Brad, I'm afraid I don't have a specific process for my b&w conversions. For what it's worth, I do everything in Aperture. But to the extent I do have a workflow, I'll normally make a number of adjustments to the shot while still in colour including exposure, some overall contrast, recovery of shadows and some highlights. If I intend to convert to b&w, I won't worry about white balance or whether I'm over saturating some colours. It's about getting it to a point that I know where I want the white and black points in the image as well as how much texture I want to have. After that, I'll flick the b&w filter. Once in b&w, I'll work on the mid-contrast levels as well as the various colour filters used in b&w mode. For example, skin and faces tend to have red and green tones.
But all in all, I'll work with an image until it satisfies me. Nice deep blacks with plugging only where I want it or it can't be avoided. Bright skin and faces but avoiding blown noses or checks. Texture and contrastiness (is that a word?) on flat surfaces. I'll normally put it away at that point and come back in an hour or two to see if it still feels good.
Both are excellent, and the B/W is well done. The first is fun with one person per slot, but the second is much better photographically in my opinion. The symmetry of the bench with 2 people each side. The depth of field is just right giving almost a 3D effect. The leading lines of the pavers....perfectly seen and captured.
I think the second one is really something... The young, carefree, couple sitting there letting the rain fall on them... And then the older, more experienced, more careful older couple covering themselves..
I'm glad you all liked the shots. Last Sunday was one of the first times I've been out in ages with the sole intent of getting an image or two. It felt good, even if I was fairly sore by the end of the day.
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Brad, I'm afraid I don't have a specific process for my b&w conversions. For what it's worth, I do everything in Aperture. But to the extent I do have a workflow, I'll normally make a number of adjustments to the shot while still in colour including exposure, some overall contrast, recovery of shadows and some highlights. If I intend to convert to b&w, I won't worry about white balance or whether I'm over saturating some colours. It's about getting it to a point that I know where I want the white and black points in the image as well as how much texture I want to have. After that, I'll flick the b&w filter. Once in b&w, I'll work on the mid-contrast levels as well as the various colour filters used in b&w mode. For example, skin and faces tend to have red and green tones.
But all in all, I'll work with an image until it satisfies me. Nice deep blacks with plugging only where I want it or it can't be avoided. Bright skin and faces but avoiding blown noses or checks. Texture and contrastiness (is that a word?) on flat surfaces. I'll normally put it away at that point and come back in an hour or two to see if it still feels good.
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I'd love to learn how to do authentic looking B&Ws like these.
Bruce
www.borrowedlightphotography.com