Snow Girl Marie
Two firsts here.
My first outdoor shoot in the snow and the first time I used a gray card for white balance in RAW.
Still working on her full gallery but click the first image for it.
The Hi Key here is on purpose
My first outdoor shoot in the snow and the first time I used a gray card for white balance in RAW.
Still working on her full gallery but click the first image for it.
The Hi Key here is on purpose
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
0
Comments
The next two sets from this shoot have less busy backgrounds. I'll have them up in a day or two.
To be honest, I was so intent on getting the snow white and her skin correct I probably was a bit distracted. Another reason I'm not a pro.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
Just a quick tip for outdoor portraits....if you are interested.
Make the photo first in your head, lighting comes first (find the good light, right time of day) give the the location and background second priority, once you find a good background and frame in good light then place your subject into the frame where you want them with the light hitting them in a flattering manner.
If you give the subject first priority then the background suffers.
You can put a mediocre subject in a great background setting in good light and get away with it, you can't get away with having a great subject in bad light with an ugly cluttered background.....for what it's worth .
Of these I like the high key best. I like the pose in the second one.
http://www.flickr.com/photos/21695902@N06/
http://500px.com/Shockey
alloutdoor.smugmug.com
http://aoboudoirboise.smugmug.com/
Seneca, what sort of PP would you like to see?
Zoomer, of course I'm interested and thank you for the advice. In reality, my major fault (among many) as a model photographer is that I tend to focus so heavily on the subject that I often forget the rest. Even though I know it, I still do it a lot.
Take a look at her second set (Guys don't make Passes) for a way better background and treatment - I think.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
I had a look at your gallery, as you know.
Neil
http://www.behance.net/brosepix
http://www.facebook.com/profile.php?id=100003085685580
When you have a beautiful model, it's difficult not to.
I took a lot of nudes of my wife when we were younger and most of them have something wrong in the background or the pose. My mind seemed to blank out anything else and fixate entirely on her.
But we're in good company, even David Bailey fell foul of that, when he photographed Marie Helvyn. I saw his shadow in one and a lampshade then a door post in others.
www.jtsphotoblog.blogspot.co.uk
www.johngwynant.blogspot.co.uk
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen