Sunday in front of the state library
michswiss
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Brad, I'm afraid I don't have a specific process for my b&w conversions. For what it's worth, I do everything in Aperture. But to the extent I do have a workflow, I'll normally make a number of adjustments to the shot while still in colour including exposure, some overall contrast, recovery of shadows and some highlights. If I intend to convert to b&w, I won't worry about white balance or whether I'm over saturating some colours. It's about getting it to a point that I know where I want the white and black points in the image as well as how much texture I want to have. After that, I'll flick the b&w filter. Once in b&w, I'll work on the mid-contrast levels as well as the various colour filters used in b&w mode. For example, skin and faces tend to have red and green tones.
But all in all, I'll work with an image until it satisfies me. Nice deep blacks with plugging only where I want it or it can't be avoided. Bright skin and faces but avoiding blown noses or checks. Texture and contrastiness (is that a word?) on flat surfaces. I'll normally put it away at that point and come back in an hour or two to see if it still feels good.
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Moderator of: Location, Location, Location , Mind Your Own Business & Other Cool Shots
I'd love to learn how to do authentic looking B&Ws like these.
Bruce
www.borrowedlightphotography.com