covered.
    www.joemallis.com
    "Most time its not the gear that makes the shot"
  • cr8ingwavescr8ingwaves Registered Users Posts: 194 Major grins
    edited January 1, 2011
    You could always rent the 70-200 2.8 once and find out first hand what a difference it makes. I bought an 85 1.8 to use for wrestling and have been able to get decent football sideline shots with it as well. It is in the $3-400 range. I have learned to deal with the constant focal point until I can get what I really want. I do have a savings account for the 70-200 though. Nothing compares to it. I have the 70-300 and bought it for the very reason you are thinking of....I needed to zoom but couldnt afford the lens I really wanted. It works great in daylight only, sorry.
  • BayMareBayMare Registered Users Posts: 24 Big grins
    edited January 1, 2011
    Perhaps, if on a tight budget, you might consider an 85/1.8? If you can position yourself near the field, you may get some nice shots. This lens will also serve you well for portraits. Until I can afford a 70-200 2.8, this is my main lens. As photography is a hobby and not how I make my living, I've not been unhappy with the results when used for minor hockey and junior high level soccer and basketball on a 40D. Yes, the 2.8 would be much nicer; but one works with what one has or can afford.
  • toragstorags Registered Users Posts: 4,615 Major grins
    edited January 1, 2011
    You could always rent the 70-200 2.8 once and find out first hand what a difference it makes. I bought an 85 1.8 to use for wrestling and have been able to get decent football sideline shots with it as well. It is in the $3-400 range. I have learned to deal with the constant focal point until I can get what I really want. I do have a savings account for the 70-200 though. Nothing compares to it. I have the 70-300 and bought it for the very reason you are thinking of....I needed to zoom but couldnt afford the lens I really wanted. It works great in daylight only, sorry.

    Yup.similar to my situation, except I bought a 200/400 f4 to find out it didn't work in low light. It was an expensive lesson.

    I have the 85 1.8 and think it would work, but expect to run a lot. It may whip you into shape following the action
    Rags
  • rhc86rhc86 Registered Users Posts: 5 Beginner grinner
    edited January 1, 2011
    Appreciate your alls advice. Glad I posted the question before having an expensive lesson on what works in low light and m ight meet my needs...thanks!!

    Any point in looking at an extender?
  • JimKarczewskiJimKarczewski Registered Users Posts: 969 Major grins
    edited January 2, 2011
    You would need an extender that works with the 85. Canon's new III versions supposedly only work with fixed lenses 135mm and longer. So, you could possibly consider the 135/2, but that's an expensive choice vs the 85. Not sure about off brands, but don't go too cheap.. poor glass in a tele-extender is about as bad as a slow lens in what it will do to your images.
  • KipCoxKipCox Registered Users Posts: 54 Big grins
    edited January 2, 2011
    There's lots of variables to answer the question sufficiently.

    - How far are you trying to reach across the field?
    - How's the lighting where you are shooting? Is it consistent all over the field?
    - What is the max ISO for your camera?
    - What shutter speeds are you shooting? At least 1/500 is usually needed to freeze play.
    - How much $$ are you willing to pay?
    - What else will you use the lens for? Football, basketball and baseball?

    According to most reputable sources the 70-200/2.8 is one of the best outdoor sports shooting lenses for Canon.

    I used to shoot HS football with a Canon XSi and EF 70-200/2.8 L IS combo. Since I couldn't afford a 300/2.8 I added a Canon 1.4 teleconverter (TC) to get the extra reach (really needed when shooting a large playing area like a football or soccer field). Unbeknownst to me the 1.4 TC forced my f-stop to bottom out at 4.0 not the 2.8 of my lens. A 2.0 TC will bottom out your camera's f-stop at 5.6!

    The f-stop limit combined with the XSi's ISO limitation (it maxes out at 1600) meant that my shots were perpetually 1 or 2 stops underexposed (depending on the lights on the field - endzones here are always darker than the rest of the field). All this with shutter speeds (SS) no higher than 1/250-1/300 resulted in lots of blurred and underexposed throwaways. Adding a solid monopod decreased the amount of blur and added a few more keepers at the lower SS but it could not overcome the combined f4.0/ISO1600 limit. I had better results removing the TC but then I could only reach from the sideline to the closest hash marks. If the play went away from me forget it. Obviously the IS on the lens was a waste with a solid monopod.

    I tried using Lightroom (for exposure correction) and Noise Ninja (for noise reduction - NR) to compensate to the quality of the pics and had moderate luck.

    I was able to borrow a 5D MKII and that combined with my 70-200/2.8 meant I could get more keepers - the MKII has a FPS of 6 (compared to the 3FPS of my xSI) and the useable ISO was about 3200-4000 which in turn meant I could get 1/500 under the same lighting conditions.

    The 70-200/2.8 is an excellent lens for sports photography but to really get the reach you will need at least a 300/2.8 if you want adequate cover capability. Or, you could go with the 70-200/2.8 and and a 1.4 TC and a camera with better ISO capability (e.g. a used MKIII or 7D) at the higher f4.0. I opted to bite the bullet, shot for 3 years with the XSi and saved my $$ for a MkIV. I am shooting HS and college basketball with the same challenging lighting conditions of last season's football. Having the MkIV means that I can use my 70-200/2.8 and 1.4 TC without worrying much about the lighting for the stuff I shoot. I can't wait until football season starts.

    Again, it all comes back to how much $$ you want to spend and how much is the added capability worth to you for the conditions you are shooting.

    Good luck!
  • KipCoxKipCox Registered Users Posts: 54 Big grins
    edited January 2, 2011
    Another option with the slower glass would be to go with an external flash setup but that costs more money and some locations (college or higher) do not allow flash. For the record flash is not an issue on most HS locations where I shoot but imagine my sadness if I was able to shoot at a higher level and couldn't because of a no-flash rule. Pro arenas arre very well lit but its hit and miss for college s where I live.

    Another limitation is that most hot shoe flashes limit the quantity of frames per second you can shoot with the flash depending on the body you are using. If your camera is limited by the flash be ready to deal with lots of underexposed shots which in turn would mean more shooting to offset the throwaways.

    If you're serious about shooting sports you really can't avoid the cost of faster glass and better camera bodies.
  • rhc86rhc86 Registered Users Posts: 5 Beginner grinner
    edited January 2, 2011
    All - I appreciate your feed back and knowledge!! I am glad I joined this forum - I have learned more in two days than in 45 days of other research!!! Thanks!
  • JimKarczewskiJimKarczewski Registered Users Posts: 969 Major grins
    edited January 2, 2011
    KipCox wrote: »
    Another option with the slower glass would be to go with an external flash setup but that costs more money and some locations (college or higher) do not allow flash. For the record flash is not an issue on most HS locations where I shoot but imagine my sadness if I was able to shoot at a higher level and couldn't because of a no-flash rule. Pro arenas arre very well lit but its hit and miss for college s where I live.

    Another limitation is that most hot shoe flashes limit the quantity of frames per second you can shoot with the flash depending on the body you are using. If your camera is limited by the flash be ready to deal with lots of underexposed shots which in turn would mean more shooting to offset the throwaways.

    If you're serious about shooting sports you really can't avoid the cost of faster glass and better camera bodies.

    Flash and football don't play well together, period! Around here even with the dark holes we have called "football fields" flash does nothing to the photo but give the players red eye. Better off most of the time to underexpose, shoot raw and hope you can bump something out of it in post.
  • roletterolette Registered Users Posts: 223 Major grins
    edited January 3, 2011
    Flash and football don't play well together, period! Around here even with the dark holes we have called "football fields" flash does nothing to the photo but give the players red eye.

    You can use a flash successfully with football, but you have to get it off camera. The usual technique is to attach it to a monopod upside down 2-3 feet down connected via a flash cable.

    Provides light under the helmet so you can see faces/eyes, generally doesn't have an issue with odd shadows on the field (because the light is directed up), and no red eye.

