#73 Rush is Relative: C&C welcome...
bbjones
Registered Users Posts: 234 Major grins
Here's an idea I'm playing with. Do either of these work?
"Rush is Relative"
#1:
#2
Any suggestions are most welcome... thanks!
"Rush is Relative"
#1:
#2
Any suggestions are most welcome... thanks!
The goal of my photography is is the effective, original communication of a feeling expressing truth, beauty, or love.
www.photographyjones.com
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Pentax K-x and assorted lenses
If you are hungry, come on over. I've got a million of these things in my garden. Posing for a contest picture does not get them forgiven for eating my irises.
I hear you. The best entries, to me, are the ones that ride that line.* The point is to stretch your eye, so going the most obvious route is not the most interesting. However, if you go too far over the line, then it's just petulant. That might be interesting, but it's also annoying.
They said Marcel Duchamp (among many others) went too far over the line. Actually, some people still say that.
*I'm certainly not claiming to have ridden that line successfully...
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I like the 2nd one the best with the snail's arched body (and it could be perceived as an attempt at rushing too.)
But I'm fairly new to these challenges myself so my credibility here isn't much.
GP
Just as an aside, what I like the most about these is the long snail shadow.....
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If I could tell the story in words, I wouldn't need to lug around a camera. ~Lewis Hine
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As far as interpreting the theme, I have stretched it more often than not but had a very boring title for my last entry. Fortunately, folks paid more attention to the image than the title!
"Rushing at a snail's pace"
"The antithesis of rushing"
I googled at a snail's pace and came across the expression "at a snail's gallop" which I had never heard, but perhaps that will help you in some way. "The antithesis of rushing is a snail's gallop"?
Good luck with it!
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I'm gonna gamble it on the theme. What's the worst that could happen, right? If it makes any difference, this guys was bookin', for a snail. I pulled him out of the flowers and put him on the path, and he was not happy about it!
I'm still torn as to which one to pick. I like the strong diagonals in #1, the long shell shadow, the clear eye-stalk shadows, and the good view of the shell.
In #2, I like the arch of the body, and the angle on the head.
From a composition point of view, I'm leaning towards #1. What would your art teacher say?
thanks for looking!
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How about 'Faster Than Glacial' for a title?
Ditto
If it helps, I lean toward #2 not only because of its attributes but because I am wishing the shadow and eyestalk in #1 were more clearly defined. There are strong diagonals in #1 but I think the composition of #2 puts more emphasis on your subject.
My SmugMug Galleries
Another good lesson I learned from this exercise: DOF for a long lens at short distance and wide open is VERY small. These were shot with 100m, f/3.2 from as close as I could focus (about 3 feet or so).
This site calculates it for you. With my settings on #1, my theoretical DOF is about 1/3 of an inch. I wanted to isolate the snail, but I probably should have used f/5.6, which would have given me a DOF of about 6/10".
I like the name ideas from everyone. I'm leaning towards something involving "a snail's gallop" -- that's a nice parallel to the theme contrast...
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If I could tell the story in words, I wouldn't need to lug around a camera. ~Lewis Hine
http://sandizphotos-seascapes.smugmug.com/
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