Big wedding last weekend.
I shot a wedding this last weekend that was huge!! I took my first picture at 7:45 in the morning of girls getting their hair done, and took the last pictures at 11 at night!! It was a crazy long day. I had a great 2nd shooter though that got so much of the detail shots, that allowed me to get the main stuff the bride wanted. Let me know what you think good/bad, what could have been done better. Thanks
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http://www.RussErbePhotography.com :thumb
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D700, D300, Nikkor 35-70 F/2.8, Nikkor 50mm F/1.8, Nikkor 70-200 AF-S VR F/2.8, Nikkor AF-S 1.7 teleconverter II,(2) Profoto D1 500 Air,SB-900, SB-600, (2)MB-D10, MacBook Pro
http://www.RussErbePhotography.com :thumb
http://www.sportsshooter.com/erbeman
D700, D300, Nikkor 35-70 F/2.8, Nikkor 50mm F/1.8, Nikkor 70-200 AF-S VR F/2.8, Nikkor AF-S 1.7 teleconverter II,(2) Profoto D1 500 Air,SB-900, SB-600, (2)MB-D10, MacBook Pro
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Comments
First off these are some nice images and you most certainly caught some important moments. I don't find these overall as big wow-factor shots or as overly artistic. They certainly show an acceptable level of competency, even if they are more on the traditional side to my eye. That isn't a bad thing of course!!! Good job using low DOF and exposures and skin tones seem perfect on my calibrated laptop. Here is how I think you could do a little better though.
First is the lighting. These images sort of scream bare bulb to me. Lighting is harsh on many of them. On your group shot I am seeing shadows on people in the 2nd or 3rd rows. That is a pet peeve of mine but maybe to some it is nbd. On the groups you were obviously using off camera flash. First step is getting the lights up in the air a little more so that the shadows go below the view of the camera, then I would recommend an umbrella or softbox to soften things a bit and then either introduce more ambient into the mix by shooting a higher iso or lower shutter speed, or use front fill to soften the shadows a bit. Even a speedlight on-camera is fine for fill depending on how you are triggering your remote. In the shot with the groom and the girls it looks as though you are using 2 lights with one on either side. Usually having a single side light and front fill is more pleasing to the eye because it gives you direction to the light. This is often called "A/B lighting" and is a very easy 2-light technique. In your groom and girls shot you are throwing shadows on both sides behind them and not adding any drama to you lighting. That looks a bit amatuerish to me, but to a client I doubt they will care or notice at all.
I think your compostionts are pretty good but you have some tilted horizons. super easy fix with a minimal crop. 11 and 12 are the one that need it imho. 13 isn't an ideal tilt to my eye but not offensive either, since it is an action shot and a tilt like you have done can add an element of confusion or fmotion to the comp so it works OK in that one.
My .02!
Matt
Bodies: Canon 5d mkII, 5d, 40d
Lenses: 24-70 f2.8L, 70-200 f4.0L, 135 f2L, 85 f1.8, 50 1.8, 100 f2.8 macro, Tamron 28-105 f2.8
Flash: 2x 580 exII, Canon ST-E2, 2x Pocket Wizard flexTT5, and some lower end studio strobes
http://www.RussErbePhotography.com :thumb
http://www.sportsshooter.com/erbeman
D700, D300, Nikkor 35-70 F/2.8, Nikkor 50mm F/1.8, Nikkor 70-200 AF-S VR F/2.8, Nikkor AF-S 1.7 teleconverter II,(2) Profoto D1 500 Air,SB-900, SB-600, (2)MB-D10, MacBook Pro
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Thanks brother, I actually like how 11 is tilted. Of course that doesn't make it right. Let me show you what I was working with at the reception. Absolutely putrid lighting conditions!!! Believe it or not, this picture was already worked on once in RAW where I lowered the warmth. I've never seen a room that was actually dark orange! That was not fun to work with at all.
http://www.RussErbePhotography.com :thumb
http://www.sportsshooter.com/erbeman
D700, D300, Nikkor 35-70 F/2.8, Nikkor 50mm F/1.8, Nikkor 70-200 AF-S VR F/2.8, Nikkor AF-S 1.7 teleconverter II,(2) Profoto D1 500 Air,SB-900, SB-600, (2)MB-D10, MacBook Pro
Matt...................nice detailed feedback!
Sam
Neil
http://www.behance.net/brosepix
Love the images, although his eyes look way over-done in image #10. Not a fan of photoshopped eyes.
I can also definitely recommend getting the formals lit with a softbox / umbrella, from near the camera position and up as high as possible. Sometimes I have my assistant hold the light stand up even higher, way over my head. Or sometimes I do that for others when I'm assisting. Works great!
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
I think you did an awesome job! If I were to be nit picky, I'd say that some of the group formals, while very well posed, look posed - try asking crazy questions to get everybody to relax. You can go tame or you can go crazy (eg "french kiss your groomsman ladies!") and see everyone laugh when they understand how nuts the request is
That's all really - I think composition, lighting, detail shots; it's really there. Keep going!
http://www.RussErbePhotography.com :thumb
http://www.sportsshooter.com/erbeman
D700, D300, Nikkor 35-70 F/2.8, Nikkor 50mm F/1.8, Nikkor 70-200 AF-S VR F/2.8, Nikkor AF-S 1.7 teleconverter II,(2) Profoto D1 500 Air,SB-900, SB-600, (2)MB-D10, MacBook Pro
Matt, could you expand on the AB shooting?
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http://www.RussErbePhotography.com :thumb
http://www.sportsshooter.com/erbeman
D700, D300, Nikkor 35-70 F/2.8, Nikkor 50mm F/1.8, Nikkor 70-200 AF-S VR F/2.8, Nikkor AF-S 1.7 teleconverter II,(2) Profoto D1 500 Air,SB-900, SB-600, (2)MB-D10, MacBook Pro