I didn’t see this coming . . .
Weddings are not my forte (I do mostly high school sports) but I will fill in when someone is in a pinch. So I agreed to do the wedding of a couple that works with my wife. <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p>
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I did my homework . . . I went to the agreed “pre wedding shots” location and did my test shots, and I went to the church the day before the wedding, set up my studio lights, and got my settings for the “big” ceremony. <o:p></o:p>
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The morning of the wedding it rained, but 15 minutes before the scheduled “pre wedding shoot” the rain quit and it stayed evenly overcast. Great for me . . . no harsh shadows to contend with. Everyone showed up for the pre wedding shoot right on time. I got all the shots the bride and groom wanted. Now off to the church right on schedule.<o:p></o:p>
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I got to the church on time, got all my lights set up, and I started shooting all the agreed to shots. I finished all my “pre-ceremony shots” and had my lights packed up and put away with time to spare. Everything is going better than expected .<o:p></o:p>
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Then I greet the pastor who is performing the ceremony and he informs me that he does not allow any photographs to be taken on the main floor once the ceremony starts. <o:p></o:p>
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As Scooby Doo would say . . . RUH ROO Shaggy!<o:p></o:p>
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I have never heard of this one before?<o:p></o:p>
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So I am forced to try to shoot the ceremony from the choir balcony about 150 feet from the alter. Even though it was way out my flash range, I still had my Canon 70 – 200mm f2.8 IS with me so I did manage to get some good shots of the critical moments. Not as great as if I would have been right up front on the main floor, but still some good shots considering where I was shooting from.<o:p></o:p>
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The main thing is that the bride and groom really loved my choice of “off location pre wedding shots” and the shots in the church . . . AND I made a nice little profit from the shoot.<o:p></o:p>
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Two lessons I learned this weekend. <o:p></o:p>
(1) Check with the Pastor/Priest about taking pictures BEFORE the wedding!<o:p></o:p>
(2) Be ready for anything! <o:p></o:p>
<o:p></o:p>
Leave a reply if you ever ran into this situation and what did you do to work around it.
<o:p></o:p>
I did my homework . . . I went to the agreed “pre wedding shots” location and did my test shots, and I went to the church the day before the wedding, set up my studio lights, and got my settings for the “big” ceremony. <o:p></o:p>
<o:p></o:p>
The morning of the wedding it rained, but 15 minutes before the scheduled “pre wedding shoot” the rain quit and it stayed evenly overcast. Great for me . . . no harsh shadows to contend with. Everyone showed up for the pre wedding shoot right on time. I got all the shots the bride and groom wanted. Now off to the church right on schedule.<o:p></o:p>
<o:p></o:p>
I got to the church on time, got all my lights set up, and I started shooting all the agreed to shots. I finished all my “pre-ceremony shots” and had my lights packed up and put away with time to spare. Everything is going better than expected .<o:p></o:p>
<o:p></o:p>
Then I greet the pastor who is performing the ceremony and he informs me that he does not allow any photographs to be taken on the main floor once the ceremony starts. <o:p></o:p>
<o:p></o:p>
As Scooby Doo would say . . . RUH ROO Shaggy!<o:p></o:p>
<o:p></o:p>
I have never heard of this one before?<o:p></o:p>
<o:p></o:p>
So I am forced to try to shoot the ceremony from the choir balcony about 150 feet from the alter. Even though it was way out my flash range, I still had my Canon 70 – 200mm f2.8 IS with me so I did manage to get some good shots of the critical moments. Not as great as if I would have been right up front on the main floor, but still some good shots considering where I was shooting from.<o:p></o:p>
<o:p></o:p>
The main thing is that the bride and groom really loved my choice of “off location pre wedding shots” and the shots in the church . . . AND I made a nice little profit from the shoot.<o:p></o:p>
<o:p></o:p>
Two lessons I learned this weekend. <o:p></o:p>
(1) Check with the Pastor/Priest about taking pictures BEFORE the wedding!<o:p></o:p>
(2) Be ready for anything! <o:p></o:p>
<o:p></o:p>
Leave a reply if you ever ran into this situation and what did you do to work around it.
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14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
I actually have a clause in my contract that the b & g should understand that the photos may be limited or restricted due to rules of the officiant and venue. Also it is their responsibility to speak to the officiant ahead of time and find out if there are any. I also speak to the officiant before every ceremony to double check... which is a good thing. I had one 2 weeks ago that the bride & groom had assured me that their officiant was flexible and great with whatever, and then when I spoke with him about 10 minutes before the ceremony he completely changed his restrictions to "shoot from the back, & don't move". It happens. It is fine. Don't stress about it.
oh, and work around: Lemonade, right?
