Settings to scan 35mm Negatives ????
kirbinster
Registered Users Posts: 301 Major grins
I have an Epson Perfection V500 scanner with negative tray and would like to start scanning lots of old 35mm negatives I have laying around. What is the best way to do this? What resolution and DPI settings should I use? Am I best to use the software that comes with the scanner, or is there better software to use for this task?
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Family archive or fine art/magazine quality?
TV/web viewing only or enlargeable to very large print sizes?
etc.
The software that came with your V500 will work ok.
A lot of folks who scan professionally like and use VueScan I have used scanning software from www.hamrick.com for a decade. VueScan will operate almost all film and flatbed scanners on the marker. It is now 64bit aware and compatible too. Cheap too.
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there are other software's , but they need your original Epson software to work
[ cant hurt to check their site for newer version though ]
scan at a high resolution , but ,
there is no need for real high resolution , as it will not overcome original resolution of the film , it just takes longer to scan
if you can see original pixels its ok
its a bit of try and find out
whats more importend , is
both the film and glass-plate are clean
and with clean , i mean spotlessly clean
every dust fiber will be visible
and , my idea ,
forget these so-called "auto" stuff
just scan , save , and use photoshop or other editor to finish it off
/ɯoɔ˙ƃnɯƃnɯs˙ʇlɟsɐq//:dʇʇɥ
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scanning at higher res will only take longer
just find the balance that works best for you [ and your scanner ]
to high res is waste of time
do some scans at different settings , than compare and choose your settings that work best for you
save to disk , then edit , [ from a copy ] ,you only have to scan once
/ɯoɔ˙ƃnɯƃnɯs˙ʇlɟsɐq//:dʇʇɥ
I would scan in 16 bit myself, as it collects more data, and there is less likelihood of posterization of skies and large areas of smooth color. Do a good job once, and you will not have to come back and do it again later. Some folks will scan to 8 bit, but your file will be much more brittle when edited.
An important point is picking a good black and white point in your scans.
Scantips is a great source for unbiased information about scanning negatives, positives, and prints....
Remember, this is all digital, so other than your time, it is "free" so play with it a while and get a feeling for what you can and cannot do. The Epson V500 is a nice flatbed scanner ( I own a V 700 ) .
Moderator of the Technique Forum and Finishing School on Dgrin
PF,
How does that scanner do with negatives? I'm buying a panoramic 35mm camera. I plan on processing the b/w film myself and then scanning. I'm looking for an inexpensive solution, and I'm wondering if I can get by with a flatbed or if I need to get a film scanner.
EDIT: Also, I should mention that each frame will be roughly 2x as long as a conventional 35mm frame, so conventional scanner set to scan a 35mm frame would mean that I'd have to stitch them afterwards, which is something I'd like to avoid.
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VueScan has settings for B&W negative scans too.
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Size = 100% or same size as the original
Bit Depth = The highest that the scanner offers.
If the software does a good job of inverting (easy) and removing the colour mask (not as easy), then use the scanner controls to make this positive and acceptable "true" colour. Otherwise, scan as a neg. and one can use Photoshop to invert, remove the colour mask and balance the colour. Some may use Lightroom or Adobe Camera Raw to "develop" their negs scans, as they can quickly sync. settings over batches or multiple scans (parametric edits as opposed to traditional pixel level edits).
You will save more time making sure that the images are clean before scanning, than dustbusting after scanning.
Regards,
Stephen Marsh
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