Cool. Might have been interesting with the mannequin head in focus and the people a bit fuzzy. Nice low angle and framing.
That was my first reaction as well, but then I took a good look at the guy in the middle. I don't think we want to lose any detail on him, as he's the most interesting part of the frame.
That was my first reaction as well, but then I took a good look at the guy in the middle. I don't think we want to lose any detail on him, as he's the most interesting part of the frame.
I like this - all those heads, staggered, with the balls of yarn at the end of the line.
As usual, I would have preferred a title that did not command an interpretation; would rather have discovered that delightful feature on my own and have room for more options as well.
I like it !
Don't know about the title,because we all see thing's a little different. About the field of view, as long as you can still make out the mannequin - still makes this picture effective. As Richard said - the main focus to me as well is the subject in the middle. Nice look indeed!
I like it too. I wonder if it wouldn't be more powerful if you cropped out the mannequin's head. It would be a very different picture, of course, but worth considering. I am very intrigued by the expressions on the woman, sulking child and even the baby. You could even keep the title.
Virginia
_______________________________________________ "A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
I like this - all those heads, staggered, with the balls of yarn at the end of the line.
As usual, I would have preferred a title that did not command an interpretation; would rather have discovered that delightful feature on my own and have room for more options as well.
We have had threads on titling. I always like something that fits.
BUT I realize that sometimes it predisposes the viewing of the shot. This would be especially true for someone as experienced and discerning as you.
I like it too. I wonder if it wouldn't be more powerful if you cropped out the mannequin's head. It would be a very different picture, of course, but worth considering. I am very intrigued by the expressions on the woman, sulking child and even the baby. You could even keep the title.
Virginia
Took your suggestion under consideration and came up with this. I did not want to lose the mannequin completely because I like the alignment of it, the girl, and the baby. But if I block out the left edge with the mannequin, the attention shifts completely to the people and would be a different, albeit debatedly stronger shot.
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I like this - all those heads, staggered, with the balls of yarn at the end of the line.
As usual, I would have preferred a title that did not command an interpretation; would rather have discovered that delightful feature on my own and have room for more options as well.
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Don't know about the title,because we all see thing's a little different. About the field of view, as long as you can still make out the mannequin - still makes this picture effective. As Richard said - the main focus to me as well is the subject in the middle. Nice look indeed!
Great shot:
Brady
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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We have had threads on titling. I always like something that fits.
BUT I realize that sometimes it predisposes the viewing of the shot. This would be especially true for someone as experienced and discerning as you.
Thanks!
Took your suggestion under consideration and came up with this. I did not want to lose the mannequin completely because I like the alignment of it, the girl, and the baby. But if I block out the left edge with the mannequin, the attention shifts completely to the people and would be a different, albeit debatedly stronger shot.