Playing around...
This is a shot I took a year ago that I've been playing with today. First, the original:
Here's what I did today. I was looking at Todd Johnson's Wedding Photography site and wanted to play around with similar looks. What do you all think? Drek? Something to it? Too gimmicky? If it's a good direction, how could I make it better? BTW, it took me 9 layers to get here...and it was fun...
Here's what I did today. I was looking at Todd Johnson's Wedding Photography site and wanted to play around with similar looks. What do you all think? Drek? Something to it? Too gimmicky? If it's a good direction, how could I make it better? BTW, it took me 9 layers to get here...and it was fun...
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Comments
http://framebyframe.ca
[Bodies] Canon EOS 20D - Canon EOS 500
[Lenses] Sigma APO 70-200 f/2.8 - Canon EF 85mm f/1.8 - Canon EF 50mm f/1.8 - Tamron XR Di 28-75mm f/2.8 - Canon EF-S 18-55mm f/3.5-5.6
[Flash] Sigma EF500 Super DG Flash
[Tripod] Manfrotto 055 Pro Black
[Head] 484RC2, 200RC2
Sure, but first you have to tell me what you think
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Canon Rebel Xsi, Fuji FinePix F10
mcphoto.smugmug.com
I still want feedback, though...
Anyway, here's the layers:
The first three layers were created when I ran an action that I made based on the B/W conversion tutorial on Greg Gorman's site. The bottom layer is a grayscale image made from the Luminosity channel in Lab. The layer above that is the color that I chose to blend with the black, in this case a dark orange/brown. That layer is set to blend in Multiply mode, as per the conversion ala Gorman. The curves above are very simple, just adding a touch more contrast, as per my taste.
The layer above, labeled "Layer 2" is the original image (full color), normal blend, 30% opacity.
"Layer 2 Copy" (the one above) is the original, color image, in Soft Light blending mode, 30% opacity.
The Hue/Sat adjustment layer boosts the saturation 20%.
I used Levels 1 to crush the blacks heavily, making it way to dark, then masked it out of all but a touch in the corners. There's probably a million ways to add vignetting, but that's how I did it.
The next layer is a merge of all the layers below. I option clicked "Merge Visible" in the layers pulldown menu to make a new layer that looked like all the rest below it. Then I blurred the heck out of it, and applied a mask and painted away the blur to taste.
The top curves was used to dial back in some contrast that had gotten lost along the way.
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Thanks for the feedback. I'm stuck home with a bum back, and I was admiring the work of Todd Johnson (link above), and felt like playing. I like the original. I like this one, too, but wanted an objective opinion. I've been staring at it too long.
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The original photo is perfect and, I think, it doesnt need any additional work.
But...
Maybe
1) crop only faces with some space to the right
and (maybe)
2) try to turn to b&w ...
Great poses, super models! (Say 'priviet' to them :-)
Yuri
gubbs.smugmug.com
Dan
"It is a magical time. I am reluctant to leave. Yet the shooting becomes more difficult, the path back grows black as it is without this last light. I don't do it anymore unless my husband is with me, as I am still afraid of the dark, smile.
This was truly last light, my legs were tired, my husband could no longer read and was anxious to leave, but the magic and I, we lingered........"
Ginger Jones
I appreciate the feedback.
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Having worked with Photoshop in one form or other since '89 or so, I really appreciate it as a creative tool. While the original was awesome, it's still fun to experiment! Sometimes I like to give a client a choice of both original and PS-enhanced photos as an option, which only increases our flexibility as photographers.
So I say: Awesome job on BOTH shots!!
I also like the rework, not as a replacment, but as a seperate work. I think the girls glow with a tone that makes them look angelic to me. I like it.