Selective Coloring?
DRT-Maverick
Registered Users Posts: 476 Major grins
Recently I was looking at Kasey's photograph of the rose with the people in the background, and higgmeister mentioned selective coloring. Here's my attempt. Give any suggestions if you feel like it.
The girl's natural eye color is blue. I wanted to bring attention to her eyes in specific, but do you think I should tone down on the saturation?
The girl's natural eye color is blue. I wanted to bring attention to her eyes in specific, but do you think I should tone down on the saturation?
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IMHO
Disraeli Photography
"Only when the last tree has died, the last river poisoned, and the last fish been caught will we realize we cannot eat money" Cree Indian Proverb
These colors are not friendly (you can read some books and also some material can be found in the Internet about matching colors)
http://www.usu.edu/teachall/text/disable/programs/match.htm
http://desktoppub.about.com/cs/color/a/symbolism.htm
Its a great composition and I think color here is unnecessary thing...
Spasibo,
Yuri
Spielberg made Schindler's List in 1993 and at that time the technique was probably still somewhat fresh (I don't know it's history.) Since that time, though, it has completely lost whatever novelty it had. What's more, the idea of using it for eyes is just about the first thing people try. How many times have you seen it before?
The problem is that selective color is an obvious gimmick. Unlike selective focus or exposure, it is completely unsubtle; it dominates the image and becomes the entire message. As such, it better be a good message. I don't just mean that the image has to be good. I mean that selective color has to be used to convey something worth saying. In this shot, what is that? The beautiful color of her eyes? But isn't she also beautiful? And this isn't a new or particularly interesting message.
Speilberg's message, by contrast, was pretty complicated. The film was black and white for a number of reasons, among them the fact that it might have been unbearably painful to watch if it had the additional realism of color. He wanted to grant us some additional distance from the characters. Then he used selective color to shatter that illusion and make a powerful connection with a particular character.
With all that said, you can make people look at the subject's eyes, make them pop, without hitting your viewers over the head with the selective color baseball bat. Look at Yuri's shot here: http://www.dgrin.com/showthread.php?t=18040 Look how hypnotic her eyes are. His recipe says that the only selective thing he did with them was sharpen a bit more than the rest. You could also try steepening the A and B curves in LAB more for the eyes than the rest. There are plenty of ways you could do this without nuking the image.
I see what you are trying to convey, but I have to agree that it's not needed here. With close-up people pictures, it's natural for the eyes to be the center attention and naturally grabs the viewer. Your model here has beautiful eyes and is quite stunning so there is no need to try and pull more attention to the eyes.
As some mentioned here, eyes in selective color are cliches. I had a college professor that used to take points off from my English papers because I chose to use cliches to express an idea (I didn't care about the points anyway). I still use them selectively to express an idea in shorthand and do see a place for selective coloring as well. Your selective color doesn't pull the attention away from the subject so I see no harm done though I don't see it adding to the picture either.
And I have to say that my attempts at selective color have been truly horrible; so bad that I would never torture this community by posting them:D. I have seen some examples where selective coloring made the shot, but only a few.
Thanks for sharing,
Chris
A picture is but words to the eyes.
Comments are always welcome.
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National talk like a pirate day. I know it was cliche, but I just thought it'd be nice to throw it up there to get opinions.
blue.