    It's not how I shoot football, but have seen it work well for others.
  • JimKarczewskiJimKarczewski Registered Users Posts: 969 Major grins
    edited January 3, 2011
    rolette wrote: »
    You can use a flash successfully with football, but you have to get it off camera. The usual technique is to attach it to a monopod upside down 2-3 feet down connected via a flash cable.

    Provides light under the helmet so you can see faces/eyes, generally doesn't have an issue with odd shadows on the field (because the light is directed up), and no red eye.

    It's not how I shoot football, but have seen it work well for others.

    Tried it, several times. Dark caves it does nothing for... but still causes red eye. Go figure.... And that was with a Canon hotshoe cable fully stretched to get the flash as far off camera as I could.
  • mercphotomercphoto Registered Users Posts: 4,550 Major grins
    edited January 3, 2011
    budman101 wrote: »
    IMO anything other than a 2.8 is going to be a disappointment.

    Agreed. Night time, stadium lights, you need 2.8 if not faster. Anything else is a waste of money and of effort. If money is tight there are two alternatives. One is the 200/2.8. Its much cheaper than the zoom 70-200/2.8. And frankly, 95% of the time you will be at full-zoom anyway. The zoom is NOT necessary, but the REACH is.

    The other alternative is to simply buy photographs, assuming the games are covered by a pro. You can buy a lot of pics for the price of a lens and also be able to WATCH and enjoy the game.
    Bill Jurasz - Mercury Photography - Cedar Park, TX
    A former sports shooter
    Follow me at: https://www.flickr.com/photos/bjurasz/
    My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
  • b08rsab08rsa Registered Users Posts: 216 Major grins
    edited January 4, 2011
    rhc86 wrote: »
    Happy New Year!

    I am trying to get some information on the right lens to shoot my son's soccer games. Primarily they are at night under stadium lights.

    I currently have a Canon EOS Rebel XT. My current lens is 80-200mm f/4.5-5.6. I was thinking about getting a :

    Canon EF 70-300 f/5-5.6 IS or a
    Canon EF 70-200 f/4.

    I wondered if anyone can provide some wisdom and expertise on what might work the best.

    Thanks

    I shoot with an Oly 510 with a Sigma f 2.8 70-200mm lens, and I still have a heck of a time trying to shoot evening soccer games. To be honest, I know I need a better body, but shooting at ISO 1600, still does not help in getting a fast enough shutter speed.
    Sony A7ii, Sigma 24mm f/1.4 DG HSM Art Lens, Sony FE85mm f/1.8 Lens, Sony FE 28-70 mm F3.5-5.6 OSS Lens, Godox 860iiS Flash.
  • johngjohng Registered Users Posts: 1,658 Major grins
    edited January 4, 2011
    OK, bringing the discussion back around. You've got a REAL tough situation.

    Reality is - with good stadium lights you're looking at f2.8 and ISO 3200. With poor stadium lights you need f2.8 and 6400. The XT doesn't have ISO 3200. So that's a big problem.

    Let's set that aside for a moment to discuss other options - namely a 70-200 2.8. You need to realize distance is critical - especially in low light. The working distance of 200mm is around 25 yards - in good light. In low light with an older body (less capable focus system and more noise) - probably about 20 yards. So, that's a LOT of money to spend for very short reach. It's OK as long as you're willing to live within the limitations.

    Now, as others mentioned - flash is an option. I'm not sure why one poster is having problems. I shoot football with flash is some dismal stadiums with the setup suggested (flash mounted below the camera on monopod) and have no problems:
    1059487871_25Z7o-L.jpg

    BUT, you need to understand a few things about flash and Canon before you try that route. First, you need to realize that one benefit of flash is the focus assist beam - red light on the flash that shines while you try and focus - it helps the camera achieve focus. With Canon that beam doesn't operate when you're using AI-Servo focus (necessary for tracking moving subjects). And, an f4 or f5.6 lens doesn't let in a lot of light and the focus system on the XT isn't very good - all of which means even if you use external flash you're going to have problems focusing with slow lenses on that camera - unless you switch to single shot. That is probably a decent option although it's tough to say what the keeper rate will be. But you need an external flash (built in is far too weak). And there are other drawbacks:
    flash must re-charge - better flashes(like 580exII) with external battery pack will recharge faster. Flashes like the 430exII take longer to recharge.
    you also have to be careful - you can burn out a flash - literally if you're constantly trying to machine gun it - don't expect to take 2,0000 photos in a game without risking burning out the flash.
    And then there's the exchange of batteries (another reason an external battery pack is good).

    I'm not saying you can't get shots - I'm just trying to point out it's a very difficult task - football is easier as you can be closer to the action - soccer has too much action taking place further away. And, as I've eluded to, the focus system on the XT isn't the greatest. So there aren't a lot of great options - the ISO limit on your camera makes a 2.8 lens of questionable value - unless you've got an incredibly bright field.
  • jheftijhefti Registered Users Posts: 734 Major grins
    edited January 4, 2011
    Agree with the comments about fast lenses. I shoot night games with a 70-200/2.8 L-series on my 5Dm2. I also have a 100-400/4.5-5.6, which is great for day games but worthless at night. The 5D sensor is especially good in low light, certainly better than my 50D. I shot a night game recently with a number of professionals, many of whom were also using a 5Dm2 and not a 1D. (Can't comment on the Nikon guys, as I don't know the lineup.) Here's a shot under abysmal lighting, taken at ISO-6400 (f2.8, 1/800, 200mm) using a 70-200/2.8. Just some exposure and color adjustment, and de-noising, nothing more:
  • KipCoxKipCox Registered Users Posts: 54 Big grins
    edited January 7, 2011
    jhefti - Nice action shot - great color, exposure and excellent NR in post.

    Gentle observation for the original poster - an issue with this shot is the amount of dead space around the subjects. A tighter crop would improve the shot but of course worsen the noise. A 300/f2.8 (or bigger) and a 5DMKII would provide a tighter shot to accentuate the emotion and action and retain the otherwise excellent qualities in the pic.

    Generally speaking...what does everyone else think is the most difficult (equipment-wise) HS sport to shoot at night? Baseball? Soccer? Football?

    I would have to say soccer with football a close second.
  • jheftijhefti Registered Users Posts: 734 Major grins
    edited January 7, 2011
    Hey KipCox, thanks for the suggestion. I choose a larger crop because I really like the backdrop and vast expanse of turf; and of course the sense of isolation of the two players. Here's a tighter crop, which does show more of the facial expressions but also some motion artifact, noise reduction artifact (especially in the hair resolution) and skin tones that need touching up.

    I guess it was just a judgment call...
  • jheftijhefti Registered Users Posts: 734 Major grins
    edited January 7, 2011
    KipCox wrote: »
    jhefti - Nice action shot - great color, exposure and excellent NR in post.

    Gentle observation for the original poster - an issue with this shot is the amount of dead space around the subjects. A tighter crop would improve the shot but of course worsen the noise. A 300/f2.8 (or bigger) and a 5DMKII would provide a tighter shot to accentuate the emotion and action and retain the otherwise excellent qualities in the pic.

    Generally speaking...what does everyone else think is the most difficult (equipment-wise) HS sport to shoot at night? Baseball? Soccer? Football?

    I would have to say soccer with football a close second.

    Depends on the light...all other things being equal, I find soccer the most difficult, though I have no experience at baseball. (I don't much like the sport.) Some pro stadiums are not too bad, but for the U12-18 fields the lighting is atrocious!
  • KipCoxKipCox Registered Users Posts: 54 Big grins
    edited January 16, 2011
    jhefti wrote: »
    Hey KipCox, thanks for the suggestion. I choose a larger crop because I really like the backdrop and vast expanse of turf; and of course the sense of isolation of the two players. Here's a tighter crop, which does show more of the facial expressions but also some motion artifact, noise reduction artifact (especially in the hair resolution) and skin tones that need touching up.

    I guess it was just a judgment call...

    Your initial call was the right one, the first version is a sweet shot. thumb.gif
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