Which Nikon body should I rent to research for buying?
So I'm shooting a small wedding for my friend at the end of the month (last minute as her other photog fell through). I basically quoted her a price to cover my expenses to rent some fun equipment I would need, a couple little goodies I've been wanting (black rapid strap, etc) and for my cost of a BRI fabric hinge mount album to gift her mother.
I'm really wanting to get a new body this year with my tax return money, so I was going to take this opportunity to rent a body to test between the D700 and D300S. (I'm going to keep my D80 as a backup).
For those that have used or own both, which would you recommend? And why? I shoot a lot of portrait and family event type things. The main reason I want to upgrade is I prefer to use natural light as much as possible and want better low light capability. I need to own a second body anyway for some seasonal grad work I do for a company and I've had my eye on upgrading for awhile.
These are the things that I've already factored and am fine with for both bodies.
1. My lens lineup.
2. Price
I'm very interested in finding out what you've personally found with pushing the ISO on both bodies. What makes the D700 worth the extra money (if I don't necessarily need the full frame)?
I'm also going to rent a lens or two. I'm thinking of getting the 85 or 50 1.4, a wide angle and/or the Sigma 50-150. (I have a 50 1.8, 24-70 2.8 and a few others already). I shot with a Tamron 70-200 a few times and was thinking of comparing the Sigma.
Anyone have some thoughts? Suggestions of things I didn't list?
I'm really wanting to get a new body this year with my tax return money, so I was going to take this opportunity to rent a body to test between the D700 and D300S. (I'm going to keep my D80 as a backup).
For those that have used or own both, which would you recommend? And why? I shoot a lot of portrait and family event type things. The main reason I want to upgrade is I prefer to use natural light as much as possible and want better low light capability. I need to own a second body anyway for some seasonal grad work I do for a company and I've had my eye on upgrading for awhile.
These are the things that I've already factored and am fine with for both bodies.
1. My lens lineup.
2. Price
I'm very interested in finding out what you've personally found with pushing the ISO on both bodies. What makes the D700 worth the extra money (if I don't necessarily need the full frame)?
I'm also going to rent a lens or two. I'm thinking of getting the 85 or 50 1.4, a wide angle and/or the Sigma 50-150. (I have a 50 1.8, 24-70 2.8 and a few others already). I shot with a Tamron 70-200 a few times and was thinking of comparing the Sigma.
Anyone have some thoughts? Suggestions of things I didn't list?
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Comments
HTH -
- Wil
Not sure if this is a concern or not for you, but "rumor" has it we may actually see a D800 this year. Could just be more talk, but I'm actually going to wait and see. I even read somewhere that availability of the D700 was starting to get a little tight, possibly a sign that they are not being manufactured. Either way, I'm sure you'd fall in love with the D700.
I'm a Canon shooter, and I can't stop thinking about that D700 everytime I pick up my camera!
Lenses: Nikon 70-200 f/2.8 VR II | Nikon 24-70 f/2.8 | Nikon 50mm f/1.4
Lighting: SB-910 | SU-800
Anyways my point is, get the D700 absolutely. I paid less for my used D700 than I paid for my new D300, so honestly you can't go wrong!!
Don't get me wrong I still love my D300 and I use it professionally all the time. But once I tasted the goodness of FX, I have a very hard time using the D300 any higher than ISO 800 now, even though I used to go comfortably to 3200 back when I first got it. Now seeing what the D700 does at 1600 and 3200, I've just been spoiled I guess. And 6400 makes a great B&W if you can get a bright enough exposure, even in a professional environment...
As far as lenses go, I love an 85 on either camera. The Sigma 50-150 is also one of my favorites, I've owned it since 2006 when it first came out and it has served me very well. I've photographed tons of weddings with an 85 on the D700 and the 50-150 on the D300. (My current favorite 85 is the new Sigma 85, it honestly is the best 85 EVER!) Then, if you have the 24-70, you should be good to go. 24-70 on the D300 / D80 and 85 on the D700, OR in good light 24-70 on the D700 and 50-150 on the D300 / D80... Bases covered. Pick up a cheap used Sigma 50 EX Macro and toss it in the bottom of your bag, if the 24-70 isn't close enough.
The only problem is, a wedding is a SERIOUS undertaking. You can't just rent / buy a really nice camera, you have to know that camera like the back of your hand. If the wedding is at the end of THIS month, you should buy the D700 NOW and use it every single day. I cannot stress enough how important it is to, well, NOT screw up lol. If anything, I would have charged the friend a few hundred bucks EXTRA, and paid an experienced photog to 2nd shoot with you. If this is your first / 2nd etc... Otherwise if you know what you're doing, then just get the D700 ASAP and get acquainted with it! :-)
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
Both of these go to 25k ISO.
When I did my own at home print for print comparison in low-light/High ISO, I found the glass hung on the end made more difference than the camera it was hung on: D300/D700, of course the former being limited to 6.5k ISO.
Knowing what I know now and have experienced too, I'd rent the D3S, forget the rest, and try to find the money I was going to need to buy it!
Moderator of the Cameras and Accessories forums
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
I've rarely picked up my D300, D2xs or D200 since I bought my D700. It's just that good. You won't want to give it back.
http://clearwaterphotography.smugmug.com/
You will be one happy camper Molly. I shoot with the D3 and the D300. I find that I'm using the D3 for over 2/3rds of my captures.
http://behret.smugmug.com/ NANPA member
How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
http://photos.matthewsaville.com/Outdoor-Photography/collections/Time-Lapse-Photography (Everything was made on a D200 or D300...)
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
One thing I'm going to try is shooting a movie with the D300 set to 8FPS. Nikon did a commercial with the F5 doing that, so I might give it a shot as well, and not need to burn through 200 rolls of film.
Very impressive as always, Matt. I didn't watch them all but I really liked the wedding one. How do you get people to leave the camera alone? Sit by it for a few hours?
I think they sell remote controls on fleabay that have intervalometers like that.