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mwgrice
Registered Users Posts: 383 Major grins
Here's one of my favorite shots from my recent trip to China:
As a clueless amateur, I'm, uh, clueless about processing the photo after I've taken it (beyond the obvious things like cropping). What would you do to improve this image?
As a clueless amateur, I'm, uh, clueless about processing the photo after I've taken it (beyond the obvious things like cropping). What would you do to improve this image?
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nice picture
being a bit of a "PS know nothing "myself all I can suggest is levelling the horizon-it looks a little tilted
you might want to play around with the other levels-autolevels usually does a pretty good job
greg
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Im really hopeless with PS.
Post-processing will bring not only a visual pop but will add emotion to this photo. Though i'm an amateur myself, i have messed around with photoshop to tell you the following:
1) Decide how you want the picture to look/feel. This could be the hardest part and many times i wont know what i want till i start messing around on PS.
2) I would personally make the door darker yet bring out its character (i.e the texture & writing). But the door is a bit over-exposed and so is the scene within it. I would spend a lot time burning and dodging on the door. Messing with diff. blending modes (Dup. layer > change blending modes) will give you a good idea of what a "darker" door will look like.
3) The person in the back and part of the street also looks over-exposed. Local burning there will help but i would keep the glow there.
I know i was lost when i first started post-processing but its very very crucial imo. If you want, i can download and work on this pic on my free time and see what we can come up with.
weddings
That said, there are some possibilities for improvement in post-processing here. As was pointed out above, what you get depends on what you want to do, but here's my quick stab at it:
I'm not a PS whiz, so the changes I made are not terribly sophisticated.
1. Cropped to make the inner frame more prominent.
2. Lowered the overall levels.
3. Used magnetic lasso with some quick-mask tweaks to select the inner frame.
4. Created an adjustment layer of the inner frame and set blending mode to multiply and opacity to about 50% to improve contast of kid. (this didn't work all that well, BTW)
5. Lowered the saturation of everything but the kid and the blankets in the inner frame. There wasn't much color there to begin with and sometimes I have had good results by exaggerating what I originally see as defects.
6. Boosted the saturation of the yellow in the sign on the wall.
I don't know that my version is better than the original, but hopefully it will show you some of the possibilites in post-processing. There are many useful discussions in Dgrin's Photoshop Shenanigans forum if you want to learn more about it.
Cheers,
But I enjoyed playing with this shot and this is what I came up with.
I'm a sucker for selective Color!
Either you like it or hate it I guess.
Was definately a great photo to play with one way or the other.
Old meets new
Or New meets old?
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First action was a free transform to get rid of perspective (i.e. the vertical lines fanning out) and re cropped the picture.
Then I converted the picture to LAb and steepened both A and B curves
After that I selected the door only, and did some additional LAB adjustment to change the temperature of the 'red' a little.
I think the color change is too extreme, especially after seeing the original, but it gives an indication of what can be done.
XO,
Mark Twain
Some times I get lucky and when that happens I show the results here: http://www.xo-studios.com
If I had time to mess with that image (at work now), I'd try lowering the levels on the red wall. Overall, though, this has the most improvement, IMO.
I am in the "I hate selective color" camp.
Nice composition, MW. I like how the stuff to the top right of the door balances the boy in the courtyard.
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- Pretty cool shot but as others have said, too much happening in the shot. The viewer's eye doesn't know what to look at.
- I'm also not a real "selective color" junkie. For me it only works on limited shots - not yours, in my opinion
- For me the cool part of your shot is the action that is happening behind the red wall/door. And the color of the wall competes with that action in the center. The red and detail of the wall/door overwhelm the young boy and hanging clothes part of the pic.
- So . . . if it were my picture, I would work to tone down that dominating part of the picture with some a)masking, and b)exposure and c) levels control in photoshop or other photo processing program.
Here's my quick and dirty (don't look too close at my masking) take on your shot.Keep posting your pics!
I knew, of course, that trees and plants had roots, stems, bark, branches and foliage that reached up toward the light. But I was coming to realize that the real magician was light itself.
Edward Steichen
FWIW,
XO,
Mark Twain
Some times I get lucky and when that happens I show the results here: http://www.xo-studios.com
XO,
Mark Twain
Some times I get lucky and when that happens I show the results here: http://www.xo-studios.com
-Marilyn Monroe
so, i am coming here a little bit late ... better late than never ...
what i did? shadow&highlights in RGB, then i went to LAB space (because of Dan Margulis :-) ), did some steeping in L a b channels, come back to RGB and think .... and i added, as i could, the "life" to the interior part of image... more saturation, dodge in the bottom, in final i like this edit ... one of trillions possibles ... but at the end congratulations to the author mwgrice of this shot:-) thank's to mwgrice and digital grin i could practice more :-)
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