Advice Needed!
Hello fellow grinners!
I'm shooting my first wedding in a month (favour for my wife's friend), and I'm starting to wonder if my setup is adequate. I have a gripped XSi, 580 EX II, 17-55 2.8, 50 1.8, 75-300 non-IS and will be borrowing a 70-200 2.8 IS for the day. Would I be wise to add a second body for a backup (or just to have two ready to shoot at all times)? I'm thinking about adding another XSi or perhaps a T1i/T2i. It's a rookie photog's dream day....outdoor ceremony followed by a reception in "The Cavern", which is dark and has rock for walls/ceiling :help. I was thinking of buying a gripped T2i for the wedding, then selling both the XSi and T2i to fund a 7d. Then if another wedding/event came up that required a backup, I'd buy another low cost Rebel for my 2nd camera. Any thoughts? I'm new to the "for hire" side of things and open to all suggestions, whether on gear or technique!
Adam
I'm shooting my first wedding in a month (favour for my wife's friend), and I'm starting to wonder if my setup is adequate. I have a gripped XSi, 580 EX II, 17-55 2.8, 50 1.8, 75-300 non-IS and will be borrowing a 70-200 2.8 IS for the day. Would I be wise to add a second body for a backup (or just to have two ready to shoot at all times)? I'm thinking about adding another XSi or perhaps a T1i/T2i. It's a rookie photog's dream day....outdoor ceremony followed by a reception in "The Cavern", which is dark and has rock for walls/ceiling :help. I was thinking of buying a gripped T2i for the wedding, then selling both the XSi and T2i to fund a 7d. Then if another wedding/event came up that required a backup, I'd buy another low cost Rebel for my 2nd camera. Any thoughts? I'm new to the "for hire" side of things and open to all suggestions, whether on gear or technique!
Adam
0
Comments
ESPECIALLY IF YOU'VE NEVER SHOT A WEDDING BEFORE.
Hire an assistant for a few hundred bucks to back you up. It's well worth it.
I do recommend an external power supply for the 580EX II if you need rapid recycling. The external power supply also extends the life of your batteries, allowing longer times between battery changes. It does add weight and bulk to your setup so it's not for everyone or every situation.
Use a flash modifier and flash bracket to help disperse the light and get it higher off your camera. This will improve your images more than anything else. It is especially helpful for the dark "cavernous" shooting conditions where you get no bounce.
The one I particularly recommend for this situation (DIY):
http://www.fototime.com/inv/908195739C4C0D3
Moderator of the Cameras and Accessories forums
This is very good advice.
Moderator of the Cameras and Accessories forums
It's also difficult shooting situations (dark churches that do not allow flash, dark reception halls with variable lighting, etc.) Then factor in that the groom is usually wearing black and the bride is wearing white, it makes metering properly just another thing that you need to factor in. My advice is going to be even a little more extreme. Don't think about hiring an assistant. Have the couple hire a photographer that has earned his stripes with wedding photography, and then ask if you can be HIS/HER second shooter for free. There is much to learn and having a good teacher in the situations will greatly help you on your future endeavors.
Canon 5DII, Canon 7D
Canon Canon 24-70 f/2.8L, Canon 35 f/1.4L, Canon 70-200 f/2.8L IS II, Canon 85 f/1.2L II, Canon 500mm f/4 IS, Zeiss 21mm ZE
Speedlite 580ex II, Canon 430ex
Thanks for the advice folks. The bottom line is that I'll be shooting the wedding by myself (with my wife helping out). The couple is very relaxed, and know that I'm doing this as a favour and to gain experience. They aren't looking for pro results, and I've made it clear not to expect that. I did their engagement shots, and they were very happy with them, and had many inquiries as to who took the pics. So with that being said, I realize that a wedding is different, hence coming on here for advice. I've found a 20d to use as a back-up/2nd camera, and will possibly buy a T2i or 40d if I find a good deal.
Keep the good ideas coming!
Adam
i shot a wedding with a P&S Fuji 602, no backup equipment, they loved them.
Sometimes a couple just can't swing all the bells, put a disposable on each table, if you can swing it get a backup, if anything with a second lens, have fun, if the bride and groom appreciate what you did for them, all will be well, if they have a stick in them, well then you will never make them happy......
It's not what you look at that matters: Its what you see!
Nikon
http://www.time2smile.smugmug.com
As far as the original post goes, no one is ever fully prepaired......
things go wrong........sometimes, your lucky......
when i did the 602, well i've been shooting since the 80's, i would these day bring a second body with me,
i would rent up, and see the feathures that i am currently missing, but get to know your rented body well,
you are on the right track to care about this shoot, it shows that you are here....
It's not what you look at that matters: Its what you see!
Nikon
http://www.time2smile.smugmug.com
1.) Posing
2.) Lighting
3.) Composition
4.) Timing
These four elements must come together, all of them if possible depending on whether the shot is posed or candid... The bottom line is, an experienced professional could probably *kill* a wedding with the equipment you've listed, even though yes, a full-frame camera and a couple better lenses would be preferred.
If you aren't highly confident with your abilities in those four elements of portraiture / photojournalism, then no amount of equipment will help, and in fact buying a new camera just one or two weeks before a big first job will HURT the images sometimes, if you don't have enough time to master the camera. Honestly, I don't feel truly comfortable with a camera until I've shot with it for like 6 months and a dozen or so jobs.
I agree with Richy, who says: I won't jump to a conclusion about your couple in particular, but I will say that if you show up to shoot their wedding and they've got a limo, nice shoes / dress / boquet / cake etc. ...then congratulations, you've been taken for a ride by someone who doesn't appreciate photography. Probably, that is not the case in this case, but just so you know what to watch out for.
The absolute BEST thing I can advise is to use a community like this to connect with another, more experienced wedding photographer in your area, and ask them to assist you for a normal 2nd shooter fee. They'll at least get clean, sharp images of critical moments so that YOU won't feel so pressured. They might even be willing to do a couple poses etc, as long as you're processing the images. It should only cost the couple an extra couple / few hundred bucks, and their peace of mind will be very worth it. I do this all the time through the school for newer wedding photographers in Southern California...
Good luck,
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
Thanks,
Adam
http://www.flickr.com/photos/63315848@N05/
Adam
I think you'll do fine. I see some pics where the lighting could have been better. A fast prime that would help isolate the subject and for pics in the "cavern" otherwise a backup camera body and 70-200 2.8 and you're good to go !
Thanks,
Adam
PS - I have the nifty fifty if the cavern is really dark
I totally understand that some people just wanna get married, and even a "ceremony" is a bit frivolous. I mean when you want to spend the rest of your life with someone, that's really all that matters. The world doesn't revolve around portraits and photography.
The best thing to do is to just practice your "four important elements", and of course get to know any new gear before going into a "job"... If you get those ducks in a row, and especially judging from how well the engagement session turned out; the couple will certainly be delighted (and indebted) to receive your images.
I just want every photographer out there to take this seriously, prepare, think things through, etc... :-)
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
I'd take a 20D over any Rebel. You can't beat 8.2 mp @ 5fps (and a big comfy hand grip) for under $300 used
The 40D is very nice, and some people say it has better IQ than the 50D. Either camera would be fine, and would beat any Rebel IMHO.
+1
No matter how much they tell you they'll be okay with whatever you shoot, there is always the possibility that the couple will find fault, or just as likely likely, that the MOTHERS will find fault, with the imagery.
Weddings are like boxing matches: Keep your hands up, and protect yourself at all times.