hair and makeup video
My first attempt ever at shooting and editing a video. I was doing a photo shoot at the time, so I decided to do a quick video showing all the work my makeup artist does during a photo shoot.
http://petespringer.biz/fashion/hair-makeup/
http://petespringer.biz/fashion/hair-makeup/
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Comments
Nice work!
Portland, Oregon Photographer Pete Springer
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Well ya need to be! My first effort was nothing like yours at all! I had wanted to shoot a behind the scenes video of a boudoir shoot I did. I still have the footage and all very unusable mostly due to the ignorance of the Model I hired. She was very freaked out about the video! Didn't want to be "seen" without make-up on, etc...just totally stupid!
So yes, your effort was refreshing!
You know, the video tidal wave is hitting models in a similar way it's hitting photographers. We can kick and scream into the future but video is here to stay and not only that -- it may be the only thing we're shooting in the future (pulling stills from the video).
I've been as reluctant as your model to embrace video but I do want to survive and everything is pointing to the convergence of stills and motion. Thanks again for your comments.
Portland, Oregon Photographer Pete Springer
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My biggest gripe is the editing. Which makes sense, since that's what I do!
You need to pay more attention to the music as you're cutting. Some of your cuts are very close but just off of the downbeat. This is awkward. Not that every cut needs to be on the downbeat, but they need to feel right with the rhythm of the music. Think of the music as the backbone of your piece. It gives it structure, a form to hang your story on. Even in a hair and makeup video like this you're telling a story.
You picked a piece of music that is rather ethereal, but there is a tempo to it, there are downbeats. They're not marked by a drum kit or anything, but they are there. Try tapping your foot, your finger, standing up and allowing your body to feel the music, anything like that to get in tune with it, so that the cuts that are out of harmony with the music will stand out.
Walter Murch, one of the great editors and thinkers ever does all his cutting standing up, so that his body can feel the rhythm of the scene. This for scenes that don't have music, even. Editing is about story and rhythm. So, you don't have to stand up, but you do have to open your senses to it and pay attention.
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