Bodies: Canon 5d mkII, 5d, 40d
Lenses: 24-70 f2.8L, 70-200 f4.0L, 135 f2L, 85 f1.8, 50 1.8, 100 f2.8 macro, Tamron 28-105 f2.8
Flash: 2x 580 exII, Canon ST-E2, 2x Pocket Wizard flexTT5, and some lower end studio strobes
Thanks for the input Grinners . . . I will use your advice the next time I am asked to "fill in" at a wedding.
Like I said, this has never happened to me before nor have I ever witnessed it happening to another photographer.
I also primarily shoot HS sports, but really enjoy doing the few weddings I get.
www.seanmartinphoto.com
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it's not the size of the lens that matters... It's how you focus it.
aaaaa.... who am I kidding!
whoever dies with the biggest coolest piece of glass, wins!
I Often just stand in the Aisel anyway and shoot and just ask the priest to get them to turn to one another so everyone can see the exchange of the rings etc and they are fine with that if they don't do it already.
Realisticaly the church service is lucky to go 3-4 pages in my albums anyway and the rest is the park/ "official" shots and it's never like I need more shots to pad the album out.
I was doing Video for a friend once, I went into the church, plugged in my light and got ready. The bride is about to come up the aisle and the priest steps right in front of the camera and asked me who gave me permission to use " his" electricity. More than a little taken aback, I said that I'm sure the B&G more than covered in it the fees they paid to be married there.
Clearly not being the answer he was looking for he said he didn't think he should let me film the ceremony. I took the camera off my shoulder and said really? Ok then, I'll just go sit in the car and wait. Not my wedding, I don't care if They have the ceremony on thier video or not, I have already been paid.
With that the backflip came thick and fast trying to restore so fear factor and intimidation and he said he'd let me this time but if I didn't ask next time he wouldn't be so forgiving. I almost laughed out loud.
The thing I have found is that a lot of priests have these rules because they have had to deal with numerous idiot shooters before that have crossed the line and done what they should have known better not to think of.
I know I have seen shooters do that I would not believe had I not witnessed it with my own eyes. I remember one clown at a wedding before me doing some things that I think the priest showed divine restraint in not punching the guy in the nose!
I have also found that if you talk to the priests and ask for a compronmise or permission for something else and let them see you are respectful and not going to annoy them or upset their service they will be flexible.
I know if I were a priest i'd have a list of do's and don't that would be very comprehensive.
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
Worked every time so far (but I did have to talk to a man as such not during wedding, but christening and some other religious thing).
But I have a low tolerance for these people anyway..
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Ditto....
AND....
Restrictions such as you encountered are not all that uncommon.
..and flash use during a ceremony is pretty distracting.....and often is disallowed.
Jeff
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We weren't at the altar by the way. To the left of us were some chairs where the some choir singers were seated, and the videographer said she was told thats the best spot for pictures. But that was where the primary got told off. Maybe it was because she moved at the wrong time during the ceremony. To the right of us were empty pews. The guests were all in the middle pews and we were in the left of the semi circle, not in anyone's way at all. But rules are rules and we should have been told better or found out for ourselves. Taught me to be better at finding out the policy, though. I normally talk to the officiant or priest, but this time it just was not possible for me. But still.
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It was pretty ironic though. I was telling the videographer (who was really offhand about it when she was telling us where to stand) how careful we had to be bc catholic churches are really strict, to which she responded, "I won't worry about it. If they really want to enforce it they would have made a point to tell you." I was thinking, "ummm." lol, lucky for her she had a good spot she could stick to. I was working around her and the flower pot.
Houston Portrait Photographer
Children's Illustrator
There is a LOT that you miss if you aren't on the side isles and moving around the church. This is what people pay us for. Sure the formals are where we knock our clients over. and the family and the stupid little flower toss and all are important too, but little emotions and memories and uniqueness during the actual wedding will be cherished most I think! If all photographers were courteous when they did move, we probably wouldn't often get questioned. It's a few bad eggs I think.
Bodies: Canon 5d mkII, 5d, 40d
Lenses: 24-70 f2.8L, 70-200 f4.0L, 135 f2L, 85 f1.8, 50 1.8, 100 f2.8 macro, Tamron 28-105 f2.8
Flash: 2x 580 exII, Canon ST-E2, 2x Pocket Wizard flexTT5, and some lower end studio strobes
Thanks again everyone for your input . . . I have learned a lot from this thread!
Here are a few shots from the "big day":
These images are not cropped for effect so yes, there is some "dead space" in them.
All in all I am satisfied and the bride and groom loved the pictures so all ended well. As an added bonus on top of a nice little check for "filling in" that Saturday I already have two more weddings on the books for next summer.
I am looking forward to the challenges that they will also bring.
Again, thanks everyone for all the help!